Santos celebrates 10 years at TITAS

Charles Santos has told the story many times — last in Dallas Voice here — about how, just days after accepting a job in Dallas, he dodged catastrophe, being near  the World Trade Center when the towers were attacked in New York.

That was 10 years ago last month. Which means that 10 years ago this month, Santos celebrated a decade as the executive director of TITAS. Thus, the board of TITAS, along with luminaries like Veletta Lill, Matrice Kirk, Chris Heinbaugh and city councilwoman Ann Margolin, noted the anniversary with a surprise party for Santos at Komali last night.

Santos was bestowed a sculpture, pictured, to mark his time here, and he indicated his desire to be around for another 10 years.

TITAS next brings the inventive dance troupe Pilobolus to the Winspear on Nov. 19.

—  Arnold Wayne Jones

The Dallas Opera opens season with ‘Lucia di Lammermoor’

She will cut you

The Dallas Opera opens its season with Lucia di Lammermoor, about Lucia, who isn’t too fond of her future husband. So much so, she takes matters into her own hands. For opera newbies, TDO offers a free public simulcast of the opening night in Sammons Park. One way or another, you’ll see how Lucia copes with a deceitful brother and the man he tricks her into marrying.

DEETS: Winspear Opera House, 2403 Flora St. 7:30 p.m. Through Nov. 6. $25–$275. ATTPAC.org.

—  Rich Lopez

Bill Maher gays it up (even more than usual) on HBO’s ‘Real Time’ this Friday

It’s no secret I think Bill Maher is a dangerous (in a good way) comedian, and love that he says what a lot of people feel uncomfortable giving words to (like on particular word he called Sarah Palin at the Winspear earlier this year). He’s proven over and over what a great gay ally he is, and he does so again this week with a roundtable lineup that includes openly gay newsfolk Rachel Maddow and Andrew Sullivan. Sullivan, of course, is famously conservative, but he’s also intellectual honest and very pro-gay. Should be a good discussion.

The new episode airs live on Friday at 9 p.m. on HBO, with replays all week (including one at 10 p.m.).

—  Arnold Wayne Jones

GLBT Broadway pre-show chat at ‘Hair’ tonight

‘Hair’ raising experience

How gay is the musical Hair? Find out at this special performance as the Lexus Broadway series presents GLBT Broadway in Hamon Hall. The pre-show event features Dallas Voice LifeStyle Editor Arnold Wayne Jones discussing issues of gender identity and sexuality within the counterculture musical.

DEETS: Winspear Opera House, 2403 Flora St. 7 p.m.  $30–$150. ATTPAC.org.

—  Rich Lopez

Los Lobos tonight at the Winspear

Latin legends grace Dallas

After 34 years, the iconic three-time Grammy winners, Los Lobos continues to top the charts with inventive and inspiring hit music.

Los Lobos was formed in 1974 by David Hidalgo, Conrad Lozano, Louie Prez and Cesar Rosas, four friends from Garfield High School in East Los Angeles. Though they started out as a rock-and-roll band, they soon chose a more traditional Mexican acoustic style. In time, the band adopted music from Tex-Mex, country, folk, R&B and blues, as well as the traditional Mexican songs from their roots. The band has won Grammys for its 1988 Spanish-language album, and for its contribution to the film Desperado. They have collaborated with artists such as Dave Alvin, Ruben Blades, Elvis Costello, Little Willie G, Mavis Staples, Richard Thompson, Bobby Womack and Tom Waits.

Wildly popular, talented and fun, the Los Lobos invites you to the ultimate Deiz y Seis celebration.

(from TITAS.org)

DEETS: Winspear Opera House, 2403 Flora St. 8 p.m. $12–$125. TITAS.org.

—  Rich Lopez

Brian Stokes Mitchell tonight at the Winspear

Theater king
TITAS brings in Broadway leading man Brian Stokes Mitchell for a one-night engagement. The Tony Award winner performs a night of songs proving he can carry a show well on his own.

DEETS: Winspear Opera House, 2403 Flora St. 8 p.m. $12–$200. TITAS.org.

