‘The Tempest’ tonight at the Wyly

DTC delivers Shakespeare like no other

There are several such gasp-inducing moments in his staging of The Tempest, starting with the opening scene, set on an airplane instead of a boat. As the wizard Prospero (Chamblee Ferguson), like Desmond from Lost, rips the jet from the sky, the stage instantly transforms into a barren wasteland, as stark and beautiful as any set the Dallas Theater Center has ever produced. There are trap doors and bits of magic and flying fairies. It will make you say, “Wow.”

Read the entire review here.

DEETS: Wyly Theatre, 2401 Flora St. Through Oct. 9. $25.  DallasTheaterCenter.org.

—  Rich Lopez

Overcoming fear and finding passion

Landon Starnes had to step outside his comfort zone to compete as Lotta Pink in the Miss LifeWalk Pageant

lotta1
Landon Starnes as Lotta Pink

Tammye Nash  |  Senior Editor
nash@dallasvoice.com

Talk to Landon Starnes about his involvement with LifeWalk, the annual walkathon benefiting AIDS Arms and its partner agencies, and you’ll hear

Starnes repeat the words “passion” and “fear” a lot.

Starnes said he let fear rule him for too long. But in the end, there’s no doubt that “passion” wins out.

Starnes, who works as a hairdresser, said that he was diagnosed with HIV in October 1998. But he wasn’t prepared to deal with reality, and so for years, he said, “I ignored my diagnosis emotionally.”

But then some friends began to encourage him to confront his HIV status by getting involved in LifeWalk, specifically by joining the Guys and Dolls LifeWalk team.

Starnes said it took him awhile to get up to speed, and he was involved with LifeWalk just “off and on” for several years. But three years ago, he decided to really take the plunge and has been an active member of the Guys and Dolls team ever since.

This year, even that got ratcheted up a notch when Starnes finally gave in to his teammates’ cajoling and entered the Miss LifeWalk Pageant.

“My team had been asking me for two years to enter the pageant, but I declined every time. I was just scared to death to do drag,” Starnes explained. “But this year, I decided to accept the challenge, even though it scared me.”

The first challenge was to come up with a character, so “I started brainstorming about a character, about who I would be,” Starnes said. “I started thinking about things I, as a person, am passionate about. And I am passionate about the singer Pink.

“Her music gets to me in a way that no one else’s does,” Starned continued. “Her lyrics inspire me. I think, if I had to pick just one, my favorite Pink song is ‘Glitter in the Air.’ It says, ‘Have you ever wished for an endless night?’ ‘Have you ever thrown a fistful of glitter in the air?’ It made me look into myself, literally. Last summer, while we were on a road trip, my friends and I stopped and actually threw a fistful of glitter in the air. It was silly and fun, and now it is a memory that will last forever.”

But there is one line in the song, Starnes said, that really touched him, one lyric that made him think and gave him the determination to set aside the fear that had held him back: “Have you ever looked fear in the face, and said, I just don’t care?”

It was, Starnes said, a spark that made his passion for LifeWalk and for doing something to help others blaze even brighter.

“I knew I wasn’t going to try to be Pink, but I love what she does. So I decided I would kind of pay tribute to her with my character,” Starnes said.

And so, Lotta Pink was born.

And lo and behold, Lotta Pink won the Miss LifeWalk title on her first try, helping Starnes bring in about $7,000 for LifeWalk this year, bringing his total over all his Guys and Dolls years to about $11,000.

Starnes said he and Lotta Pink obviously have a lot in common. “We share our passion for the cause, first of all, and second, we both want to step outside the box,” Starnes said. “I was afraid of doing drag. But my favorite quote is ‘Do it scared,’ so that’s what I did. I stepped outside the box and challenged myself, and in doing that, I learned that fears are just fears, nothing else.”

Starnes said that while his fears still remain to some degree, Lotta Pink “has no fear,” and she is helping him overcome his own.

“It’s easier when you can put on a wig and some makeup and kind of step outside yourself,” Starnes said. “Now, learning to step out without that disguise is what comes next!”

Knowing that what he does is all to help AIDS Arms and the clients the agency serves makes it even easier to put the fear aside, Starnes said.

“The Guys and Dolls team works all year, not just on the day of LifeWalk. And the people at AIDS Arms work all year trying to help other people. I love AIDS Arms, and I love what it stands for,” Starnes said. “The walk itself is symbolic, to me. It’s a short walk, yes, but just going through the movement of walking allows you to release your passion.

“Everybody who participates is there for their own reasons, but whatever the reason, they are passionate about it,” he continued. “That alone speaks volumes. The biggest thing that came out of all this for me was seeing how good people really are.”

Again, it all comes down to overcoming fear and fully realizing the passion.

