REVIEW: “Albert Nobbs” and the mystery of identity

Unlike The Crying Game, where the sex of a character is a major twist about halfway through, the genders of the characters in Albert Nobbs is not much in doubt: Glenn Close is a big star with above-the-title billing — her butched-up face is the ad campaign. And yet there is just as much mystery here, albeit of a different kind. This is a story of identity that’s almost impenetrable.

Albert (Close) is a gentlemanly servant at a high-end boutique hotel in Ireland. Everyone admires Albert: The women appreciate his respectful demeanor, his male co-workers his work ethic, the boss, Mrs. Baker (Pauline Collins), his reliability. But no one really knows Albert, who lives in a small room in the attic and squirrels away his money and dreams of something else.

But really, Albert doesn’t even know himself. He has been living as a man for decades — who knows how long? — and cannot even remember a time when he (or she) was not Albert. He has become so repressed, he almost doesn’t have a personality anymore.

—  Arnold Wayne Jones

Takei, Aiken adding gay fabulosity to new “Celebrity Apprentice”

George Takei

I have sincerely admired George Takei ever since 2005 when he publicly came out as a gay man. And I have been a real fan for the last several months, ever since I “liked” his Facebook page and got the chance to see and appreciate his unique sense of humor.

But I am not a big enough fan to watch George in his new gig, because his new gig is being a cast member of the new season of Donald Trump‘s Celebrity Apprentice. And I hate Donald Trump and I hate Celebrity Apprentice way to much to ever watch the show, even for George T. I made myself a promise after listening to Trump’s “presidential campaign” tripe that I would never watch this show, because I never want to do anything that might even remotely put money in his bigoted pockets.

So, love ya George, but I just can’t watch that show.

There will be at least one other gay in the cast to keep George company: Clay Aiken of American Idol and Spamalot fame. And other “gay interest’ cast members are ’80s pop star Debbie Gibson and equal-opportunity-insult comedian Lisa Lampanelli.

I’m not gonna list the whole cast here. You can go over to FoxNews.com to get that (where, by the way, the describe Takei as “Star Wars actor George Takei”). Let it suffice to say that the cast does include Mafia princess Victoria Gotti and Twisted Sister frontman Dee Snider.

—  admin

Do you Peru?

Even as fans rallied to help Coco Peru get her next film off the ground, the drag goddess still likes her comedy live

lead

RICH LOPEZ  | Staff Writer
lopez@dallasvoice.com

Expect a lovefest when Coco Peru comes back to Dallas for Pride weekend. With memories of a responsive audience, shopping and beef jerky during her last go-round here nearly two years ago, the drag goddess is hoping for a repeat performance. Sort of. She’s back on the road with a new show, but that’s not all the legendary queen has going on.

“Well, we’ve filmed Girls Will Be Girls 2 already,” Peru (aka Clinton Leupp) says. “Right now the writer/director is busily editing. It’s just one of those things: You film it and hope for the best.”

Peru has garnered a significant amount of film work over the years, usually with notable cameos in films like as Trick, but occasionally as the star, as with Girls Will Be Girls. But she admits live performance is where she’s at her best.

“I like to think my show is like watching a theater piece,” she says. “I love film acting, but it’s exciting on a whole other level. There’s not that energy of a live audience and no feedback. So often, comic timing is how the audience is reacting to you. With acting, you mentally feel it out, try it and mostly trust the director. I find sometimes I rehearsed a line so much in my head, it takes me a few times to take direction on it.”

For Girls 2, Peru discovered just how much her fans appreciated her work. As a micro-mini indie, the film went on the website Kickstarter to raise funds. As word got out that the film was in production and that Peru was in it, the money rolled in.

“The movie was completely funded by fans,” she exclaims. “It was just incredible that they would want to pay money! And I must say, most of it came from my fans. I’m just putting that out there.”

Along with funds from Kickstarter, the crew itself was almost all-volunteer. People would just show up, willing to help out. It turned into an actual labor of love.

Along with donated help, the production even received a donated green screen. All the generosity reminded Peru that people are that genuinely kind and that it’s all right to ask for things, which usually embarrasses her. She saw this particular filmmaking experience as a good lesson on many levels.

“Let’s just hope the movie’s funny,” she laughs.

Dating back to the “early ‘90s” — that’s as specific as her website will get — Peru gives much credit to her fans along the way for the success of her career. Even if they come up to once again mention her role in the film Trick, Peru takes none of it for granted. Perhaps it’s cliché for any type of celebrity to appreciate their fans, but she  talks at length about how her fans have kept her driven.

“It’s so overwhelming, whether it’s a movie or my own shows, that they will take time to contact me to tell me whatever it is they are feeling,” she says. “I feel lucky and blessed when they reach out to me and I strive to answer every email. I remember those days that felt so lonely and sad. Growing up gay and feeling rejected doesn’t make a happy life. But when you get over 800 birthday messages on Facebook, it’s amazing!”

