Uptown Players begins its third season at the Kalita Humphreys Theater next year, with a lineup that numbers among its gayest ever.
“I don’t wanna say it’s more gay, but I definitely feel it has more gay aspects than some recent seasons,” said co-founder Craig Lynch.
As usual, the season includes a drama, a comedy and two musicals, plus several bonus shows.
The 11th season kicks off Feb. 3, 2012, with Take Me Out, gay playwright Richard Greenberg’s Tony Award-winner about the reaction when a professional baseball player comes out of the closet. WaterTower Theatre last produced the show locally in 2006.
That’s immediately followed by Broadway Our Way on March 16, the annual fundraiser that showcases musical numbers traditionally sung by men being sung by women and vice versa.
As with this season, Uptown will clear out of the Kalita for a few months while the Dallas Theater Center, which still holds the lease on the building, mounts two shows in the space: God of Carnage and Next Fall. In the meantime, the troupe will return to the stage of the Rose Room for The Silence of the Clams, another of its comic spoofs, again written by Jamie Morris (The Fact of Life: The Lost Episode). It opens April 27.
On July 13, Coy Covington returns to his wheelhouse performing in drag in the most recent Charles Busch comedy, The Divine Sister. This will be Covington’s fourth go as Busch’s surrogate for Uptown. “We saw it off-Broadway and met with Busch,” Lynch said. “His production of the play is touring but is not coming to Dallas, so we snatched up the rights.”
Uptown will then attempt what is arguably its biggest production to date when it tackles Mel Brooks’ mega musical The Producers. It also happens to be one of the gayest mainstream smashes in the history of Broadway. National tours have come to North Texas, but this will be the first major local production. It opens Aug. 24.
The season will end on Oct. 5 with Hello Again, gay composer Michael John LaChuisa’s musical play about relationships through the decades. John de los Santos will direct.
It’s an ambitious season for the company that began soon after 9/11 in a 120-seat space off Stemmons but is now only the second troupe to be a resident company at the historic Kalita Humphreys. When they started, did they ever think they’d mount something as big as The Producers?
“Heck, no!” said Lynch. “We were debating whether to do The Producers for a year now but after doing research I see how it can work. We’ve learned some valuable lessons in the space. We know we need to scale back here and be more abstract there. We were used to a small space and small-scale thinking; now we times that by a hundred.”
This article appeared in the Dallas Voice print edition August 9, 2011.
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