“It’s so important for everyone to find their passion, whether it’s LifeWalk or something else,” Starnes said. “Finding my passion has lifted me to a whole new level of awareness, understanding and joy. It’s just such a positive energy when you are around all these people at LifeWalk who work so hard to make a difference in other people’s lives. It’s helped me find a happiness I have never known before.”

AIDS Arms LifeWalk will be held Sunday, Oct. 2, at Lee Park. Registration begins at 11:30 a.m., and the walk begins at 1 p.m. For more information, go online to LifeWalk.org.

This article appeared in the Dallas Voice print edition September 23, 2011.

—  Kevin Thomas

‘Tempest:’ You, us

Kevin Moriarty is a director who embraces the full spectacle of Shakespeare, and while you can disagree with his decisions sometimes, you have to respect his commitment. He likes elements we might consider by-products of the Elizabethan Age, its Hey-Nonny-Nonnyisms: Interludes of courtly ballets and minstrel-strummed songs, arresting, fourth-wall-violating asides to the audience, expository speechifying — everything Chekhov and Ibsen and a host of others steered away from.

But he’s also a director who appreciates contemporary stagecraft: Reconfiguring the structure of plays, emphasizing the astonishing pageantry of an evening at the theater — sometimes taking us out of the play, but often with grandeur. The balance isn’t always an easy one, but it can take your breath away.

There are several such gasp-inducing moments in his staging of The Tempest, starting with the opening scene, set on an airplane instead of a boat. As the wizard Prospero (Chamblee Ferguson, pictured left), like Desmond from Lost, rips the jet from the sky, the stage instantly transforms into a barren wasteland, as stark and beautiful as any set the Dallas Theater Center has ever produced. There are trap doors and bits of magic and flying fairies. It will make you say, “Wow.”

But there are also the many edits. Yes, some of the talkiness is removed, but also some of the scope. And keeping it without an intermission leaves one’s butt castigated by those Wyly seats for nearly two hours.

This Tempest feels more like a series of vignettes than a single story: The comic relief, the sappy romance, the political intrigue, the long-stewing recriminations, bracketed by Ferguson’s Ahab-like Prospero. At first, he’s a vengeful terrorist and hypocritical zookeeper, enslaving his island’s native fauna, the ethereal Ariel (lithe, white-eyed Hunter Ryan Herdicka, pictured right) and its Orc-ish Caliban (Joe Nemmers, delivering us Quasimodo of the mud with poignancy and humor). Then Prospero changes gears, softening and showing mercy, moved by his daughter Miranda’s love for his enemy’s son.

The Tempest is problematic Shakespeare, neither comedy nor history nor classically tragic, but a romance with obscure motivations (how quickly Prospero’s mind is changed by Miranda’s capricious libido, when her suffering for two decades went unnoticed) made more obscure in this version — Prospero seems more like ringmaster than protagonist. Ah, well: The Bard was a better poet than playwright, so let’s give credit to Moriarty for taking this Tempest out of the teapot.

— Arnold Wayne Jones

Wyly Theatre, 2401 Flora St. Through Oct. 9. DallasTheaterCenter.org.

This article appeared in the Dallas Voice print edition September 23, 2011.

—  Michael Stephens

Pride 2011 • Tavern Guild names 5 parade beneficiaries

Organizations provide a variety of services for those in the LGBT and HIV/AIDS communities

Draconis von Trapp  |  Intern
intern@dallasvoice.com

Beneficiaries

In recent years, increasing costs have forced the Dallas Tavern Guild to cut back on the number of organizations chosen as beneficiaries of the annual Alan Ross Texas Freedom Parade, choosing only one each year.

This year, however, the Tavern Guild has been able to expand its list of beneficiaries once again. In addition to Youth First Texas, the sole beneficiary for the last several years, beneficiaries this year also include AIDS Arms Inc., AIDS Interfaith Network, AIDS Services of Dallas and Legacy Counseling Center.
Each of the agencies is profiled below:

……………..

Nobles.Raeline

Raeline Nobles

AIDS Arms Inc.
AIDS Arms is the largest nonprofit HIV/AIDS organization in North Texas, serving more than 7,000 individuals every year. The agency’s executive director is Raeline Nobles, and John Loza is chairman of the board of directors.

The AIDS Arms offices are located at 351 West Jefferson Blvd., Suite 300. The phone number is 214-521-5191, and the website is AIDSArms.org.

AIDS Arms’s case management programs offer numerous services to assist individuals in learning to live longer and healthier lives with HIV by providing access to medical care and support services specific to them. The agency’s goals are to create and maintain long-term access and adherence to medical care and stabilization so clients can successfully manage the side effects of HIV and AIDS.

Professional case managers are trained to respond to clients’ unique needs by providing a comprehensive assessment of needs and barriers to accessing medical care and support, as well as assessing clients for eligibility for programs such as HIV medication and health insurance assistance, Medicaid, Medicare, Social Security and other benefit programs that may help with the financial issues of HIV treatment. Case managers also develop a long-term care plan with the client.

