Houston Chronicle pulls endorsement of school board member Rodriguez over anti-gay flier

Manuel Rodriguez

The Houston Chronicle has rescinded its endorsement of Houston Independent School District Trustee Manuel Rodriquez over an anti-gay flier distributed by the Rodriquez campaign. As previously reported by Houstini, the flier attacked Rodriquez’s opponent, Ramiro Fonseca, for his history of advocating for LGBT people, and his endorsement by the Houston GLBT Political Caucus. The flier also suggested that Fonseca being 52 and unmarried is a reason that Houstonians should not trust him to make decisions affecting children, and points out that he has a “male partner.”

In the online opinion piece removing their endorsement, the Chronicle editorial board called out the overt homophobia in the Rodriquez flier.

“With his hateful flier, Rodriguez perpetuates the kind of stereotypes that put our kids in danger. And he implies that all right-thinking people agree with him – an insult to his constituents, and precisely the kind of blithe, old-school homophobia that makes school hallways so treacherous.

Members of the school board are supposed to be role models, not bullies. They’re supposed to support civil rights, not fight against them. They’re supposed to fight hate speech, not commit it.”

In response to the Rodriquez flyer the Houston GLBT Political Caucus had encouraged people to contact the editorial board and ask that the Chronicle endorsement be rescinded. “Certainly we’re very pleased that the Chronicle has taken this step,” said Caucus president Noel Freeman. “They recognize that there is no place for this kind of homophobia on the school board.” Freeman added the next step for the Caucus will be to continue to work to elect Fonseca. “We’re looking for volunteers who can help us by handing out literature at the polls.”

Until this recent controversy very little attention had been paid to the District III HISD race outside of political circles. No scientific polling on the race has been made public, but it’s considered to be a dead heat, with neither candidate having a clear advantage. It remains to be seen how the Rodriquez flier, and the overwhelmingly negative response it has garnered, will affect the outcome of the race.

HISD elections are part of the general elections taking place this Tuesday, Nov 8. Visit HarrisVotes.org to find your voting location and view a sample ballot.

—  admin

HISD trustee distributes anti-gay flier

Rodriquez Flier (excerpt)

Excerpt from the Rodriquez flier attacking Fonseco for his advocacy for LGBT people and his endorsement by the Houston GLBT Political Caucus (click to view full flier)

Houston Independent School District Trustee Manuel Rodriquez Jr. is under fire for an anti-gay flyer attacking his opponent, Ramiro Fonseca. Both seek the HISD District III seat held by Rodriquez. Rodriquez’s flyer attacks Fonseca for his history of advocating for LGBT people, and his endorsement by the Houston GLBT Political Caucus. The flyer also suggests that Fonseca being 52 and unmarried is a reason that Houstonians should not trust him to make decisions affecting children, and points out that he has a “male partner.”

The GLBT Political Caucus was quick to denounce the flyer, issuing a statement on Saturday. “Manuel Rodriguez is assuming the voters of District III share the same bigoted, hateful views he holds,” said Caucus president Noel Freeman. “Houstonians have proven time and time again that such views are not welcome in our City, and have consistently rejected candidates who espouse such hateful views. We urge the voters of District III to reject Manuel Rodriguez on election day.”

Other HISD Trustees have joined in the chorus of people speaking out against the mailer. “I denounce the reprehensible, mean-spirited, bigoted mailer that was sent out in the HISD, District III race,” Trustee Juliet Katherine Stipeche said via her Facebook wall. “I ask my colleagues to maintain and uphold HISD’s total non-discrimination policy and treat every person, including other candidates, with dignity and respect. Let us embrace diversity and equality and treat every person as we would like ourselves to be treated ” Stipeche is seeking re-election to her district VIII seat.

HISD District I member Anna Eastman echoed Stipeche’s comments. “My fifteen year old son could not comprehend why someone would think that distinction would change a vote for school board and would be used as such by a candidate.”

The GLBT caucus is urging people to contact the editorial board of the Houston Chronicle to encourage them to rescind their endorsement of Rodriquez in light of his campaign tactics.