—  Rich Lopez

Applause: Broadgay at Winspear

Lexus series adds queer event to upcoming season of musicals

What’s gay about ‘Jersey Boys’? The GLBT Broadway subscriber series at the Winspear will tell you.

The Lexus Broadway Series offers a muscular lineup of shows that feature classic stories and contemporary rock ‘n’ roll. But they go one step further in the 2011-12 season with the stage equivalent of special edition DVDs, featuring enhanced performances and pre-show engagements for subscribers — including its gay patrons.

Dallas Voice Life+Style Editor Arnold Wayne Jones will host a conversation every second-week Tuesday about 45 minutes before each show. The series, called GLBT Broadway, will highlight the appeal for queer audiences for the shows in the series. The discussion will touch on issues of gender identity and sexuality in regards to the show and the teams behind them. Some — such as the season lead-off, Hair — might be easier to analyze from a gay perspective than, say, Jersey Boys, but that’s part of the fun of the series.

The season starts with Hair, which won the Tony in 2009 for best musical revival. Youth in 1960s America are all about peace, love and understanding — including nudity and homosexuality — in this iconic musical. Sept. 20–Oct. 2.

The epic Les Miserables follows with a new 25th anniversary production. Dec. 20–Jan. 1.

Best musical Tony winner In the Heights details the immigrant experience as characters find a new life in their new country. March 13–25.

Alt-rockers Green Day went Broadway with American Idiot, touted as a mashup of a rock concert and staged musical. May 8–20.

The season concludes with Jersey Boys and Frankie Valli and the Four Seasons. Classic hits like “Big Girls Don’t Cry” and “Can’t Take My Eyes Off of You” tell the tale of this well-accomplished music group from the ‘50s. June 12–July 15.

Other subscriber series include Broadway University, hosted by SMU theater professor Kevin Hofeditz which will explore themes of the show and its place in theater history (every second Saturday matinee) and Broadway Uncorked (every second-week Wednesday), where an expert sommelier will host a wine tasting based on the show. We wonder what American Idiot’s wine will be.

— Rich Lopez

For more information on the Lexus Broadway Series and its enhanced performances, visit ATTPAC.org.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Applause: Chris Heinbaugh: Act 3

Former TV newsman Chris Heinbaugh left the mayor’s office to return to his roots in the arts community

PRINT
Being near the stage (including the iconic Wyly Theatre) is nothing new for the former mayoral chief of staff; Heinbaugh once made his living as an actor. | Photography by Arnold Wayne Jones

ARNOLD WAYNE JONES  | Applause Editor

Chris Heinbaugh will not soon forget his first day working for the AT&T Performing Arts Center as its external affairs director. A “patio session” live music show preceded the opening night of Billy Elliot at the Winspear, the Mavs hosted one of their home games on the way to the NBA title, and there was an after-party at Jorge’s where he needed to make an appearance. All without an assistant. Jorge’s is where he is sitting now, margarita in hand, after work.

All that might sound like the kind of first day that might also be your last, but for Heinbaugh, it was completely manageable. As the openly gay chief of staff to Mayor Tom Leppert (and briefly Mayor Dwaine Carraway), Heinbaugh was a fixture in the media, at council meetings and throughout the community; Day 1 at ATTPAC was just another example of doing what needs to be done.

“You hit the ground running in both jobs,” he says with a sly smile. “People ask me, ‘Do you miss City Hall? Do you miss the politics?’ There’s still politics in what I do, interacting with the city, the chambers [of commerce], other arts organizations.” He shrugs and takes another sip of his margarita.

Now, instead of working for the man who runs a huge city, he work for an entity that manages, operates and programs the Wyly, Winspear, Strauss Square and Sammons Park (there are no plans for ATTPAC to operate the City Performance Hall currently under construction, “though we are supportive of what they want”) — also a breathtakingly expansive job.

But working for an arts organization isn’t as far a cry from Heinbaugh’s prior life as it may seem. Before he started working for Leppert, Heinbaugh was on-air talent for WFAA-TV. Although he was hired to be a political reporter, Heinbaugh says he made it a condition of his employment that he got to dip his toe occasionally in arts coverage to “keep my creative juices working.”