The Case Management Resource Directory helps clients locate services such as food, housing, counseling, support groups, job training and more.

AIDS Arms offers multiple minority-specific programs for women, youth, substance abusers and those with mental health needs. The agency offers linguistic services with case managers versed in more than 10 foreign languages and dialects, and with a variety of diverse cultural and educational backgrounds and experiences.

The intake program helps newly diagnosed clients navigate the services available to them in Dallas.

AIDS Arms’ Peabody Health Center is an outpatient medical clinic that offers comprehensive medical care in coordination with other services needed to increase access to care and maintain adherence to treatment. The clinic employs physicians, nurse practitioners, nurses and others professionals who are experts in the medical field and specify in HIV treatment.

AIDS Arms is currently in the process of opening a second clinic.

One specific support group, WILLOW (Women Involved in Life Learning from Other Women), is a program that brings together HIV-positive women to learn from each other and develop new skills. Activities and group discussion lend to the positive environment where women learn how to live healthier lives and form good relationships.

……………..

Pace.Steven
Steven Pace

AIDS Interfaith Network
AIDS Interfaith Network was founded in 1986. Steven Pace is executive director. The agency’s offices are located on 501 N. Stemmons, Suite 200,
and the phone number is 214-941-7696. The AIN website is AIDSInterfaithNetwork.org.

Among its programs, AIN offers Outreach, a program to guide individuals and gives them access to prevention and care services, make referrals and ensure that those affected by HIV/AIDS have access to proper care. The program specifically targets African-Americans (African American Health Coalition) and Latinos (Manos Unidas).

AIN offers a variety of programs, including linguistic services with interpretation and translation of written materials for Spanish-speaking clients, caregivers and other service providers.

Educational services, including prevention education and risk reduction sessions, are available for at-risk individuals, groups and communities, as well as collaborative HIV testing and prevention programs.

Another program offers HIV education for minority women at high risk of infections. The program specifically targets African-American and Hispanic women, but it is open to all.

AIN’s client advocacy program receives referred clients and enrolls them into the appropriate programs. It also provides direct assistance by making referrals, providing follow up and collaborating with case management. This program collects client data, creates and updates files and provides documentation.

Transportation services are offered to clients living in both metropolitan and rural areas through van rides, bus passes for the DART and train system and taxi rides to ensure access to treatment facilities and support services throughout the prevention system.

AIN also operates the Daire Center, an adult daycare center that provides stabilization services and respite care to relieve caregivers. The center also includes monitoring, individualized support, activities, socialization and nutrition assistance. The meals program provides prepared breakfast and lunch daily in the Daire Center for clients who need assistance to meet or enhance their nutritional needs.

For those interested in taking part in helping affected clients, AIN’s volunteer program recruits, trains and manages volunteers, offering different curricula of buddy and companion services for those affected. The program also provides on-site assignments at AIN to give program, administrative and project support and to participate in fundraising events.

For clients requiring spiritual support, AIN offers pastoral services for care, counseling, education and support. The program refers clients and accepts referrals, collaborates with Outreach, offers prevention education and recruits volunteers.

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Maison.Don1-
Don Maison

AIDS Services of Dallas

AIDS Services of Dallas was founded in 1985. Don Maison is president and CEO. ASD offices and apartment buildings are located in North Oak Cliff, near Methodist Medical Center. The phone number is 214-941-0523 and the website is AIDSDallas.org.

ASD’s housing program provides furnished, service-enriched housing and assisted living in private apartments for people with HIV/AIDS. ASD never turns away clients due to an inability to pay rent and it is the largest licensed provider of medically supportive housing for infected individuals in Texas, with four facilities: Ewing Center, Revlon Apartments, Hillcrest House and Spencer Gardens.

Ewing Center consists of 22 units — five one-bedroom apartments, 15 efficiencies and two special need beds/rooms. Revlon Apartments are designed to accommodate individuals and families, with 20 one-bedroom and seven two-bedroom apartments.
Hillcrest House, which provides service to individuals who are formerly homeless and living with HIV/AIDS, has 64 single-unit efficiencies. And Spencer Gardens, named in memory of Diana, Princess of Wales, provides housing for 12 low-income families.

ASD provides morning and lunchtime meals five days a week and coordinates dinner meals through the Supper Club volunteer program. For immobile clients, the program also provides carryout meal services.

For transportation services, ASD provides a 15-person van to provide regularly scheduled trips to a local food pantry, supermarket and second-hand clothing stores. It also carries residents to and from medical appointments and social service appointments and is used to transport residents to recreational activities planned and implemented by the Resident Councils.

ASD’s case management program provides professional social work staff to determine the psychosocial services needed for each individual resident and assist them in accessing community-based service providers. In addition, the social workers provide on-site case management, substance abuse counseling, individual and group counseling and grief support as needed.

