WATCH: GLSEN student ambassadors, executive director on Great Day Houston

Dr. Eliza Byard

Dr. Eliza Byard

The Gay Lesbian and Straight Education Network (GLSEN) executive director Dr. Eliza Byard and GLSEN Student Ambassadors Tommy Surratt and Gabe Maffuz stopped by Great Day Houston last week to talk about the organiation’s efforts. Surratt, who is straight, was joined by his father Jim Surratt who talked briefly about the discrimination that the children of same-sex couples face in schools.

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Drawing Dallas • 11.25.11

As ‘Twilight’ returns, Skylar Brooks shows blood sucking can be a service

MARK STOKES  | Illustrator
mark@markdrawsfunny.com

Name and age: Skylar Brooks, 24

Occupation: Testing coordinator, Resource Center Dallas, and shift manager, Starbucks

Spotted at: Exxon on the Run at Maple and Oak Lawn

A twinkle in her unbelievably pale blue eyes and an effervescent smile are the first things you notice about this fine Virgo. Born in Monroe, La., and raised in Euless and Bedford, the perpetually positive Skylar considers herself a clown and a jokester — smiles and laughter come to her quite freely. She came out at 16.

She loves the nightlife. Skylar loves to dance, and her freestyle moves on the floor have garnered her three “dance off” wins at Station 4. She also loves to sing, especially R&B (Brian McKnight is a favorite). She auditioned for American Idol last year, and while she didn’t get through, says she’s determined to try again. Her love of music and dance is hereditary: Her mother was on the drill team and danced ballet, and her father plays drums and the trumpet and loves to belt out a song.

In addition to indoor activities, she plays midfield and forward in a local soccer league, and basketball for fun. Skylar loves to travel, she has a special affinity for the Caribbean (Dominican Republic, Bahamas).

Enter love  “Three months in, I knew she was the one,” says Skylar of her fiancé, Shereen, whom she met through mutual friends 18 months ago; they have a wedding set in Vermont next June. Both of their families are excited for them.

Skylar’s goal is to become a surgical technician. Her motto: “I help people one blood draw at a time.”

This article appeared in the Dallas Voice print edition November 25, 2011.

—  Michael Stephens

DTC’s ‘To Kill a Mockingbird’ tonight at the Wyly

Masterpiece theater

There’s much to like about Dallas Theater Center’s current production of this stage adaptation of To Kill a Mockingbird. (It’s a co-production with Casa Manana; its version closed last month, and while this one has almost the same cast and crew, it’s strikingly different.) Act 2 is the money, with an unparalleled courtroom scene and a profound coda about the mysterious Boo Radley.

Several of the performances are indelible as well. Anastasia Munoz, as a clucking society lady but mostly as the white girl who accuses a hapless black man of rape, quakes with such nervous ferocity, you fear she’ll shake loose a light fixture. Akron Watson as the victim of her prejudice and James Dybas as her racist father are equally good, and solid work comes from Bob Hess, Denise Lee and Morgan Richards as the precious tomboy Scout. But the production is all but stolen by Aiden Langford as the moppet Dill, a charming kid who could spread diabetes with his sweetness.

—  Rich Lopez

‘¡Gaytino!’ tonight at Latino Cultural Center

Latin flair

Growing up gay and Latino can be a tough hand to play. In a culture that revels in religion and machismo — hell, the word “machismo” is Latino — coming out poses pitfalls.

But Dan Guerrero lucked out. With some artsy upbringing by a musician dad and a not-so-practicing Catholic background, Guerrero’s closet was easy to open. In fact, it was harder for him just to be Hispanic.

“Los Angeles never made me feel like I was good enough,” he says. “I fell in love with musicals in junior high. I wanted to hear Julie Andrews in Camelot! Who gives a rat’s ass about mariachi?”

His dad might have given one. He was famed musician Lala Guerrero, the father of Chicano music who popularized the Pachuco sound in the 1940s (the beats most associated with Zoot suits and swing dancing).

“The main reason I did the show is, I wanted to know more about my dad and my best friend. I was already fabulous,” he laughs. “So I don’t think of this as my story. I wanted to embrace his legacy and celebrate him and our lives, but also tell of being a born-again Hispanic.”