She’ll meet a new slew of fans on her current End of Summer Tour, as she’ll visit Tampa and Las Vegas for the first time as a performer. Even with her experience onstage, Peru is still daunted by a new audience, the same way she was before playing Dallas the first time early last year.

“The first time, I was nervous and I didn’t know what to expect,” she recalls. “I felt that audiences came wanting to have a great time. You go to certain cities and they have a bit of an edge, but in Texas, it was an immediate love fest on both ends.”

In her new show, There Comes a Time, Peru talks about getting older and reminiscing about her life. Fortunately, Dallas isn’t a punch line in her monologue. The city left a good impression on her and she only hopes to make another one of her own.

“Well, I’m happy to be coming back and they took such good care of me last time,” she says, “but I don’t wanna jinx myself. You never know.”

This article appeared in the Dallas Voice print edition September 2, 2011.

—  Kevin Thomas

We appreciate your heart, Maggie. Now stop messing with people’s minds/rights/marriages/shared nations!

Maggie just left this comment on the NOM Blog:

Screen Shot 2010-10-01 At 1.23.39 Pm

[SOURCE]

First and foremost: I totally believe her. I think the vast majority of us know that Maggie Gallagher does not wish harm, much less death, on anyone. In fact, I don’t believe that she even wishes mental anguish on anyone, having truly bought into the talking points from her movement which detach the actions from any kind of hurtful intent.

But here’s the thing: It doesn’t matter what Maggie personally thinks about what will or will not resolve tragedies like the ones we’ve seen this week. It doesn’t matter how heartfelt her personal condolences may be. What matters is the body of her professional work with NOM and elsewhere, and the fallout that we gay folk all-too-well know can stem from these “culture war” activities! Because it is this bias cultivation that changes the molecules in the air. It’s this anti-civil rights work that puts heterosexism into everyone’s psyches. It’s this fear-fostering that foments a world where LGBT people are viewed as different, wrong, or in some extreme cases – unworthy of life.

The thing about loose lips: They can sink ships. So too, loose interpretations of who was and was not born into the right sexuality!

The reality is that none of us have ever grown up in a world where the full population is free to live as they were formed. A very big and undeniable reason for this is the far-right’s “culture war” against gay people’s lives and loves. A “culture war” that Maggie Gallagher has been a part of for decades now. This writer knows: I’ve read through her archives more than just about anyone. I’ve seen the stigmatizing comments, like in 2001 when she referred to homosexuality as a “sexual dysfunction” whose reparative therapy deserves research dollars:

5/14/2001, Maggie uses Dr. Robert Spitzer’s study in a way that goes against his own wishes and findings:I believe there is rather powerful evidence that human beings are a two-sex species, designed for sexual rather than asexual reproduction. If this is true, then the absence of desire for the opposite sex represents, at a minimum, a sexual dysfunction much as impotence or infertility. Human beings seeking help in overcoming sexual dysfunctions deserve our respect and support (and may I mention, President Bush, more research dollars?).” [Source]

Or in ’00, when she presented gays as abnormal members of the species:

3/20/2000, Maggie defends Dr. Laura:In a simple biological framework abstracted from all religion and morality, homosexuality is like infertility. It is a sexual disability preventing certain individuals from participating in the normal reproductive patterns of the human species.” [Source]

And of course there’s all the modern day stuff with NOM, where she’s pointedly told gay people that they “can always control” their “unfortunate” behavior:

8/9/10:



*AUDIO SOURCE: In The Market with Janet Parshall — 8/9/10 [Moody Radio]

Or there’s the pure callousness that comes with “humorously” likening gay people to castrated domestic cocks:

(click to play audio clip)

[*SOURCE: Iowa's WHO radio, Jan Mickelson's show]

I’ve heard and seen so much from Ms. Gallagher. Much more than I’ve ever even published. Did Tyler Clementi also experience it? Did Raymond Chase? Did Seth Walsh? Did Asher Brown? Did Billy Lucas?

Well, I of course don’t know how familiar any of these five young men were with Ms. Gallagher or NOM. But again: Their personal familiarity with this one “culture war” person doesn’t matter! Because what I do know without a shred of doubt is that all five were familiar with the ol’ fashioned mental torture that the “pro-family” community so aggressively fosters (sometimes unwittingly, sometimes not so much). And I know that when given the choice of fostering civil peace, Ms. Gallagher instead chose to defend exclusion. That certainly didn’t help matters.




Good As You

—  John Wright

More info on Saturday’s Prop 8 protest in Dallas

If you’re interested in helping out with Saturday’s Prop 8 protest in Dallas but couldn’t make last night’s organizational meeting, there’s plenty of contact info and volunteer opportunities after the jump.

—  John Wright