The Social Work Department provides recreational activities for the children of ASD and helps their adjustment to the community and public schooling. With funding from the ExxonMobil Community Summer Jobs Program, ASD has hired a children’s activity coordinator to provide recreation during the summer months for the children residing at ASD.

ASD provides 24-hour care and support for its residents. Nurses provide both care and support to residents as well as implement the health maintenance programs. Personal care aides monitor every individual’s needs and habits and provide full-time assistance with routine tasks of daily living for HIV-positive residents.

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Grove,-Melissa11
Melissa Grove

Legacy Counseling Center and Legacy Founders Cottage
Established more than 20 years ago, Legacy Counseling Center provides mental healthcare, substance abuse treatment and housing services for individuals affected by HIV and AIDS. Melissa Grove is executive director. Legacy’s offices are located at 4054 McKinney Ave., Suite 102. The phone number is 214-520-6308 and the website is LegacyCounseling.org.

Legacy Counseling Center provides both individual and group therapy. In individual therapy, individuals receive one-on-one private therapy sessions with licensed professional counselors specially trained in mental health issues of persons affected by HIV and AIDS.

They assist with coping, anxiety, depression and survivor guilt as well as medication compliance.

Group therapy is offered both during the day and the evening and helps HIV-infected individuals contend with many unique issues, and include female-only groups, Spanish-speaking groups and other targeted groups.

Legacy’s Substance Abuse Program provides intensive outpatient substance abuse treatments along with ongoing relapse prevention services for HIV-positive individuals. The program also educates clients about drug abuse and how it ties in with HIV and AIDS in both group and individual therapy. The outpatient therapy schedule can be tailored to the individual’s needs.

To take part in these programs, the individual must be HIV-positive with a letter of diagnosis, at least 18 years old and must remain alcohol and drug-free during the program.

Legacy also operates the Legacy Founders Cottage, a licensed, seven-room special-care facility for people living with AIDS in critical stages of their illness who require 24-hour supervised care.

……………..

Youth First Texas

Wilkes.Sam
Sam Wilkes

Youth First Texas is staffed by Director of Development and Administration Sam Wilkes. The YFT offices are located at 3918 Harry Hines Blvd. The phone number is 214-879-0400 or, toll-free, 866-547-5972. The center is open Tuesday and Wednesday from 6 p.m. to 9 p.m.; Thursday from 5 p.m. to 9 p.m.; Friday from 6 p.m. to 10 p.m.; and the second and fourth Saturday of the month from 6 p.m. to 9 p.m.

YFT offers free counseling to LGBTQ youth ages 22 and younger through volunteer counselors. All counselors are licensed professionals or student interns working under the supervision of a licensed counselor. All legal and ethical guidelines are followed including confidentiality and keeping files. Youth under the age of 18 must have written consent from a parent or guardian before receiving individual counseling services.

Counselors address issues such as coming out, family and school issues, bullying, self-mutilation, depression, isolation, relationships and dating, gender identity and expression, and drug and alcohol abuse.

YFT offers three main groups, but these may be supplemented with other support groups as the need arises. The three support groups are Survivors, Gender Identity and Coming Out.

Survivors’ Group is a peer support group for youth who have suffered isolation, abuse or other trauma, offering them the opportunity to discuss things that are troubling them and receive feedback from peers in a safe space. This group is held on the first and third Thursdays of the month from 7:45 p.m. to 8:45 p.m.

Gender Identity Group is specific to youth dealing with issues related to gender identity and expression. The group is also open to youth who are curious about their gender-variant peers and gender issues in general. It is held on the second and fourth Thursdays of the month from 7:45 p.m. to 8:45 p.m.

Coming Out Group deals with thoughts and feelings about sexuality. YFT periodically offers a four-week support group, providing an opportunity to share with a small group of peers about sexuality and coming out.

YFT also offers multiple educational programs throughout the year. Among these are book club, café cinema, GED tutoring, “Our Roots Are Showing,” Youth Defenders and GSA Network. The center also offers many recreational activities, such as Dallas PUMP!, Friday Night Kula Feast, Movie Camp, Open Mic Night, and the YFT Dance Group.

Throughout the year YFT participates in softball through the Pegasus SlowPitch Softball Association, volleyball through Dallas Independent Volleyball Association, concerts by the

Turtle Creek Chorale, theater performances by Uptown Players and other functions. YFT participants are also kept privy to queer-related opportunities such as performing at their annual fashion show Give E’m Heel and the Gayla Prom by Resource Center Dallas.

This article appeared in the Dallas Voice print edition September 16, 2011.

 

—  Kevin Thomas

Good Christian belle

Gay ally Kristin Chenoweth talks about her new country music CD (she adores Dolly!), queers … and the right way to be a Christian

THE GOSPEL ACCORDING TO KRISTIN | The performer has conquered stage, recording, TV … and uniting gay rights with her faith.