HISD elections are part of the general elections taking place this Tuesday, Nov 8. Visit HarrisVotes.org to find your voting location and view a sample ballot.

—  admin

Show vs. Show

In this installment of Show vs. Show, we take a look at two bands both welcome at any party. It’s the battle of young and not-so-young as The B-52s bring out their campy tunes and CSS turn on their Brazilian beats for Dallas audiences.

Despite a healthy discography, we might always know The B-52s for “Love Shack,” but there are worse tunes on which to hang a legacy. Now a classic party anthem, the song has held up for more than 20 years.

The band’s talent shouldn’t be overlooked for its camp factor. When the late Ricky Wilson threw down that riff for “Rock Lobster,” he made music history with a strong sound. It’s easy to blow off, but over the years, has proven unforgettable. Guitarist Keith Strickland stepped in and filled those shoes with the perfect blend of musicality and whimsy.

Cindy Wilson and Kate Pierson always keep our attention with their mod outfits and high-to-heaven ’dos, but Fred Schneider symbolizes the band most with his outrageous flair.

But don’t count out CSS for party ’peal. The Brazilian popsters may be the heirs apparent to The B-52s (if not LMFAO), infusing a comic touch on their songs. They don’t offer as much of a punchline as The Bs do, but with tunes like “Let’s Reggae All Night” and “City Grrrl,” they add their own panache. Another point in their corner is opening dance band and performance artists MEN, led by lesbian JD Samson.
This should be more like Party vs. Party. All that’s missing are the party favors, confetti and punch bowl.

— Rich Lopez

Artist: The B-52s

Concert-2

The B52's

 

Known mostly for… being the premiere party rock band veterans, churning out hits “Rock Lobster,” “Love Shack” and “Roam.”

Good for the gays? As gay as it can get. Their camp factor is off the charts.  And of course, there’s queer singer Fred Schneider.

What to wear? Anything but beige or gray. And lots of hairspray.

Relevance: The B-52s haven’t delivered big since 1989’s Cosmic Thing, but their songs are timeless fun.

Reason to be there: This is one resilient band that wholeheartedly still delivers. And how awesome is “Love Shack” going to sound live?

Reason to not: It’s in Frisco.

Deets: Dr. Pepper Arena, 2601 Avenue of the Stars, Frisco. Nov. 3
at 7:30 p.m. $27–$77. Ticketmaster.com.

Artist: CSS

Concert-1

CSS


Known mostly for… their Brazilian dance pop. Hipsters party out to this band
that wants nothing more than to have a good time.

Good for the gays? With openers MEN, both are queer-centric with refreshing
but catchy tunes.

What to wear? Ironic T-shirts and colorful Converse Chuck Taylors.

Relevance: Their latest album, La Liberacion, strikes an unusual dance chord that’s also infectious and irreverent.

Reason to be there: While CSS has a strong fan base, they are still off the gaydar. You can be the one to tell all your friends about them.

Reason to not: With this one-two punch of catchy alterna-pop, there really isn’t a reason not to be there.

Deets: With MEN. House of Blues, 2200 N. Lamar St. Oct. 28
at 8 p.m. $18–$20. HouseOfBlues.com.

This article appeared in the Dallas Voice print edition October 28, 2011.

—  Kevin Thomas

‘The Lady’ exhibit at Bath House Cultural Center

Who’s that lady of the lake?

You know those stories of driving in the White Rock Lake area and seeing a mysterious drenched lady. She needs a ride, sits in the back seat and then disappears leaving only a puddle ruining your fine upholstery. The story is legend in Dallas and for whatever reason, is still creepy. The urban legend is turned into art in The Lady, where artists depict in various ways their take on the legend of the woman who drowned in the lake years ago. Real or not, it’s a spooky slice of Dallas history retold in art form — and perfect for getting in the Halloween mood.

DEETS: Bath House Cultural Center, 521 E. Lawther Drive. Through Jan. 28. Free. BathHouseCultural.com.