—  Rich Lopez

Latin flair

comedy
MUY FUNNY | Dan Guerrero works for laughs while being gay and Latino in his one-man show.

Before he could write ‘¡Gaytino!,’ Dan Guerrero first had to find his roots

rich lopez  | Staff Writer
lopez@dallasvoice.com

Growing up gay and Latino can be a tough hand to play. In a culture that revels in religion and machismo — hell, the word “machismo” is Latino — coming out poses pitfalls.

But Dan Guerrero lucked out. With some artsy upbringing by a musician dad and a not-so-practicing Catholic background, Guerrero’s closet was easy to open. In fact, it was harder for him just to be Hispanic.

“Los Angeles never made me feel like I was good enough,” he says. “I fell in love with musicals in junior high. I wanted to hear Julie Andrews in Camelot! Who gives a rat’s ass about mariachi?”

His dad might have given one. He was famed musician Lala Guerrero, the father of Chicano music who popularized the Pachuco sound in the 1940s (the beats most associated with Zoot suits and swing dancing). While Guerrero appreciated his father’s legacy, he established his own identity by moving to New York to become an actor. That didn’t work out so much, but becoming an agent did.

“It was kind of by accident, but I ended up being an agent for 15 years,” he says. “I got into producing and I loved it.”

Although he stepped away from performing, Guerrero finds himself back onstage Friday and Saturday at the Latino Cultural Center with ¡Gaytino! The autobiographical one-man show is part comedy, part cabaret, with Guerrero recounting in lyrics and punch lines his experiences growing up gay and Latino, life with father … and having to rediscover his roots after moving back to L.A.

“The main reason I did the show is, I wanted to know more about my dad and my best friend. I was already fabulous,” he laughs. “So I don’t think of this as my story. I wanted to embrace his legacy and celebrate him and our lives, but also tell of being a born-again Hispanic.”

In L.A., Guerrero rediscovered his heritage. While still working in entertainment, he noticed a lack of Latinos behind the scenes. He started a column in Dramalogue to change that, interviewing actors like Jimmy Smits and Salma Hayek and producing shows that spoke to Latin audiences.

And then came ¡Gaytino!

“Well, the word itself hit me first so I trademarked it. Then it was madness as I set about writing it,” he says.

When the show debuted in 2005, Guerrero hadn’t performed in 35 years. He was a different man, no longer a young buck with nothing to lose and untarnished optimism. He was a behind-the-scenes producer and casting agent. He was — gasp! — older.

“I remember thinking, ‘What am I gonna do? What if I forget my lines?’ I’m an old codger,” he says. “But I got onstage and it was like I had did it the day before. Performing is just part of who I am.”

With his successful day job (he once repped a young Sarah Jessica Parker), a healthy relationship (32 years this November) and irons in many other fires, why bother with the daunting task of writing a show and carrying it alone?

“It still feels like I’m breaking into show business. At least when you’ve been around as long as I have, you can get the main cheese by phone,” he answers. “But really, I had something I wanted to say and I love doing it. I’ve been lucky to stay in the game this long but it’s not by accident; it’s all been by design.”

What he loves isn’t just doing his show, but how it pushes positive gay Latino images. He’s dedicated this chapter in his life to that. Guerrero now feels parental toward the younger generation — maybe because he has no children of his own.

“I do feel a responsibility and not just to younger people, but to all,” he says. “For ¡Gaytino!, I first want them entertained, but I hope audiences will leave more educated about some Chicano culture and history and Gaytino history.”

……………………………………

QUEER CLIP: ‘BEGINNERS’

screen

 

Beginners is such a dreadfully forgettable and generic title for what is the year’s most engaging and heartfelt comedy, you feel like boycotting a review until the distributor gives it a title it deserves.

Certainly the movie itself — a quirky, humane and fantastical reverie about the nature of love and family, with Ewan McGregor as a doleful graphic artist who, six months after his mother dies, learns his 75-year-old dad (Christopher Plummer) is gay and wants to date — charts its own course (defiantly, respectfully, beautifully), navigating the minefield of relationships from lovers to parent/child with simple emotions. It’s not a movie that would presume to answer the Big Questions (when do you know you’ve met the right one? And if they aren’t, how much does that matter anyway?); it’s comfortable observing that we’re all in the same boat, and doing our best is good enough.