Kristin Chenoweth doesn’t get miffed very easily. But when she does, watch out. Last year, after Newsweek published a commentary on the inability of gay actors to play straight roles, she wrote an extensive letter to the magazine, calling the article “horrendously homophobic.”

But Chenoweth’s allegiance to the gay community goes back to growing up in Oklahoma — a place she returned to for her latest album, Some Lessons Learned, the first of four where the opera-trainer singer fully embraces her country roots.

We had lots to talk about when we caught up with Chenoweth, on a dinner break from shooting her upcoming series, Good Christian Belles. She discussed her history of dating gay men, her opinion on Michele Bachmann’s support of gay conversion clinics … and being a little bit wicked.

— Chris Azzopardi

………………………..

Dallas Voice: Your character’s name on Good Christian Belles is Cockburn — Carlene Cockburn. Chenoweth: I can’t wait for my family to hear that one. Are you kidding? I was like, “Wait a minute…!” But I just think the most important thing for me as an actress, because of the lines that come out of my mouth, is to just have to speak them and keep going, because they’re so funny and her name is so funny and the whole thing is just so great. I love it.

Does your character have anything in common with April Rhodes, who you play on Glee? Probably not on paper, but they’re both pretty outlandish people. Carlene, though, is the antithesis of April.

You grew up in Oklahoma, so country music is your roots. How is your new album a reflection of that? It’s so funny, because I get asked, “Why a country album now?” But that’s how it all began for me. Of course, why would anyone know that? It’s not something I’ve been talking about a lot, but it’s the music I grew up listening to. One of my biggest influences is Dolly Parton, and when you look at the history of songs in musical theater and in country, they’re both usually great storytellers.

I know just how lucky I am to do this kind of music. Getting to go to Nashville and sing this music that feels like home to me was a real gift, and one that I don’t take lightly.

The song “What Would Dolly Do?” reminds me a lot of Dolly herself. I co-wrote that. [Producer] Bob Ezrin asked, “Who’s had the biggest influence on you country music-wise?” I said, “Dolly, without question.” And he said, “How would she approach it? Let’s think: What would Dolly do?” I said, “Bob, why aren’t we writing that song?”

There’s something about her that I feel very attuned to. There’s only one Dolly. I’m not comparing myself, but I’m just saying her spirit and the way she looks at life is pretty similar to me. And the cover I did of hers [“Change”] is actually a very emotional thing and it reminded me — of course, how could I ever forget? — what an amazing songwriter she is. You know, I didn’t do a lot of covers. I did two covers, one of Carrie [Underwood] and one of Dolly’s, and I just love both of them. I love their music, I love their spirit — everything they stand for.

It makes total sense, because, to me, both you and Dolly epitomize happiness. Oh my god, thank you. That’s the biggest compliment you could give me.

So, being so happy… what pisses you off? Oh, gosh! I don’t really get mad that often. But I’m not going to lie: When I do, there’s a quiet that comes over me that is a little like whoa, and that happens when I don’t feel other people are prepared or doing their job or pulling their weight. I come from a family where my dad came from nothing and worked hard to get where he is, and he said, “Work hard, play hard, Kris,” and I guess that’s kind of been my motto in life. So when I see people squandering opportunities or having a sense of entitlement, that really makes me crazy. Because I don’t understand it. It’s not a world I get.

One thing that does make you upset is homophobic people. I don’t like that, you’re right.

Your letter in response to that Newsweek column said it all. Why was it important to address your feelings on that issue? To be honest, I wasn’t prepared for what was going to happen. I was on Broadway doing Promises, Promises, and I read the article and I actually thought it was pretty irresponsible. I’m not even talking about whether a person agrees with being gay or not, I’m talking about artistry and gay

actors trying to play straight. It just made me mad, because I thought, “Well, I’ve played a prostitute, does that mean I am one? No.” I just thought it was a little bit of a bullying thing, and I honestly prayed about it — no kidding, I prayed about it.

And by the way, I’m a big fan of the magazine, which is why I was so bummed. But I think that they felt bad and hopefully there’s been some discussion about it and some learning, because that’s what we’re here to do on this Earth, to learn our purpose. Well, one of my purposes in this life — since I’m a believer and a Christian — is to help people realize that not every Christian thinks that being gay is a sin.

To reinforce your point, you made out with your Promises, Promises co-star Sean Hayes at the Tonys last year. It might’ve been a little jibe. It might’ve been a little one! Ha!

What was it like to make out with a gay man? Was that your first time? Well, let’s face it, my high school boyfriend is gay, so I don’t think it’s my first time making out with gay men! I bet a lot of women don’t even know they’ve done it! And Sean Hayes is just a darn good kisser, what can I say?

