Alt-gay gorefest Fears for Queers is back for seconds as vampire director Mark Bessenger presses the flesh
RICH LOPEZ | Staff Writer
Mark Bessenger may be the first person to coin the term “horror drag.” The film director, who comes to town Saturday for Dallas’ second annual Fears for Queers Film Festival, ponders over what queer audiences find in horror films. As he sees it, the gays love screams.
“Whether [it’s because] we identify with the monster as an outcast, or because people dress up in all that horror drag, I’m kinda surprised [LGBT-themed horror festivals] are not happening more often,” he says.
Bessenger’s first produced feature, Bite Marks, closes out the one-day fest, following a successful premiere at the San Francisco International Gay and Lesbian Film Festival last week. And even though Fears for Queers isn’t as big, Bessenger is glad organizers Shawn Ewert and Andrew Rose approached him for it.
“It’s like we were made for each other,” he says. “How often do you run into a gay film festival of horror movies? I can’t wait to see how Texans react. And to have it shown at the theater where Lee Harvey Oswald was apprehended? That’s such a bonus.”
In Bite Marks, Brewster, a truck driver (played by Dallas native Benjamin Lutz), is dealing with his sexuality. While on the road, he picks up a hitchhiking gay couple working out some issues of their own. If you think the premise sounds suspiciously like the plot of a gay porn film, you are not alone.
“Even during casting, we were asked if this was a porno,” he laughs. “Without giving too much away, Brewster is hauling a shipment of coffins to a funeral home, but when the GPS misleads them, they find themselves in an abandoned junkyard — and the coffins may not be empty.”
Written to be dark and brutal, Bessenger made changes during talks with his executive producer. Initially, the hitchhikers were straight, but changed to same-sex to broaden the demographic. (How often has that decision been made?) He also changed the tone to more of a horror comedy.
The decisions have paid off. Bessenger’s reaction from the San Fran crowd was enthusiastic.
“The feedback I’ve gotten has mostly been about the comedy,” he says. “I think they responded because of its gay edge and snappy lines. One funny thing was the more conventional horror scares I use, the audience wasn’t familiar with.”
Bessenger was thrilled hearing gasps in the audience and seeing people jump in their seats. Although he says his next film will be straightforward horror, the gay element isn’t lost on him. His approach has been to create the film and then figure in an LGBT aspect. He has no problem being the “gay filmmaker,” as that sensibility will creep into his movies regardless.
“Of course it depends on who I’m making the movie for, but because I am gay, there will likely be that aesthetic,” Bessenger says. “If I had done Avatar or Super 8, there would be something gay in there. Artistically, something of yourself has to seep in even if it’s just a line of dialogue or a reference.”
But making Bite Marks so gay was easier because all the lead actors were out, including Lutz, an SMU grad making his feature film debut. Lutz performed in Dallas with the likes of Kitchen Dog Theater and the Dallas Theater Center, but left for L.A. six years ago. But he’s downplaying his homecoming.
“I am really excited to see it on my home turf,” he says. “I can’t be nervous about reactions. I’ve done my work, it’s up there and there’s nothing I can do.”
But he had some nerves going into the part. Unlike the blue-collar Midwesterner Brewster, Lutz is a Texas boy; he worried if that would hinder his performance.
“I’ve never driven a truck or done certain things Brewster has,“ he says. “I was nervous I wouldn’t have a believable accent, but everything really fell in place. I felt like I was in really good hands with Mark.”
Both Bessenger and Lutz are at work on their next films, and Bessenger for one is excited about the continued growth of LGBT voices in film into something broader. He just wants them to scream as well.
Fears for Queers’ lineup
DOA Blood Bath Entertainment teamed with out filmmaker Shawn Ewert and his company Right Left Turn Productions to bring back the second annual Fears For Queers LGBT Film Festival, consisting of feature films and short scarefests — all by queer filmmakers. The films — which all screen Saturday at the Texas Theatre in Oak Cliff — run the gamut from camp to terrifying.
In J.T. Seaton’s feature George’s Intervention, friends of George meet to help him with his addiction to eating people. Considering George is a zombie, they may have trouble sticking around through the night.
Cupcake, above, is likely the first zombie lesbian musical. The short fits in a chorus line of zombies amid a love story in the suburbs. A lesbian couple moves into Hobart, but the crabby pair of old ladies next door aren’t having it, but beware of that pale-looking mailman.
The Finnish film Metsästysmaata, below, takes two strangers led by a mysterious girl into the deep woods where no one can hear them scream.
Lola Rocknrolla is back with cinematic screwballery in the short, I Was a Tranny Werewolf.
Bite Marks, below, closes the fest along with a Q&A with director Mark Bessenger, actor Benjamin Lutz in attendance.
Proceeds from the festival benefit Youth First Texas.
231 W. Jefferson Blvd. June 25, 2–7 p.m. $10. DOABloodbath.com.
This article appeared in the Dallas Voice print edition June 24, 2011.
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