—  Rich Lopez

Choose between O.M.D at HOB or k.d. Lang at the Meyerson

Decisions, decisions

Whether you’re in the mood for swoony torch songs or synth-pop from the ’80s, tonight is your night. k.d. Lang stops in town with her new band the Siss Boom Bang in support of her latest album Sing it Loud. She’ll likely have you as putty in her hands once her mouth hits the microphone. Or for some flat-out fun pop that will take you back a few decades, hit up Orchestral Manoeuvres in the Dark (or O.M.D.) tonight. The band hit it big with “If You Leave” and “Dreamin’” back in the ’80s and then kinda faded away. But last year, they dropped History of Modern and tour and have been getting raves ever since.

If only you could be in two places at once.

DEETS: k.d. Lang and the Siss Boom Bang, Meyerson Symphony Center, 2301 Flora St. at 8 p.m. $40–$100. DallasSymphony.com.

O.M.D., House of Blues, 2200 N. Lamar St. at 8 p.m. $25–$45. HouseofBlues.com.

—  Rich Lopez

Defining Homes • Super (re)model

Remodeler Chris Sandlin says slow your roll before that redux

Wingren-Kitchen-5By Jonanna Widner

As a third-generation homebuilder and remodeler, it’s no surprise that Chris Sandlin opted out of a journalism career and instead chose the family business. He made the change in 2005 and with such a history of the industry in his blood already, Sandlin brings a fairly unique perspective to the market.

“I’m 30 years old, which is relatively young compared to others in my position,“ he says. “But I put a lot of time and energy into the right team of workers and sub-contractors to customers’ homes so the end result lives up to what the homeowners deserve. As a gay business owner, I’m happy in providing stellar home services to the community.”

Before moving forward with that remodel, Sandlin says to think before demolishing.

Wingren-Master-Bath-2Know when to remodel: “I commonly work with homeowners to determine whether it makes more sense to remodel or move. I approach each situation openly and honestly, and try my best to suggest what I think would be best, even if that means I don’t win the job.”

Remodel before selling: “This is usually the case with older homes that have not been remodeled recently. Homeowners accept my guidance for what sells. I have a good combination of experience in the homebuilding and real estate industry.

“There is a catch-22 here. If the house sells quickly, homeowners in won’t have time to experience the finished remodel project which tends to be the kitchen or master bath.”

“This can happen very easily. Most $250,000 homes do not need a $50,000 bathroom redo, nor does a $300,000 home need a $100,000 commercial grade kitchen. A wide variety of factors need to be considered, including how long they plan to stay in the home, what’s the budget, how it adds to the home’s value.“

Budget help: “When in the budgeting/planning phase with homeowners, research the values of nearby homes, especially with remodels. This has been helpful in concrete figures regarding their remodel, as well as experienced conjectures about how the remodel will affect the home’s future value.”

Don’t rush the details:  ”Too many homeowners want to rush into their project without a clear vision. Step back, assess the project and come up with a plan. With that, the end result will be everything the homeowner wants. Rushing into it without a plan will only result in more time, money and headaches.”

Going green: “This is an area I take pride in. As a certified green professional through the National Association of Homebuilders, I integrate green philosophies and I want to minimize waste factor and landfill component as much as possible.”

“I started making many green features as my standard a long time ago because I feel it’s the right way to build and remodel. I’m happy to see more homeowners interested in these options.”

DIY:  “I’m happy to help prepare homeowners for what they would encounter if doing it on their own. Sometimes it works out just fine, with small jobs that don’t require licensed tradesmen or city permits. When it comes to larger jobs, people need to know if they honestly have the time to do this in addition to the day job.”DH

Visit SandlinBuild.com for more information.

This article appeared in the Dallas Voice print edition October 7, 2011.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

—  Kevin Thomas

‘Tempest:’ You, us

Kevin Moriarty is a director who embraces the full spectacle of Shakespeare, and while you can disagree with his decisions sometimes, you have to respect his commitment. He likes elements we might consider by-products of the Elizabethan Age, its Hey-Nonny-Nonnyisms: Interludes of courtly ballets and minstrel-strummed songs, arresting, fourth-wall-violating asides to the audience, expository speechifying — everything Chekhov and Ibsen and a host of others steered away from.

