REVIEW: ‘Ant-Man’

BF-08760_REver since Marvel teamed with Disney to create the Marvel Cinematic Universe, attending movies has been more like reading a serialized soap opera in Spandex that film-going. We’ve had three Iron Mans, a pair each of Avengers, Thor and Captain America, a few out outliers (Hulk, Guardians of the Galaxy) and many more in the pipeline. And that doesn’t even include the tangled web of Spider-Man reboots, which makes it seem like we’re all reliving Groundhog Day. Eventually, it’s a cacophony of sound effects and needless 3D extravaganzas. Some are better than others (Cappie, so far, gets my vote as the best of the lot), but they all have a sameness to them after a while.

Which is why Ant-Man stands apart. Like the first Iron Man, it has a snarky star (Paul Rudd, a sort of less cynical version of Robert Downey Jr.) and a comedic sensibility that lightens up even some of the nastier bits (when the mad scientist unsuccessfully experiments on minimizing a cute lamb, what’s left is a teaspoon of goo, meaning this is the first lamb to become its own side of mint jelly). It’s a hip caper film, gussied up in a comic book adventure. (Marvel considers Ant-Man the final film in its “Phase One” of the movie series of the three proposed phases. Phase Two starts next spring with Captain America: Civil War.)

HEL0680_comp_v083.1173And because Ant-Man comes so late to the game of MCU, it doesn’t have to spend a lot of time on backstory: We know who some of these characters are already, which means its both an “origins movie” and a “mission movie” — we don’t get bogged down in either. (A mid-movie comic duel between Ant-Man and Falcon gives a gimmicky but not unwelcome nod to the MCU, and Stan Lee eventually makes his requisite cameo … about 30 seconds before it’s over.)

Surprisingly, the minimization set-pieces — with Ant-Man the size of an insect, where water from a tap looks like a tsunami — don’t seem as cheesy as they have ever since the days of The Incredible Shrinking Man. It’s all in fun.

Especially with Rudd and much of the supporting cast, including an endearing Michael Douglas as the original Ant-Man, Hank Pym. But the kickiest performance comes from Michael Pena as Rudd’s unexpectedly sophisticated criminal running buddy — he shines with so much good will and energy, you almost forget what a sourpuss Evangeline Lilly is as the budding love interest. Who needs lame romance when you have ginormous Thomas the Tank Engines and a villain with a kick-ass stinger? This summer actioner really has legs … like, six of ’em.

Now playing in wide release.

—  Arnold Wayne Jones

Cher is the latest gay icon to get a comic book

I’m not sure who’s running things over at Bluewater Productions comics, but they know their gay audiences. Following up on previous celebrity bio-comics like Lady Gaga, Madonna and Ellen DeGeneres, the publisher announced today that Cher will get the comic treatment this December. Her story will be the latest issue of their series Female Force. The 32-page comic will feature art by Zach Bassett and Warren Montgomery. The cover is by DC Comics Joe Philips. From BlueWater Productions:

Writer Marc Shapiro said Cher’s life and career “reads like a comic book.” “The clothes, the times, the attitudes of the decades she’s lived through. The different styles of music she’s been involved in. So much of what Cher has experienced is so flamboyant, over the top and just plain out there,” said Shapiro. “She has been very much the real life equivalent of a superhero, and writing about Cher, to a large degree, has been just about letting my imagination go.”

With no specific date mentioned, Bluewater says to expect the comic in the month of December at comic book shops, Barnes & Noble bookstores and Amazon.

—  Rich Lopez

Ryan Reynolds goes from comic book to movie back to comic book

It’s the ultimate in meta-media: A Comic book about an actor who makes a live action movie, playing a comic book character. Because just as Ryan Reynolds is in theaters playing the Green Lantern, Blue Water Comics — which specializes in the graphic-novel-as-pop-biography — has released the latest in the “Fame” series on the hunky actor. Here’s a peak:

—  Arnold Wayne Jones