The sun’ll come out… manana! ‘Annie’ goes bilingual

Annie the MusicalThe AT&T Performing Arts Center announced today that this Sunday’s evening performance of Annie will be offered in Spanish.

Broadway en espanol is a new program of ATTPAC, in collaboration with Cara Mia Theatre Co. and Univision, offering free headsets at the 7:30 p.m. performance of Annie at the Winspear Opera House. Members of Cara Mia will translate the show in real time for Spanish-speaking audience members. This is the inaugural effort for the program, but additional shows will be announced in the coming months. For now, though, enjoy classic songs like “Ciudad Nueva York,” “Quizas” and “Manana.”

Tickets are available here. My review of Annie will be in Friday’s edition of Dallas Voice, in print and online.

—  Arnold Wayne Jones

Lights will be dimmed Friday in honor of Jac Alder

City Performance Hall and the Winspear Opera House will darken their marquee and lobby lights on Friday at 7 p.m. in honor of Theatre 3 founder Jac Alder, who died last week at age 80tides-1. He was the longest  continuously-serving arts company director in the U.S.

Theatre 3′s board also issued a statement mourning Alder’s passing today. The board revealed the establishment of the Jac Alder Memorial Fund to continue the arts leader’s legacy. A memorial honoring him will be held at CPH on July 13 at 6 p.m.

Bruce Coleman was announced as acting artistic director, with Marty Van Kleeck serving as advisor.

—  Arnold Wayne Jones

BREAKING: TITAS unveils 2015-16 season

Tharp Twyla by Richard Avedon

Nine Dallas debuts, including two world premieres, distinguish the 2015–16 season of TITAS, the gay-run organization that presents innovative and international dance troupes to North Texas.

The 11-show season, including TITAS’ annual Command Performance Gala, includes the very sexy BalletBoyz, the return of Complexions Contemporary Ballet (founded by Alvin Ailey alums Desmond Richardson and Dwight Rhoden) and the world premiere 50th anniversary tour of Twlya Tharp Dance.

Although it has in recent years moved toward an emphasis of dance over music, this is TITAS’ first-ever season without any music acts presented.

Twyla Tharp Dance‘s tour kicks off the season with two shows (Sept. 18–19) at the Winspear Opera House. That will be followed by the world premiere of the avant garde urban funk of Kyle Abraham/Abraham.In.Motion, Oct. 29–30, at the City Performance Hall.

Herve Koubi:Ce-que-le-jour

The next seven shows are all TITAS debuts:

• British-based Akram Khan Dance Company performs two shows at the City Performance Hall, Nov. 6–7.

BodyTraffic, which in three years has risen in international acclaim. Winspear Opera House, Jan. 22, 2016.

Cloud Gate Dance Theatre of Taiwan will be presented in coordination with the Crow Collection of Asian Art. Winspear Opera House, Feb. 5.

BalletBoyz combine an all-male cast with muscularity and grace. Winspear Opera House, Feb. 13, 2016.

Akram Khan

Mr. & Mme. Reve, the France-based performance-art troupe that creates dreamlike imagery through movement. City Performance Hall, March 18–19, 2016.

• La Compagnie Herve Koubi Dance. Reve is immediately followed by another French company for two shows, which TITAS executive director Charles Santos calls “surprising and fiercely masculine.” City Performance Hall, March 25–26.

• Canada’s Kidd Pivot Dance Company continues the French-language triumvirate at CPH for two shows, April 21–22, 2016.

• TITAS’ Command Performance Gala annually revives works from some of TITAS’ favorite companies and artists. Winspear Opera House, May 7, 2016.

• The season concludes with a favorite, Complexions Contemporary Ballet at the Winspear, May 21, 2016.

All performances except the gala begin at 8 p.m. Tickets are available at ATTPAC.org.

—  Arnold Wayne Jones

BREAKING: ATTPAC’s 2015-16 B’way season: ‘Beautiful,’ ‘Matilda’

Matilda Ripley Sobo

The AT&T Performing Arts Center announced its full line-up of five shows in its 2015-16 Broadway Series tonight, including the dates for the already-announced Matilda and another huge show set to play the following season.