But he’s also a director who appreciates contemporary stagecraft: Reconfiguring the structure of plays, emphasizing the astonishing pageantry of an evening at the theater — sometimes taking us out of the play, but often with grandeur. The balance isn’t always an easy one, but it can take your breath away.

There are several such gasp-inducing moments in his staging of The Tempest, starting with the opening scene, set on an airplane instead of a boat. As the wizard Prospero (Chamblee Ferguson, pictured left), like Desmond from Lost, rips the jet from the sky, the stage instantly transforms into a barren wasteland, as stark and beautiful as any set the Dallas Theater Center has ever produced. There are trap doors and bits of magic and flying fairies. It will make you say, “Wow.”

But there are also the many edits. Yes, some of the talkiness is removed, but also some of the scope. And keeping it without an intermission leaves one’s butt castigated by those Wyly seats for nearly two hours.

This Tempest feels more like a series of vignettes than a single story: The comic relief, the sappy romance, the political intrigue, the long-stewing recriminations, bracketed by Ferguson’s Ahab-like Prospero. At first, he’s a vengeful terrorist and hypocritical zookeeper, enslaving his island’s native fauna, the ethereal Ariel (lithe, white-eyed Hunter Ryan Herdicka, pictured right) and its Orc-ish Caliban (Joe Nemmers, delivering us Quasimodo of the mud with poignancy and humor). Then Prospero changes gears, softening and showing mercy, moved by his daughter Miranda’s love for his enemy’s son.

The Tempest is problematic Shakespeare, neither comedy nor history nor classically tragic, but a romance with obscure motivations (how quickly Prospero’s mind is changed by Miranda’s capricious libido, when her suffering for two decades went unnoticed) made more obscure in this version — Prospero seems more like ringmaster than protagonist. Ah, well: The Bard was a better poet than playwright, so let’s give credit to Moriarty for taking this Tempest out of the teapot.

— Arnold Wayne Jones

Wyly Theatre, 2401 Flora St. Through Oct. 9. DallasTheaterCenter.org.

This article appeared in the Dallas Voice print edition September 23, 2011.

—  Michael Stephens

Good Christian belle

Gay ally Kristin Chenoweth talks about her new country music CD (she adores Dolly!), queers … and the right way to be a Christian

THE GOSPEL ACCORDING TO KRISTIN | The performer has conquered stage, recording, TV … and uniting gay rights with her faith.

Kristin Chenoweth doesn’t get miffed very easily. But when she does, watch out. Last year, after Newsweek published a commentary on the inability of gay actors to play straight roles, she wrote an extensive letter to the magazine, calling the article “horrendously homophobic.”

But Chenoweth’s allegiance to the gay community goes back to growing up in Oklahoma — a place she returned to for her latest album, Some Lessons Learned, the first of four where the opera-trainer singer fully embraces her country roots.

We had lots to talk about when we caught up with Chenoweth, on a dinner break from shooting her upcoming series, Good Christian Belles. She discussed her history of dating gay men, her opinion on Michele Bachmann’s support of gay conversion clinics … and being a little bit wicked.

— Chris Azzopardi

………………………..

Dallas Voice: Your character’s name on Good Christian Belles is Cockburn — Carlene Cockburn. Chenoweth: I can’t wait for my family to hear that one. Are you kidding? I was like, “Wait a minute…!” But I just think the most important thing for me as an actress, because of the lines that come out of my mouth, is to just have to speak them and keep going, because they’re so funny and her name is so funny and the whole thing is just so great. I love it.

Does your character have anything in common with April Rhodes, who you play on Glee? Probably not on paper, but they’re both pretty outlandish people. Carlene, though, is the antithesis of April.