McGregor’s placid befuddlement over how he should react to things around him — both his father’s coming out and a flighty but delightful French actress (Melanie Laurent) who tries to pull him out of his shell — is one of the most understated and soulful performances of his career. (His relationship with Arthur, his father’s quasi-psychic Jack Russell, is winsome and winning without veering into Turner & Hooch idiocy.) But Plummer owns the film.

Plummer, best known for his blustery, villainous characters (even the heroic ones, like Capt. Von Trapp and Mike Wallace), exudes an aura of wonder and discovery as the septuagenarian with the hot younger boyfriend (Goran Visnjic, both exasperating as cuddly). As he learns about house music at a time when his contemporaries crave Lawrence Welk, you’re wowed by how the performance seethes with the lifeforce of someone coming out and into his own. His energy is almost shaming.

Writer/director Mike Mills’ semi-autobiographical film suffers only being underlit and over too quickly. It wouldn’t be a bad thing to spend more time with these folks.

—Arnold Wayne Jones

Rating: Four and half stars
Now playing at Landmark’s Magnolia Theatre.

This article appeared in the Dallas Voice print edition June 10, 2011.

—  Kevin Thomas

GOP Rep. Randy Forbes: Make All Federal Docs Say “Mother” And “Father”

GOP Rep. Randy Forbes (VA) has introduced legislation which would require all federal documents to use only the words “mother” and “father” when describing parents. Forbes’ bill is meant to directly counter a recent compromise by Clinton’s State Department, which last month added the words “Parent 1″ and “Parent 2″ to passport applications. When we last heard from Forbes, he had introduced a House resolution calling for the words “In God We Trust” to be added to every public building, including courtrooms, schools, and government offices.

Joe. My. God.

—  David Taffet

Florida Finally Recognizes Martin Gill As The Legal Father To His Sons

Martin Gill, the Florida man who's been battling for years to adopt his two foster sons, and who conquered the state's ban on gays adopting back in October, has finally been granted his legal adoption. Best wishes, gents.


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Queerty

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Extension Cord: ‘Father of Prop 8′ increases reach

Cordileone-worked-with-NOMMany major players who publicly pushed for discrimination in California during the summer of 2008 cite Bishop Salvatore Cordileone as the “Father of Prop 8.” Now, the U.S. Catholic bishop’s conference hopes to take his “protect marriage” paternity national.

This from Catholic News Agency:

Washington D.C., Jan 6, 2011 / 12:43 am (CNA).- The new president of the U.S. Catholic bishops’ conference, Archbishop Timothy Dolan, announced Jan. 5 that he appointed Bishop Salvatore Cordileone of Oakland, California as chairman of the conference’s Ad Hoc Committee for the Defense of Marriage.

Bishop Cordileone succeeds Archbishop Joseph Kurtz of Louisville, Kentucky, who was elected vice president of the conference at the bishops’ assembly in Baltimore this past November.



Bishop Cordileone also serves as a member of the bishops’ Committee on Canonical Affairs and Church Governance.

During his time as the Bishop of Oakland he has worked to preserve the traditional definition of marriage. His work has been high profile because of the adoption of Proposition 8—the successful ballot initiative that defined marriage as being between one man and one woman—and subsequent legal efforts to overturn it.

California bishop appointed chairman for Marriage Defense Committee [CNA]

It’s astounding how much longevity so many people are wringing out of these anti-equality careers. Don’t get us wrong — We’re certainly glad they’re all gigging in this tough job market. Though if they could find a way to file a tax return that didn’t unfairly force us to wear a scapegoat costume? Well, that’d be cool too.




Good As You

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Elton Is Child’s Biological Father

ELTON JOHN 201010 X390 (GETTY) | ADVOCATE.COMElton John is identified as the biological father on the birth certificate of his newborn son, Zachary.
Advocate.com: Daily News

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