Matilda (pictured), based on the children’s book by Roald Dahl and featuring a female character played by a man in drag, will kick off the season as expected, opening Sept. 23 and playing through Oct. 4, 2015. It will be followed by the return of Jersey Boys (Dec. 16-27), then the non-musical Love Letters (March 22–April 3, 2016), the return of the enduring hit Cabaret (May 25–June 7) and concluding with the current Tony-winning hit Beautiful: The Carole King Musical (June 7–19). Love Letters will feature the stunt-casting (typical of this show) of former Love Story Oscar nominees Ali MacGraw and Ryan O’Neal in the epistolary romance.

In addition, last year’s Tony winner for best musical, A Gentleman’s Guide to Love and Murder, will open in 2016-17 but, as with Matilda last year (and War Horse before that), we won’t know the dates until later.

—  Arnold Wayne Jones

Arts community unites for D-PASS, versatile performing arts series

DPASS

When Dallas’ newly designed Arts District went officially online four years ago, it promised to be a kind of clearinghouse for the arts community, a place where patrons could congregate to see opera, music, theater and dance in one place. Well, that promise has come to fruition in an inventive way.

Early this morning, Mayor Mike Rawlings announced the D-PASS, the Dallas Performing Arts Subscription Series, which unites seven Dallas arts organizations in an effort to expand the performing arts in the area. Starting with a three-show package at $75, and increasing in $25 increments to all seven shows, the D-PASS allows you to decide which shows you want to see and get them for a flat rate (fees are included). “These packages are a creative way to share great performances with new audiences,” the mayor said.

The package, which will be available now through Jan. 15, allows you to choose any combination of the following shows (three as a minimum).

Dallas Opera — The Barber of Seville.

Dallas Symphony Orchestra — Bernadette Peters in concert.

Dallas Theater Center — Fortress of Solitude.

Dallas Summer Musicals — Disney’s The Little Mermaid.

ATTPAC/Lexus Broadway Series — Godspell.

TITAS — Motionhouse.

Dallas Black Dance Theatre — Cultural Awareness.

You can learn more here.

—  Arnold Wayne Jones

This week’s takeaways: Life+Style

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Crow Sculpture Garden

Downtown Dallas is the center of culture this week — in a big way.

Just like every month, the First Saturday tours of ATTPAC will be taking place, and there will be a street fair with lots of art from One Arts Plaza to Klyde Warren Park. But on the stages and galleries is where the real action is.

First, Dallas Black Dance Theatre’s 8th annual DanceAfrica will be performed Friday and Saturday at Annette Strauss Square. Inside the Wyly Theatre starting Friday is DTC’s preview week for Clybourne Park, the sequel to A Raisin in the Sun, both of which will be performed in repertory throughout October.

The Crow Collection of Asian Art, which is always free to the public, officially debuts its long-in-development Sculpture Garden, which encircles the Trammell Crow Center above the museum. The huge fu dogs (really lions) and the beautiful “sweepers” are among the draws outside, as well as the exquisite landscaping. Among the impressive items currently on exhibit inside the Crow are brass Chinese zodiac heads from famed artist Ai Weiwei, as well as a hand-painted Porsche that looks like a Chinese tapestry on wheels.

The new exhibit by gay artist Jim Hodges officially opens inside the Dallas Museum of Art on Sunday, but really, you can catch a sneak peek during the fair on Saturday. Hodges is a multimedia artist of such remarkable breadth, you mind will be blown.

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View from the Reunion Tower GeO Deck.

Also on Saturday, you can divert south of the Arts District down to Reunion Tower to enjoy the GeO Deck, the observation level of the tower below the revolving Five Sixty restaurant. In addition to Halo, a system of table-sized iPads that allow you to explore the city (both visually from live cameras and its history), you can actually walk outside and get a 360-view of Dallas, from the Omni to the Trinity to Uptown. A level up from the GeO Deck is a cafe (also manned by Wolfgang Puck staff) that, live the formal dining room, revolves while you eat.

Then head back to the AT&T plaza on Monday for A Gathering 2013, the second performance of music, dance and the spoken word that serves as a commemoration and benefit for Dallas-area HIV/AIDS charities. (Check out a slide show of rehearsal photos below.)

That’s all in addition to LifeWalk in Uptown on Sunday, Dallas Black Pride and Tarrant Pride going on all weekend and the release of the most anticipated film of the season, Gravity. So, if you say you’re bored, it’s your own damn fault.