You grew up in Oklahoma, so country music is your roots. How is your new album a reflection of that? It’s so funny, because I get asked, “Why a country album now?” But that’s how it all began for me. Of course, why would anyone know that? It’s not something I’ve been talking about a lot, but it’s the music I grew up listening to. One of my biggest influences is Dolly Parton, and when you look at the history of songs in musical theater and in country, they’re both usually great storytellers.

I know just how lucky I am to do this kind of music. Getting to go to Nashville and sing this music that feels like home to me was a real gift, and one that I don’t take lightly.

The song “What Would Dolly Do?” reminds me a lot of Dolly herself. I co-wrote that. [Producer] Bob Ezrin asked, “Who’s had the biggest influence on you country music-wise?” I said, “Dolly, without question.” And he said, “How would she approach it? Let’s think: What would Dolly do?” I said, “Bob, why aren’t we writing that song?”

There’s something about her that I feel very attuned to. There’s only one Dolly. I’m not comparing myself, but I’m just saying her spirit and the way she looks at life is pretty similar to me. And the cover I did of hers [“Change”] is actually a very emotional thing and it reminded me — of course, how could I ever forget? — what an amazing songwriter she is. You know, I didn’t do a lot of covers. I did two covers, one of Carrie [Underwood] and one of Dolly’s, and I just love both of them. I love their music, I love their spirit — everything they stand for.

It makes total sense, because, to me, both you and Dolly epitomize happiness. Oh my god, thank you. That’s the biggest compliment you could give me.

So, being so happy… what pisses you off? Oh, gosh! I don’t really get mad that often. But I’m not going to lie: When I do, there’s a quiet that comes over me that is a little like whoa, and that happens when I don’t feel other people are prepared or doing their job or pulling their weight. I come from a family where my dad came from nothing and worked hard to get where he is, and he said, “Work hard, play hard, Kris,” and I guess that’s kind of been my motto in life. So when I see people squandering opportunities or having a sense of entitlement, that really makes me crazy. Because I don’t understand it. It’s not a world I get.

One thing that does make you upset is homophobic people. I don’t like that, you’re right.

Your letter in response to that Newsweek column said it all. Why was it important to address your feelings on that issue? To be honest, I wasn’t prepared for what was going to happen. I was on Broadway doing Promises, Promises, and I read the article and I actually thought it was pretty irresponsible. I’m not even talking about whether a person agrees with being gay or not, I’m talking about artistry and gay

actors trying to play straight. It just made me mad, because I thought, “Well, I’ve played a prostitute, does that mean I am one? No.” I just thought it was a little bit of a bullying thing, and I honestly prayed about it — no kidding, I prayed about it.

And by the way, I’m a big fan of the magazine, which is why I was so bummed. But I think that they felt bad and hopefully there’s been some discussion about it and some learning, because that’s what we’re here to do on this Earth, to learn our purpose. Well, one of my purposes in this life — since I’m a believer and a Christian — is to help people realize that not every Christian thinks that being gay is a sin.

To reinforce your point, you made out with your Promises, Promises co-star Sean Hayes at the Tonys last year. It might’ve been a little jibe. It might’ve been a little one! Ha!

What was it like to make out with a gay man? Was that your first time? Well, let’s face it, my high school boyfriend is gay, so I don’t think it’s my first time making out with gay men! I bet a lot of women don’t even know they’ve done it! And Sean Hayes is just a darn good kisser, what can I say?

Wait, so you dated a gay man in high school? Yeah, and I’m like, “Well, that’s why we were such a great couple!” He didn’t pleasure me in any way but he helped me pick out my prom dress!

Was he one of the first gay people you knew in Oklahoma? Yeah. I want to tell you something I know about myself: When I was in the second or third grade, I first heard the word “dyke,” and it was in reference to a girl in our school who was very, very tomboyish. I didn’t really understand what the word was, but I knew I didn’t like the way it was said. And for some reason I’ve always been drawn to the person that was alone, and I don’t mean to make me sound like I’m Mother Teresa, because I’m not. But I’ve always been drawn to people who felt left out or different, and maybe it’s because, I too, felt different and unique. People would not think this of me, because there’s this perception of me that, “Oh, life’s been perfect and things have come so easily.”