Wait, so you dated a gay man in high school? Yeah, and I’m like, “Well, that’s why we were such a great couple!” He didn’t pleasure me in any way but he helped me pick out my prom dress!

Was he one of the first gay people you knew in Oklahoma? Yeah. I want to tell you something I know about myself: When I was in the second or third grade, I first heard the word “dyke,” and it was in reference to a girl in our school who was very, very tomboyish. I didn’t really understand what the word was, but I knew I didn’t like the way it was said. And for some reason I’ve always been drawn to the person that was alone, and I don’t mean to make me sound like I’m Mother Teresa, because I’m not. But I’ve always been drawn to people who felt left out or different, and maybe it’s because, I too, felt different and unique. People would not think this of me, because there’s this perception of me that, “Oh, life’s been perfect and things have come so easily.”

But let’s face it: My speaking voice is very interesting. Yes, I was a cheerleader but I also wanted to do all the plays, I was in renaissance choir, and, I too, felt a little bit like an outsider. I was always drawn to people who felt that way, too. And sure, some of them were gay and I never did understand — I guess the word is fear.

God made us all equal. He made me short, he made someone gay, he made someone tall — whatever it is, it’s not a sin; it’s how we’re made. And that’s the way I feel about it. It flies in the face of a lot of what Christians believe, but as I’m finding out there’s a lot of Christian people who think the same as me. So that’s my deal, and I think we should not be careful of the unknown but rather accepting and loving of it.

As someone who’s Christian and supports the gay community, how do you feel about the pray-away-the-gay program that Michele Bachmann supports? [Long pause] You know what, you can have your opinion. One of the great things about being in this country is we get to freely say what we believe. I just don’t happen to agree with that. Though I like the “pray” part!

This article appeared in the Dallas Voice print edition September 16, 2011.

—  Michael Stephens

Los Lobos tonight at the Winspear

Latin legends grace Dallas

After 34 years, the iconic three-time Grammy winners, Los Lobos continues to top the charts with inventive and inspiring hit music.

Los Lobos was formed in 1974 by David Hidalgo, Conrad Lozano, Louie Prez and Cesar Rosas, four friends from Garfield High School in East Los Angeles. Though they started out as a rock-and-roll band, they soon chose a more traditional Mexican acoustic style. In time, the band adopted music from Tex-Mex, country, folk, R&B and blues, as well as the traditional Mexican songs from their roots. The band has won Grammys for its 1988 Spanish-language album, and for its contribution to the film Desperado. They have collaborated with artists such as Dave Alvin, Ruben Blades, Elvis Costello, Little Willie G, Mavis Staples, Richard Thompson, Bobby Womack and Tom Waits.

Wildly popular, talented and fun, the Los Lobos invites you to the ultimate Deiz y Seis celebration.

(from TITAS.org)

DEETS: Winspear Opera House, 2403 Flora St. 8 p.m. $12–$125. TITAS.org.

—  Rich Lopez

Do you Peru?

Even as fans rallied to help Coco Peru get her next film off the ground, the drag goddess still likes her comedy live

lead

RICH LOPEZ  | Staff Writer
lopez@dallasvoice.com

Expect a lovefest when Coco Peru comes back to Dallas for Pride weekend. With memories of a responsive audience, shopping and beef jerky during her last go-round here nearly two years ago, the drag goddess is hoping for a repeat performance. Sort of. She’s back on the road with a new show, but that’s not all the legendary queen has going on.

“Well, we’ve filmed Girls Will Be Girls 2 already,” Peru (aka Clinton Leupp) says. “Right now the writer/director is busily editing. It’s just one of those things: You film it and hope for the best.”

Peru has garnered a significant amount of film work over the years, usually with notable cameos in films like as Trick, but occasionally as the star, as with Girls Will Be Girls. But she admits live performance is where she’s at her best.

“I like to think my show is like watching a theater piece,” she says. “I love film acting, but it’s exciting on a whole other level. There’s not that energy of a live audience and no feedback. So often, comic timing is how the audience is reacting to you. With acting, you mentally feel it out, try it and mostly trust the director. I find sometimes I rehearsed a line so much in my head, it takes me a few times to take direction on it.”

For Girls 2, Peru discovered just how much her fans appreciated her work. As a micro-mini indie, the film went on the website Kickstarter to raise funds. As word got out that the film was in production and that Peru was in it, the money rolled in.

“The movie was completely funded by fans,” she exclaims. “It was just incredible that they would want to pay money! And I must say, most of it came from my fans. I’m just putting that out there.”

Along with funds from Kickstarter, the crew itself was almost all-volunteer. People would just show up, willing to help out. It turned into an actual labor of love.

Along with donated help, the production even received a donated green screen. All the generosity reminded Peru that people are that genuinely kind and that it’s all right to ask for things, which usually embarrasses her. She saw this particular filmmaking experience as a good lesson on many levels.