“Ray Nasher was one of the first stories I did when I moved here,” he says. “He got me a full tour of his house and he was so passionate about every piece — every piece had a story. And the [performing arts center] was something I started covering immediately. It was a great way to get to know the arts community.”

That was back in 2000, and Heinbaugh ended up in Dallas almost by accident. After 18 years in television journalism, he was ready to quit and start a different career when WFAA tapped him. The flagship station of the Belo Corp., being asked to work for Channel 8 is to TV journos what being called to the majors is for a minor league pitcher:The juiciest plum in his profession. He couldn’t turn it down.

But even journalism was a second career in itself. In a prior life, Heinbaugh received his college degree in theater from the American Academy of Dramatic Arts, and made his living (barely) as actor for more than a decade.

“That was a long time ago,” he sighs. “Although there’s an episode of Divorce Court out there with me in it. Every so often I still get a residual check for two bucks.” (He also appeared as a bachelor on The Dating Game and won the vacation with the bachelorette, though it was platonic and they stayed in separate rooms.) Eventually Heinbaugh craved the regularity of a steady paycheck and went back to school to study journalism.

Now all those careers are behind him, though his position at ATTPAC didn’t come as a surprise to him, or even feel like much of a change.

“The job was something on my radar,” he admits. Even before Leppert’s sudden resignation as mayor so that he could run for U.S. Senate, Heinbaugh planned to switch careers, and something in the arts seemed a natural extension of both his theatrical and political lives.

“I loved all the things going on in the city, from the Calatrava bridge to the Performing Arts Center, so now I just get to be an advocate.”

Heinbaugh works for ATTPAC, which is a separate entity from the Arts District neighborhood, headed by Veletta Lill.

“I work closely with Veletta,” he says. “I’ve known her since I’ve lived here and she has such a great appreciation for the arts community and the gay community.”

They work together in trying to turn Downtown into its own destination, with sunset movie screenings, outdoor concerts and festivals. Something is working.

“When I moved here there were maybe 200 people living Downtown; now there are 7,000 to 8,000,” he says. “Museum Tower is coming. It’s just a matter of time.”

But he also know what really will serve the ATTPAC is the programming at the halls.

“What’s the real challenge for the resident companies is, they have this tremendous space and the question is, what do they do with it? I think [Dallas Theater Center artistic director] Kevin Moriarty has pushed the envelope, and that’s good for the arts. That’s what’s really exciting. And we’re getting the word out.”

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Kevin Thomas

‘Hair’ single tickets go on sale today

The Lexus Broadway Series at the Winspear kicks off its new season around Dallas Pride with the local premiere of the recent B’way revival of the sexually liberated hippie musical Hair, which on Broadway starred out actor Gavin Creel (who appeared last year at the Black Tie Dinner here). Individual tickets go on sale today at 10 a.m. Opening night is always fun, but I might suggestion getting seats for the second-week Tuesday performance. That’s the day the Series has selected as, for want of a better word, “gay night” at the Winspear, with s special pre-show talk and reception. I’ll tell you more about that later…

And just how gay is this 42 year old show? Pretty damn gay. In fact, last week after New York officially began permitting same-sex marriage, the stage of the Broadway production of Hair was host to three ceremonies. Don’t expect those on the floor of the Winspear, though….

—  Arnold Wayne Jones

Dallas Opera cancels production with out soprano

To get a handle on its finances, the Dallas Opera announced that it will cancel one of the five scheduled full main-stage productions of next season, and the victim is Katya Kabanova, which was to star out soprano Patricia Racette. In a lengthy press release, the DO explained how the move to the Winspear proved more costly than anticipated, and to “stabilize company finances as rapidly and prudently as possible,” the Russian opera, which was to be the second production of the 2011-12 season, would be canceled. Subscribers will be given a full refund.

This doesn’t mean Dallas won’t get to see Racette perform, however — she is still set to headline a special patron recital in November.

Katya Kabanova was the obvious choice to trim; the other four major productions are among the most popular in the repertoire: Lucia di Lammermoor, Tristan & Isolde, La Traviata and Die Dauberflote (The Magic Flute). A fifth “chamber” opera, which will mark the opera directing debut of DTC’s Kevin Moriarty, will go on as planned.

—  Arnold Wayne Jones