—  Arnold Wayne Jones

ATTPAC announces discounted ticket lottery for ‘The Book of Mormon’

Book of MormonThe Book of Mormon is the most awaited theater tour of the year, and if you thought tickets would be hard to come by — or just too expensive — there is a solution. And you don’t even need to be a student to benefit.

For the entire run of the show — Aug. 21 through Sept. 1 (it launches the Lexus Broadway Series season) — beginning 2½ hours before each performance, the box office, at 2353 Flora St., will conduct a lottery. You simply write your name and the number of tickets you want on a card (only one or two), and exactly two hours before curtain, they will select from the entrants a limited number of lottery winners.

Your cost? Only $25 per ticket. Considering that tickets even in the Grand Tier balcony of the Winspear run $70 — and considering the show is practically sold out — that’s a deal.

—  Arnold Wayne Jones

TITAS announces dance-centric season

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The Trocks.

The return of Pilobolus, Philip Glass and Les Ballets Trockadero de Monte Carlo — “The Trocks,” a drag ballet troupe — mark the 2013-14 TITAS season, but it’s what’s new about the season that makes the biggest impact.

For decades, TITAS has programmed about 10 shows a year — five music, five dance — until the last two seasons when dance has predominated slightly. That domination is full-force now, with nine of the 11 performances (including the bonus Command Performance Gala) dance.

“We needed to stop thinking about what [TITAS] has done in the past and look to the future,” said Charles Santos, the arts organization’s executive director. “We need to be curatorial as part of ATTPAC.” The center, he noted, already programs music (the interview took place even as the music of Rodriguez wafted from Annette Strauss Square adjacent to the Winspear Opera House), but TITAS does dance “better than anyone.”

—  Arnold Wayne Jones

Steer ‘n’ the ship: Oklahoman Ryan Steer is onboard for ‘Anything Goes’

Steer_Ryan_Headshot

Most gay guys have a “thing” about sailor suits — from the time their moms dress them up in one through the Village People singing “In the Navy” and until they pant over the sailors disembarking during Fleet Week, nautical fantasies are common.

And Ryan Steer gets to live it.

Steer is one of the ensemble members in the Cole Porter musical Anything Goes, which docks into the Winspear for 10 days starting tonight. And he enjoys the chance to dress up like a seaman.

“I’m constantly changing costumes from sailor suit to tuxedo,” he says, and “while I think all of the costumes are out-of-this-world amazing, I do adore our sailor suits — they were made to have this MGM glamour quality to them. They are very tight in the butt and make all the sailors look like caricatures of strongmen, with broad shoulders and tiny waists. I don’t think anyone’s pretending that’s not a draw. And, they are very comfortable.”

Steer probably doesn’t need to pretend to be a strongman — the young (he’s 26), strapping Oklahoma native cuts a dashing figure in street clothes. But even so, touring with the Tony Award-winning production has been something of a dream for him.

“It is a family,” he says of his company, some of whom came directly from the Broadway production but most of whom are newcomers to the show. “Rachel York is a perfect Reno Sweeney — she’s just stellar in the show.”

Still, Steer’s familiarity with Anything Goes was surprisingly thin when he was tapped to be in it.

—  Arnold Wayne Jones

BREAKING NEWS: Lill stepping down from Arts District post

Veletta Forsythe Lill, the former Dallas City Council Member who since 2009 has been the executive director of the Downtown Arts District, spearheading development there since the opening of the AT&T Performing Arts Center, is stepping down, effective Nov. 1.

The move was timed in part because the City Performance Hall, which has spent the last week celebrating a week-long opening gala, was the last piece in the puzzle for the Arts District.

“I have spent 15 years on the frontlines of change. With the final opening celebrations this fall and a blueprint for the future of commercial development I believe the time is right to pass the torch to a new generation.”

Among her accomplishments was lobbying for rules that would allow food trucks in the Arts District, making it a more desirable location not just during evening performances but during the day and weekends.

Lill, a long-time friend of the gay community (she’s pictured here posing for the NOH8 campaign opposing Prop 8′s anti-gay movement in California), Lill served on City Council  for eight years.

—  Arnold Wayne Jones