“Let’s just hope the movie’s funny,” she laughs.

Dating back to the “early ‘90s” — that’s as specific as her website will get — Peru gives much credit to her fans along the way for the success of her career. Even if they come up to once again mention her role in the film Trick, Peru takes none of it for granted. Perhaps it’s cliché for any type of celebrity to appreciate their fans, but she  talks at length about how her fans have kept her driven.

“It’s so overwhelming, whether it’s a movie or my own shows, that they will take time to contact me to tell me whatever it is they are feeling,” she says. “I feel lucky and blessed when they reach out to me and I strive to answer every email. I remember those days that felt so lonely and sad. Growing up gay and feeling rejected doesn’t make a happy life. But when you get over 800 birthday messages on Facebook, it’s amazing!”

She’ll meet a new slew of fans on her current End of Summer Tour, as she’ll visit Tampa and Las Vegas for the first time as a performer. Even with her experience onstage, Peru is still daunted by a new audience, the same way she was before playing Dallas the first time early last year.

“The first time, I was nervous and I didn’t know what to expect,” she recalls. “I felt that audiences came wanting to have a great time. You go to certain cities and they have a bit of an edge, but in Texas, it was an immediate love fest on both ends.”

In her new show, There Comes a Time, Peru talks about getting older and reminiscing about her life. Fortunately, Dallas isn’t a punch line in her monologue. The city left a good impression on her and she only hopes to make another one of her own.

“Well, I’m happy to be coming back and they took such good care of me last time,” she says, “but I don’t wanna jinx myself. You never know.”

This article appeared in the Dallas Voice print edition September 2, 2011.

—  Kevin Thomas

Dynamic duo

New partners Curtis Cook and Shane Friesenhahn shake their booty … camp

There’s the nursery rhyme that begins, “Jack Sprat could eat no fat, his wife could eat no lean… .” But apparently if Jack Sprat were in a same-sex relationship, it would be a fat-free household all the way around. Such is the case with this month’s fitness profile: Curtis Cook and Shane Friesenhahn. The lads have been together for just three months, but the real number that caught our eye was their collective body fat: 19 percent and shrinking by the day. How do they do it? Diet, exercise and rewarding a great workout with a sexy new swimsuit rather than a hot fudge sundae.

— Jef Tingley

…………………….

Names and ages: Curtis James Cook, 24, and Shane Friesenhahn, 37.

Occupations: Cook: HAMP processor at Nationstar Mortgage; Friesenhahn: owner of Silk Sculptures, a floral design studio.

Length of relationship: Three months

Sports and activities: Pool volleyball and Dr. Peay’s Booty Camp

Exercise regime: Cook: I attend Dr. Peay’s Booty Camp two days a week and go to L.A. Fitness a couple times a week. When I go to the gym, I always do abs first, then either upper body or legs followed by 15 to 20 minutes of cardio. My workout usually totals around an hour to an hour and a half.  My goal is to go to the gym on my days off of [boot camp], but it doesn’t always happen.

Friesenhahn:  [Boot camp] five days a week, which consists of cardio, Plyometrics and light resistance training.

Upcoming fitness goals: Cook: I’m lean, but I want to be toned. My goal is a slightly bigger chest and defined mid section. I also want my body fat around 8 percent; as of the beginning of July it was 12 percent. I think my goal of toning up will automatically help me reach my body fat percentage goal.

Friesenhahn: I’m currently right below 8 percent body fat, but my new goal is to boast a “lean and mean” 6.5 percent — a little bones showing never looked so good! I will say that making better nutritional choices, mostly organic, really helps.

Best “eat this, not that” tip: Friesenhahn: Well, instead of Krispy Kreme donuts or a starchy cereal, I replace it with whole fruits such as blueberries, a Pink Lady apple or grapefruit. As for my sweet tooth, I am in love with organic crunchy peanut butter with a banana or a piece of gluten free bread that has live sprouted grains. I am also an avid believer in supplements including as astaxanthin, fish oil and many others.

Workout preference: mornings or evenings? Cook: I like both. I would like to work out in the mornings more, but it is just so hard to get up that early.

Friesenhahn: Evenings mostly, but just to mix it up I do like to attend the “crack of dawn” morning workouts as well.

How do you survive an outdoor workout in the Texas heat? Friesenhahn:  My exercise group works out in the shade, unless we are running the typical mile required. Everyone brings the essentials like water and Gatorade. Sometimes [our trainer] brings ice when it’s really hot. The main thing is to read your own body and take mini breaks to regroup. Other than that, I really enjoy sweating and releasing toxins.

Favorite spot in North Texas to exercise indoors: Cook: The L.A. Fitness by my work in Lewisville, because I don’t feel like I’m being cruised the entire time.

