Skivvies opens outlet location

IMG_9724

Skivvies, the longstanding gayborhood destination for sexy underwear and swimwear, isn’t just in the gayborhood anymore. In the planning stages for a while, today the gay-owned retailer has a second location — one of the outlet variety.

The new storefront, at 1336 Inwood Road, is next door to gay-owned Zeus Comics and across the street from the Crate & Barrel outlet. The neighbors don’t seem to mind.

“A men’s underwear/clothing shop is opening next door,” Zeus owner Richard Neal posted on Facebook recently. “If my wardrobe shifts to club wear, you’ll know why.”

—  Arnold Wayne Jones

WATCH: David Beckham gets his own streaking video courtesy of Guy Ritchie

3013_w7_06

So, earlier today we posted a video of Mario Lopez streaking around in a Speedo.

Well, David Beckham will not be outdone.

The swoonable soccer star, who released a line of underwear at H&M last year (it became an instant hit) has a new video out — or, as the promotional materials characterize it, “short film,” which sounds nicer than “commercial” — directed by Madonna’s ex, Guy Ritchie. Although this is a movie starring a straight man, made by a straight man, it’s pretty sexy — especially where Beckham tugs at his briefs while dashing through the Hollywood Hills.

Check out the full commercial (pardon me — short film) below.

—  Arnold Wayne Jones

SEX… in a fashion

The DMA’s exhibit on the fashions of Jean Paul Gaultier exudes sex appeal with a big dose of flamboyance

Fashion-1

DRESSED TO KILL IT | Gay fashion pioneer Jean Paul Gaultier oversees his own exhibit (Below) as an Animatronic mannequin, a fascinating technology that only accentuates the brilliance of the designs. (Photography by Arnold Wayne Jones/Dallas Voice)

 

ARNOLD WAYNE JONES  | Life+Style Editor
jones@dallasvoice.com

For a man best known for creating the Valkyrie-like conical breastplate that shot Madonna into the pop culture stratosphere, Jean Paul Gaultier is a surprisingly humble person. While he’s clearly delighted to have his fashions on display — as they are at the Dallas Museum of Art in the traveling exhibit The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, which runs through February — he makes one thing plain: He does not consider fashion “art.”

“My work is not art,” he says flatly. “My job is to make clothes that have to be worn. My role is not to create in the abstract but to be inspired by the needs and desires of the people. So I am in service to that. Art is art — it is a personal vision of the artist.” He pauses, then adds with a smile, “My collections are my babies, though.”

While the designer himself may not consider his work product “art” in an academic sense, there are probably few who would agree with him. More so than most fashion designers, Jean Paul Gaultier’s style is instantly recognizable, even without seeing the label.

He almost single-handedly moved the bustier from the boudoir to the arena stage, cladding Madonna in a corset for her Blonde Ambition tour in 1990, immediately making legends of them both.

It’s not just brassieres, but lace bodysuits, silk leotards, men in skirts — Gaultier takes fashion rules and sets them on their heads, turning out wearable art (there, we said it) that is both old-fashioned, even classical, and futuristic — but always oozing sex.

“My love for fashion belongs to the fact I saw a movie from the 1940s when I was 12,” he says. “In the movie, they did a beautiful description of couture.” (Now, when he works with a film director — as he did recently with Pedro Almodovar on The Skin I Live In, or Luc Besson on several films — “it is like I return to that [moment]”.)

But really, the germ of his style was started by what a pre-teen Jean Paul found in his grandmother’s wardrobe.

“I was fascinated by the whole world of my grandmother’s closet — it was beautiful and different,” he says. “It was underwear that could be worn as outerwear. I stole my ideas from her.”

Though not just her. Gaultier was inspired by television, by old movies, by showgirls — anything that offered a view of beauty he could re-imagine on the runway.

“My definition of beauty — there’s not one type. Beauty is beauty — you can find it in different places,” he says.

It’s a keystone not only of his design style, but of the DMA’s astonishingly exciting exhibit. (Anyone who doesn’t think a Gaultier gown deserves formal museum treatment obviously hasn’t seen the show.) In just a handful of rooms, we move from camp to punk — with many, many visits to edgy haute couture.

In the first gallery, visitors are introduced to Gaultier himself, talking about his fashions via a quasi-Animatronic mannequin that captures his actual face and voice, projected with unnerving authenticity. That happens with a lot of the mannequins, some of whom seem to look back, even judge you. (One Mohawk’d man in tights and a codpiece seemed to be flirting with me; I bet he does that with all the boys.) Lanky sailor boys in striped Apaché T-shirts look as if they leaped from a Tom of Finland drawing; that cone bra is also unmistakable.

Walk further, and the second room oozes the dark romance of a bordello, approximating (with its window-like display cases) the red-light district of Amsterdam. “I think when you exit this room, they should give you a cigarette,” I told another patron. She didn’t disagree.

