Disc men

Matt Zarley tackles relationships while Adam Tyler delivers smart pop on new releases

RICH LOPEZ  | Staff Writer
lopez@dallasvoice.com

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2.5 out of 5 stars
CHANGE BEGINS WITH ME
Matt Zarley
Independent

Matt Zarley may be all scruff and muscle, but he has a sweet delicacy to his voice that’s properly displayed on his newest album, Change Begins With Me. He’s the product of Broadway, but it would seem his sights are on the music charts.

Back in May, Zarley previewed his album with “WTF,” a whimsical dance track that pitted an earnestly lovestruck singer against the man who done him wrong. The song is borderline silly, if fun, though the accompanying video was painful to watch.

For the most part, the tone of Change is adult contemporary but by a refreshingly new, gay (and far hunkier) version of, say, Michael Bolton or Phil Collins. Well-polished songs beautifully showcase Zarley’s vocal talents, on songs like “Perfect“ and “Forgive Me (For Not Forgiving You)” which evidence a tenderness that makes it almost hard not to swoon along.

Dance tracks, though, don’t do him justice nor add much to the album. His sexy talk in “Trust Me” is unconvincing. As the fifth song, Change, marks a small decline in making a bigger impression. The previous ballads, and even the album opener “WTF,” are engaging enough, but from “Trust” on, the songs almost disappear.

‘CHANGE’ IS GONNA COME | Matt Zarley is a whole lotta hunk, but surprises with an insightful album about his past relationships.

“Apology” and “I’ll Always Remember” display sweet emotion, but with ordinary skill. This is a shame; the album is well paced before it downshifts at this point. The fault though, is in the music. Lyrics resonate strongly and are probably my new go-to when I can’t find the words to appease an angry or hurt boyfriend.

The title track suffers from cheese factor, but it is less a self-help tune than an admission of bad love-life decisions. Zarley holds himself accountable for mistakes he made as a gay man — I’m not sure I’ve heard that message recorded before.  Sure, “Change” swells into a clichéd climactic chorus, but it’s a fascinating juxtaposition from the lead song.

I’m not a big fan of remixes, but the two bonus tracks of “WTF” surpass the original. The beats are a helluva lot of fun to groove to. Instead of reworking the song into an unrecognizable version, the remixes amp up the rhythm and scale back on some of the gimmickry of the original.

With bumps along the way, Zarley provides a collection of songs that start him in a bad situation and result in a brighter tomorrow … so much so that it may beg for an immediate second listen with some songs making more sense.
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3.5 out of 5 stars
SHATTERED ICE

Adam Tyler
Tiger Bay Records

Adam Tyler describes himself as a pop music geek and it shows on his debut release Shattered Ice. This is a good thing. He sidesteps a lot of easy traps to deliver 11 tracks of wow.
On first impression, Ice opens as any other dance album in the “dime a dozen” category, but quickly, the opening track, “Like a Drug,” moves into a techno-rock hybrid, hitting many correct notes. Tyler gives an onslaught of an opener that is held up by subsequent tracks.

The album leans more into electronica elements, but Tyler treats them with care, layering bass-lines and blippy flourishes into solid sounds. “Music Freak” could have easily been a pedestrian effort, but he saves it by not adding extraneous effects. Tyler has a gift for letting the song build itself rather than throwing everything against the wall to see what will stick.

Adam Tyler studies pop music enough to make some of his own with his debut album ‘Shattered Ice.’ With strong confidence, Tyler makes a stellar impression.

Tyler doesn’t have the vocal strength of Zarley, but he belts within reason and recalls some of the quality of Paul Lekakis. He has enough depth to go slower on the opening of “I Won’t Let You Go,” while offering a healthy set of lungs on the title track. There isn’t a lot of surprise in his vocal spectrum. This provides a particular comfort and even consistency, as his music should keep listeners on their toes.

The blemishes on this album are minimal and perhaps expected from a debut. “Forgive Me” is weak with middle school lyrics. “Touch” is a misguided track that begins with a keyboard track that sounds like a child trying to play ABBA’s “Lay All Your Love On Me.” Here, he makes the mistake of adding a little too much flair, and to a slower beat, it misses the bullseye.

The album recovers immediately with strong tracks like “Taking Back My Love” and “Let Me Breathe.”

Shattered Ice finishes with minimal versions of previous tracks that calm the robust energy down. “I Won’t Let You Go” on piano is a gorgeous ballad and “Forgive Me” fares far better as an acoustic tune than it did before in its electro incarnation. These add to Tyler’s versatility.

For a debut, Tyler seems to have set a goal and met it, which would explain the amount  of confidence in Ice. His songs don’t play as mere musical byproducts in search of superstardom. He has a true genuine sound that pulls you in and when it lets go, you almost wish it didn’t.
Thank goodness for the repeat button.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Concert Notice: Katy Perry brings her ‘Teenage Dream’ to Verizon Theatre in July

True fans of Katy Perry probably got this word first. The pop singer announced on Facebook that she’ll be on the road with her California Dreams 2011 world tour. The tour itself is sounding pretty interactive. The press release says the following:

Katy is planning on interacting with fans through social media networks throughout the California Dreams tour. Using Facebook Places/Deals, fans will be able to check into the venues each night to receive special treats. Fans will also be able to submit their own photos of the show via Twitter which will be incorporated into the live show and also live on her website.

That’ sounds like a whole lotta work. Can’t we just go see the show?

Whilst touring, the release says Perry is about to release “E.T.,” as the album’s fourth single and begin shooting the video.

She’s scheduled to play North Texas at the Verizon Theatre on July 28. Take a look at her here from her performance in Dallas as part of the 2008 Vans Warped Tour.

—  Rich Lopez

An afternoon with ‘Night of the Hunter’ at Lyric Stage

From creepy book to noirish film to a musical?

If you need to know how a story about an ex-convict murders his wife,  stalks two children who happen to have a whole lotta loot and pretends to be a minster can turn into a musical, we have an answer. Or rather, Lyric Stage does. Stephen Cole and Claibe Richardson have turned the Davis Grubb’s novel into just that. We’re curious how they will pull it off, because there’s  not a whole lotta happy going on in the story. And aren’t musicals all about the happy?

DEETS: Irving Arts Center’s Carpenter Hall, 3333 N. MacArthur Blvd. 2:30 p.m. $25–$50. LyricStage.org.

—  Rich Lopez