QUEER CLIP: ‘THE IDES OF MARCH’

Queer-PicksRyan Gosling has discovered a cool little niche for himself recently: He gives equal time to parading around shirtless showing off his abs on magazine covers and in digestible Hollywood pabulum (Crazy Stupid Love, The Notebook) and staring off blankly under the guise of acting in regrettable art films (Drive, All Good Things). That formula has won him praise by easily fooled critics, who appear to be the target audience for The Ides of March, a slow and pretentious political thriller in which Gosling gets to be the love interest and the intellectual hero, all without betraying anything bordering on genuine emotion.

Set during a presidential primary, it’s little more than a middling episode of The West Wing, laden down with a weak performance by Evan Rachel Wood, a contrived, unconvincing political scandal involving candidate George Clooney (who also directs, woodenly) and even a self-important title. Vote “no” on this ballot measure. Please, Ryan, just strip and stop trying.

— Arnold Wayne Jones

Two stars. In wide release.

This article appeared in the Dallas Voice print edition October 7, 2011.

—  Kevin Thomas

Movie Monday: ‘The Mechanic’ with Jason Statham in wide release

Statham sizzles, but The Mechanic fizzles

It’s hard to know whether to be angry at the filmmakers or frustrated with the audience about the gay content in The Mechanic. I suppose we should be glad that gays figure anywhere in this quickie actioner, even though the portrayal is hardly flattering.

Bishop (Jason Statham, above right), an experienced hitman, is training his protege Steve (Ben Foster, above left) how to take out a rival assassin. Bishop says the bad guy is gay, so Steve — a twinkie who looks to weigh 95 pounds dripping in paving tar —seduces him. As they begin to undress each other, straight men in the preview audience emitted audible, horrified chants of “Dude!” and “Gross!” and “Ah, shit, man!” (If they were smarter, they’d be quiet and let their girlfriends get turned on.)

Two stars (out of five). Read the entire review here.

DEETS: The Mechanic starring Jason Statham, Ben Foster, Donald Sutherland. Directed by Simon West. In wide release.

—  Rich Lopez

QUEER CLIP: ‘The Mechanic’

It’s hard to know whether to be angry at the filmmakers or frustrated with the audience about the gay content in The Mechanic. I suppose we should be glad that gays figure anywhere in this quickie actioner, even though the portrayal is hardly flattering.

Bishop (Jason Statham, above right), an experienced hitman, is training his protege Steve (Ben Foster, above left) how to take out a rival assassin. Bishop says the bad guy is gay, so Steve — a twinkie who looks to weigh 95 pounds dripping in paving tar —seduces him. As they begin to undress each other, straight men in the preview audience emitted audible, horrified chants of “Dude!” and “Gross!” and “Ah, shit, man!” (If they were smarter, they’d be quiet and let their girlfriends get turned on.)

It’s always a tough call: Do we respect director Simon West for introducing a queer character with a sexual appetite at all, or chastise him for using it like a club, eliciting cheers from the hetero hominids to kill the faggot? Alas, West — director of such detritus as Con Air and The General’s Daughter — is probably not someone worthy of much respect.

The film itself is a breezy 90-minute escapade that doesn’t develop much momentum; the climax is planned, executed and concluded is less time than most films would spend setting up the motive of the character. But it does have hottie Statham, star of

The Transporter movies, shirtless for a bit (alas, his sex scene is with a girl). And of course his Transporter character is gay, according to the director. It’s not much to hang your hat on, but we’ll take the fantasies as we find them.

— Arnold Wayne Jones

Two stars.
Opens today in wide release.

This article appeared in the Dallas Voice print edition Jan. 28, 2011.

—  John Wright