Another room shows the movement of the pieces, sort of, with a moving catwalk that is like a time machine of Gaultier runway fashions, including representative designs from his famous Men in Skirts that took MOMA by storm some years ago. That’s only the most obvious example of the genderbending that is a Gaultier hallmark — and a central theme of the sexual forthrightness of the DMA’s exhibit.

“Androgyny is part of the thing that interests me,” he says, “that moment when the young can pass to adolescence [and] their beauty is between feminine and masculine at the same time. I use it to show in reality how [both sexes] can assume [the identity of the other sex]. In Scotland, you will see me in kilts and they are very masculine — it’s not feminine to wear a skirt [in that context].”

That, Gaultier says, is the essence of freedom, showing that “men can cry just as well as women can fight.”

And this exhibit shows that a designer can be an artist with a bold sense of sex — even if he doesn’t think so.

………………………

ONLINE EXCLUSIVE

Visit DallasVoice. com/ category/ Photos to see more of the Jean Paul Gaultier exhibit at the DMA.

This article appeared in the Dallas Voice print edition November 18, 2011.

—  Kevin Thomas

Pool time at the Eagle (not the swimming kind)

Behind the 8-Ball

Every Wednesday, Geri hosts the Dallas Eagle’s Pool Tournament. And we know how good you can be with a big stick. Sink some balls and move up in the tournament. If you stick around, the night gets hotter because it’s also Throb, the club’s underwear night. Hayyyyy

DEETS: Dallas Eagle, 5740 Maple Ave. 9 p.m. DallasEagle.com.

—  Rich Lopez

WATCH: Last-minute gift ideas for Father’s Day

Pack your junk in some ‘junderwear’

If any of you are like me, then you still haven’t gotten your dad a Father’s Day gift because, hey, it’s not the last minute yet!

And if any of you last-minute shoppers are looking for just the right gift, Willie Geist over at MSNBC has some, well, interesting suggestions in the video below.

Personally, I kind of like the rain slicker that turns into a sleeping bag (with a net “tent” over the head area to keep the bugs away). But the “junderwear” will probably get the most attention. That’s underwear that looks like a pair of jean shorts (see the photo above).

But hey, stay away from the “Happy Hot Dog Man” thing-a-mabob. That’s just creepy — in so many, many ways.

—  admin

Red Party Foundation Kickoff Party at BJ’s

The Red Party Foundation Kick-Off Party at BJ’s NXS on April 21 raised an estimated $4,000, according to J.T. Williams, co-founder of the organization. The money will go straight to the Red Party Foundation, which was formed earlier this year as a 501(c)(3) by Williams and Jared Pearce. Last week’s fundraiser was the first of several leading up to the annual Red Party in September benefiting the Legacy Counseling Center and Founders Cottage. “I was pleasantly surprised at how well the underwear auction went,” Williams said. “James Deets and John Rieger were the big bidders, both bidding $200-plus for a pair of Candid Underwear that was worn at the time by BJ’s bartenders and dancers.” The Red Party Foundation’s website, at www.RedPartyDallas.com, is under construction by Clint Thomson of Celeratec, who is donating his services.

Photos by Chuck Dube/MarceloMedia

—  John Wright

What Baskit Got Right About Selling Underwear To Gay Men

Remember back, in like the 90s or something, when Calvin Klein found the secret to selling men's underwear was to turn the entire practice into one big experiment in selling sex? Yes, I'm talking about that Marky Mark thing. And while Calvin hasn't let up (see: Kellan Lutz), the brand has been usurped by other labels like 2(x)ist who play even more to gay men's stereotypical senses. But even with CK's cheeky "Do you want to see my dick?" video to push its latest underwear brand, the label Baskit seems to know where the market is heading. With a new campaign from rugby player-cum-model Nick Youngquest, Baskit is continuing the trend of letting straight guys pitch drawers to gay customers. But now it's turned the entire endeavor into one giant opus of masculine sexuality (even if the video does manage to misspell his name in a title card), where wearing a certain underwear line is no longer just about looking sexy and feeling confident, but identifying with the model showing off the goods. It certainly helps, though, that Baskit chose a model who, while straight, is among the most publicly gay-friendly athletes out there.

CONTINUED »


Permalink | 5 comments | Add to del.icio.us


Tagged: , , ,

Queerty

—  David Taffet

Sexy Underwear Models Kill DOM Magazine (Again, Again)

112408

Evidently we just need to update our June headline "DOM Magazine Died, Was Reborn, And Is Dead Again. Like Jesus!" with this: DOM magazine relaunched, and is dead again, shuttered by its gay porn publisher. Should some things just stay in the ground?


Permalink | 1 comment | Add to , , ,

Queerty

—  admin