But let’s face it: My speaking voice is very interesting. Yes, I was a cheerleader but I also wanted to do all the plays, I was in renaissance choir, and, I too, felt a little bit like an outsider. I was always drawn to people who felt that way, too. And sure, some of them were gay and I never did understand — I guess the word is fear.

God made us all equal. He made me short, he made someone gay, he made someone tall — whatever it is, it’s not a sin; it’s how we’re made. And that’s the way I feel about it. It flies in the face of a lot of what Christians believe, but as I’m finding out there’s a lot of Christian people who think the same as me. So that’s my deal, and I think we should not be careful of the unknown but rather accepting and loving of it.

As someone who’s Christian and supports the gay community, how do you feel about the pray-away-the-gay program that Michele Bachmann supports? [Long pause] You know what, you can have your opinion. One of the great things about being in this country is we get to freely say what we believe. I just don’t happen to agree with that. Though I like the “pray” part!

This article appeared in the Dallas Voice print edition September 16, 2011.

—  Michael Stephens

Teacher accuses TC College of discrimination

Gill says English Department chair at Northeast Campus told her the state and the school ‘do not like homosexuals’

Jacqueline “Jackie” Gill
Jacqueline “Jackie” Gill

TAMMYE NASH  |  Senior Editor
nash@dallasvoice.com

HURST — Jacqueline “Jackie” Gill filed suit Wednesday, Sept. 7, against a professor and a dean at Northeast Campus of Tarrant County College in Hurst, claiming that she was denied the opportunity to apply for a permanent, full- time teaching position there because of the English Department chair’s bias against what he perceived her sexual orientation to be.

Tarrant County College adopted a nondiscrimination policy prohibiting discrimination based on sexual orientation on March 9 of this year.

Frank Griffis, director of public relations and marketing for Tarrant County College, said it “would not be appropriate” for school officials to comment on pending litigation. He also said school officials had not yet been served with papers and therefore had not read the complaint.

Gill said she had worked as a full-time temporary English professor for about a year at the Northeast Campus. But when the position was to be made permanent, English Department Chair Eric Devlin refused to allow her to apply for the permanent position.

Gill said when she complained about Devlin to Northeast Campus Humanities Division Dean Antonio R. Howell, he initially seemed to side with her, but after speaking to Devlin, Howell refused to communicate further with her. Gill said although she is a lesbian and has never tried to hide that fact, she had never talked about her orientation with Devlin or anyone else at the school.

Both Devlin and Howell are named as co-defendants in the lawsuit.

Gill is represented in the lawsuit by Lambda Legal South Central Region staff attorney Ken Upton, joined by pro bono counsel Benjamin D. Williams from the law firm of Gibson, Dunn and Crutcher.

Gill and Upton held a press conference Wednesday to announce that the lawsuit had been filed earlier that morning in U.S. district court in Fort Worth. The press conference was held at a Hurst hotel located just a few blocks from the Tarrant County College campus where Gill had taught.

According to the complaint filed Wednesday, and statements Gill made during the press conference, Gill was first hired on a full time, temporary basis as an English professor on Aug. 21, 2009. A little more than a month later, at the end of October, a female “dual-enrollment” student — a high school student who was also taking college classes — in Gill’s distance learning class cheated by stealing an exam and skipped some classes.

The student’s high school counselor told Gill that the student has a history of disruptive behavior, and when the student dropped the class, Gill was told the situation was closed.

On Nov. 9, however, Devlin called Gill into his office and told her the student had accused Gill of “flirting” with female students. Gill denied the accusations, noting that there was always another teacher in the class at the same time.

That’s when Devlin responded with “a lengthy diatribe about homosexuals and how the Texas public views them,” according to the complaint. Gill said Devlin went on to say that Texas is a conservative state and TCC is a conservative school, and that “Texas and Tarrant County College do not like homosexuals.”

Gill continued to teach at TCC, receiving high praise and compliments from students and staff alike, including from Devlin. Then in May 2010, she and other full-time temporary professors were told by Howell that all seven temporary full- time positions were being made permanent, and that they were being re-designated as adjunct faculty until the permanent positions were filled.