If you could become an Olympian in any sport, what would it be and why: Cook: I’ve always wanted to do gymnastics. The parallel bars and tumbling are my favorite. I even took tumbling private [lessons] for a month when I was 20 and learned a back handspring in only four sessions.

Friesenhahn: Ice figure skating. The blend of artistry and athleticism is super challenging. I used to roller skate my long drive as a kid and pretend I was practicing for the next Olympics!

How do you reward yourself for a great work out: Friesenhahn:  Two ways. First is a trip to Yumilicious. Then on to find an even more “skimpy” swimsuit to wear at the next pool get together.

Cook: I definitely don’t eat badly afterwards because then I feel guilty and it’s as if I just negated the entire work out. I reward myself by maybe buying something a little smaller and more fitting because I know I will look good in it. I also like to go lay out in my Speedo after a good week of working out because I feel confident with my body.  Basically I reward myself by showing it off.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Applause: Broadgay at Winspear

Lexus series adds queer event to upcoming season of musicals

What’s gay about ‘Jersey Boys’? The GLBT Broadway subscriber series at the Winspear will tell you.

The Lexus Broadway Series offers a muscular lineup of shows that feature classic stories and contemporary rock ‘n’ roll. But they go one step further in the 2011-12 season with the stage equivalent of special edition DVDs, featuring enhanced performances and pre-show engagements for subscribers — including its gay patrons.

Dallas Voice Life+Style Editor Arnold Wayne Jones will host a conversation every second-week Tuesday about 45 minutes before each show. The series, called GLBT Broadway, will highlight the appeal for queer audiences for the shows in the series. The discussion will touch on issues of gender identity and sexuality in regards to the show and the teams behind them. Some — such as the season lead-off, Hair — might be easier to analyze from a gay perspective than, say, Jersey Boys, but that’s part of the fun of the series.

The season starts with Hair, which won the Tony in 2009 for best musical revival. Youth in 1960s America are all about peace, love and understanding — including nudity and homosexuality — in this iconic musical. Sept. 20–Oct. 2.

The epic Les Miserables follows with a new 25th anniversary production. Dec. 20–Jan. 1.

Best musical Tony winner In the Heights details the immigrant experience as characters find a new life in their new country. March 13–25.

Alt-rockers Green Day went Broadway with American Idiot, touted as a mashup of a rock concert and staged musical. May 8–20.

The season concludes with Jersey Boys and Frankie Valli and the Four Seasons. Classic hits like “Big Girls Don’t Cry” and “Can’t Take My Eyes Off of You” tell the tale of this well-accomplished music group from the ‘50s. June 12–July 15.

Other subscriber series include Broadway University, hosted by SMU theater professor Kevin Hofeditz which will explore themes of the show and its place in theater history (every second Saturday matinee) and Broadway Uncorked (every second-week Wednesday), where an expert sommelier will host a wine tasting based on the show. We wonder what American Idiot’s wine will be.

— Rich Lopez

For more information on the Lexus Broadway Series and its enhanced performances, visit ATTPAC.org.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

‘Bedpost Confessions’ tonight at The Kessler

‘Bedpost Confessions’ moves sex talk from the closet into Oak Cliff

What would you do if your friend admitted to  being a prostitute? Or if your sister talked about having sex outside of her marriage with a 21-year-old virgin? Sexual talk outside of the bedroom can still be taboo, even in today’s desensitized world of fast hookups and Showtime melodramas. Bring up intercourse (or something far more intense), and most people will cringe or shy away.

Tonight, it all comes out. The Austin-based stage show Bedpost Confessions features performers talking up their sexual adventures out loud all in good fun. Trying to break away from the taboo of talking about sex, co-founder Sadie Smythe and company bring their show to Dallas. Local writer and Dallas Voice contributor Jenny Block, pictured, gets in on the action which makes perfect sense. As the author of Open: Love, Sex, and Life in an Open Marriage, she’ll have ideal material for the night.

Her thoughts on tonight’s show.

“It’s just sex. It’s supposed to be this happy, fun, sometimes even spiritual experience. It’s all gotten so twisted and tangled when really it should be so simple. Consenting adults doing something that our bodies were built to do. But somewhere along the line, people got confused. Outwardly we are this over-sexed society. But behind closed doors we don’t talk to our kids, we don’t communicate with our partners, and we’re lost when it comes to all things sex. The funny thing is, the fix is an easy one. We have to talk to one another and to our kids and to our partners. We have to strangle the taboo. We could have solved all of the world’s ills by now if we stopped worrying so much about such a natural thing and started putting our brain power to better use.”

We couldn’t have said it better ourselves! Block will also be signing copies of her book after the show. Along with Block, Smythe and the other performers, the audience gets to play as they are encouraged to write their sexual confessions to be read aloud. Don’t worry, it’s all anonymous. Read the original article here.

DEETS:


—  Rich Lopez