Gill said Howell also encouraged her and the other temporary professors to apply for the permanent jobs. Gill applied for all seven but was the only one of the seven temporary professors not hired for the permanent positions. Gill said that she was, in fact, not even allowed to interview for any of the positions, even though her experience and credentials were as good as or better than those who were hired.

Gill said she met with Howell and told him about Devlin’s anti-gay comments and refusal to allow her to interview for the permanent positions. She said Howell promised her to discuss the situation with Devlin immediately, but that he never got back in touch with her.

She said she also got no response when she tried to discuss the situation with the vice president and president of Tarrant County College.

Gill continued to teach as an adjunct professor at the campus through December 2010, although, she said, Devlin’s attitude toward her became “even more hostile.”

And she said that although she was originally assigned classes for the 2011 spring term, as she was preparing for those classes she discovered she had been removed as the professor. When she inquired about the status of the class, Gill said, she was told that Devlin had specifically instructed that those classes be taken away from her.

Upton said that Devlin and Howell violated the equal protection clause of the U.S. Constitution by refusing to allow Gill to apply for the permanent teaching position. He said Gill’s suit is asking that she be allowed to complete the application process and that she be compensated for the time she has been unemployed.

Gill, who is a Ph.D. candidate at the University of Texas at Arlington, said she would love to get a teaching job with TCC, and while she would prefer to work at another campus, she is willing to go back to the Northeast Campus and work again in Devlin’s department.

“I worked hard. I earned it,” Gill said of the permanent position. “I have nothing to be ashamed of. If it [her working in Devlin’s department again] would be awkward for anyone, I think it would be awkward for him [Devlin] because he is the one who was in the wrong.”

This article appeared in the Dallas Voice print edition September 9, 2011.

—  Michael Stephens

Applause: Broadgay at Winspear

Lexus series adds queer event to upcoming season of musicals

What’s gay about ‘Jersey Boys’? The GLBT Broadway subscriber series at the Winspear will tell you.

The Lexus Broadway Series offers a muscular lineup of shows that feature classic stories and contemporary rock ‘n’ roll. But they go one step further in the 2011-12 season with the stage equivalent of special edition DVDs, featuring enhanced performances and pre-show engagements for subscribers — including its gay patrons.

Dallas Voice Life+Style Editor Arnold Wayne Jones will host a conversation every second-week Tuesday about 45 minutes before each show. The series, called GLBT Broadway, will highlight the appeal for queer audiences for the shows in the series. The discussion will touch on issues of gender identity and sexuality in regards to the show and the teams behind them. Some — such as the season lead-off, Hair — might be easier to analyze from a gay perspective than, say, Jersey Boys, but that’s part of the fun of the series.

The season starts with Hair, which won the Tony in 2009 for best musical revival. Youth in 1960s America are all about peace, love and understanding — including nudity and homosexuality — in this iconic musical. Sept. 20–Oct. 2.

The epic Les Miserables follows with a new 25th anniversary production. Dec. 20–Jan. 1.

Best musical Tony winner In the Heights details the immigrant experience as characters find a new life in their new country. March 13–25.

Alt-rockers Green Day went Broadway with American Idiot, touted as a mashup of a rock concert and staged musical. May 8–20.

The season concludes with Jersey Boys and Frankie Valli and the Four Seasons. Classic hits like “Big Girls Don’t Cry” and “Can’t Take My Eyes Off of You” tell the tale of this well-accomplished music group from the ‘50s. June 12–July 15.

Other subscriber series include Broadway University, hosted by SMU theater professor Kevin Hofeditz which will explore themes of the show and its place in theater history (every second Saturday matinee) and Broadway Uncorked (every second-week Wednesday), where an expert sommelier will host a wine tasting based on the show. We wonder what American Idiot’s wine will be.

— Rich Lopez

For more information on the Lexus Broadway Series and its enhanced performances, visit ATTPAC.org.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens