Chronicle blogger blames ‘It Gets Better” project for LGBT teen suicides

Kathleen McKinley

Kathleen McKinley

Kathy McKinley is a self-described “conservative activist” who blogs for the Houston Chronicle under the monicker “TexasSparkle.” In a recent post McKinley took the “It Gets Better” project to task for what she believes is their culpability in the suicides of LGBT teens:

“These kids were sold a bill of goods by people who thought they were being kind. The “It will get better” campaign just didn’t think it through. They didn’t think about the fact that kids are different from adults. They handle things differently. They react differently. Why? BECAUSE THEY ARE KIDS. You can grumble all day long how unfair it is that straight teens can be straight in high school, and gay kids can’t, but life is unfair. Isn’t the price they are paying too high?? Is it so much to ask them to stand at the door of adulthood before they “come out” publically? Because it may save their life.”

McKinnley’s primary confusion about the “It Gets Better” campaign (other than its name) is the assumption that the goal is to encourage teens to come out of the closet, or encourage them to become sexually active:

“Why in the world would you give teenagers a REASON to tease you? Oh, yes, because the adults tell you to embrace who you are, the only problem? Kids that age are just discovering who they are. They really have no idea yet. The adults tell you to “come out,” when what we should be telling them is that sex is for adults, and there is plenty of time for figuring out that later.”

I would like to encourage Ms. McKinley to watch the “It Gets Better” project’s founder Dan Savages’ video. Please, Ms. McKinley, listen, and tell me if you hear Savage or his partner Terry say anything about teens coming out or having sex. I think what you’ll hear them say is that all of the things that most kids, gay and straight, dream of (falling in love, starting a family, having the support of their parents, co-workers and friends) are possible for LGBT teens. I think you’ll hear them talk about how difficult their teen years were, and about the fears they had that their parents would reject them, that they’d never find success and that they’d always be alone.

Choosing to have sex is one of the most personal decision a person will ever make. For LGBT people, choosing to come out is another. I have not watched all of the thousands of videos from people who have participated in the “It Gets Better” project. It’s possible that there are a few that tell kids to come out right away, or to become sexually active, but I doubt it.

Every video in the project that I have seen has had the same simple message: that the person making it understands how tortuously awful the experience of being Lesbian, Gay, Bisexual or Transgender in Junior and High School can be, but there is a wonderful world of loving, vibrant, successful, engaged LGBT adults out there and if queer teens can just hang on, just for a few years, they can join it. I doubt that any of the contributors to the project think that hanging on for a few years will be easy. I suspect that most of them remember, with excruciating clarity, contemplating ending those temporary years of terror with a permanent solution and that is why they choose to reach out.

I grew up without role models, where people like Barbara Gittings, Bayard Rustin and Harvey Milk didn’t exist . I grew up in a small town where the two men with the pink house were talked about in hushed tones that immediately fell silent when I walked into the room, because it wasn’t appropriate for children’s ears. I grew up in a world where my mother wouldn’t tell me what “gay” meant, where the evening news was turned off if it reported on the AIDS crisis, where I wasn’t given words to describe who I was, and so the only word I could find was “alone.”

I was lucky. My suicide attempt failed.

I was lucky, I survived, and went to college, and found a church that embraced and loved LGBT people. That’s where I met doctors and lawyers and business owners and teachers who were like me. That’s where I met two wonderful women who had built a life together for over 50 years. That’s where I discovered I wasn’t alone and that being gay didn’t mean that i couldn’t have all of those things I’d dreamed of.

That is what McKinley missed in her blog post. In her haste to lay blame on anything other than the overwhelming prejudice perpetuated by schools, churches and governments against LGBT people McKinley missed the fact that kids need role models. In her rush to shove queer teens back into the closet she forgot that human beings need the hope of a better world, lest they give up in despair.

McKinley got one thing right in her post. She titled it “Are Adults Also To Blame For Gay Teen Suicides? Yes.” Adults are to blame for LGBT teen suicides. When adults hide the stunning diversity of God’s creation from their children they create a vision of reality that some of those children can’t see themselves in. When adults tell LGBT teens that they should be invisible then it is all too clear who is to blame when those teens believe them, and take steps to make themselves invisible permanently.

To all the LGBT kids out there: it does get better. There are adults who care about you and want all the wonderful things you dream of to come true, but you have to hang on. If you need to keep who are secret to remain safe then do so. If you need someone to talk to please call the Trevor Project at 866-4-U-Trevor (866-488-7386).

—  admin

‘Perform or provide’

DADT repeal gives progressive chaplains a chance to counter evangelical clergy in the military

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CATCH-ALL CHAPLAIN | Chaplain Chris Antal (Lt.) attended the meeting of the Forum on Military Chaplaincy at Cathedral of Hope in October. (David Taffet/Dallas Voice)

DAVID TAFFET  |  Staff Writer
taffet@dallasvoice.com
When a soldier recently came to Chaplain Chris Antal, a lieutenant in the Army National Guard in New York and a Unitarian Universalist minister, and asked if he’d pray with her even though she was a pagan, he said he replied, “Of course I will, but you’ll have to show me how.”

Several weeks later, when he saw her again, she told him that the day she had come to visit him, she had hit rock bottom. He had, she told him, saved her life that day.

But Antal said he was only doing his job — helping any soldier who comes to him.

“I’ve earned the nickname, the Catch-all Chaplain,” he said, explaining that it means he takes everyone the other chaplains don’t want to deal with.

Carpenter.Dodd

Capt. Tom Carpenter (ret.) and Col. Paul Dodd (ret.)

Being there to help a soldier in need is what it’s all about for a military chaplain, said Col. Paul Dodd, a retired chaplain who now lives in Austin.

“The duty of a military chaplain is to perform or provide,” said Dodd, adding that he once sponsored an Islamic conference.

Dodd said that no chaplain can perform every service needed by every member of the military. But if a chaplain can’t perform the service requested, he or she must provide that soldier with a referral to someone else who can.

Antal said that chaplains who enlisted knew what they were getting into — to some extent. But none of them really expected the repeal of the military’s anti-gay “don’t ask, don’t tell” policy. And for many, that repeal was a game changer.

In October, a group of active and retired chaplains and military personnel and other people of faith, such as the Rev. Steve Sprinkle from Brite Divinity

School in Fort Worth, met at the Interfaith Peace Chapel at Cathedral of Hope to begin looking at ways of addressing the issues that arose for military chaplains around DADT repeal.

Dave Guy Gainer said The Forum on Military Chaplaincy is not exactly new. It formed in 2005 as a project of Servicemembers Legal Defense Network and worked under the radar until DADT was repealed.

Sprinkle said people in the Pentagon, up through Secretary of Defense Robert Gates, knew about their work and considered their statements throughout the DADT repeal process.

And now, with repeal complete, the group met to “come out.” At their meeting in Dallas, forum members considered ways to become an independent organization helping to ensure newly out service members receive the pastoral care they need while serving in the military.

Susan Gore, principle of The Mentor Group and editor of the book Coming Out In Faith, moderated the Dallas conference. She said the group started with several retired military officers “who wanted to push back against the far-right skew.”

Sprinkle has been part of the forum for four years and said he was recruited to participate because of his work on hate crimes.
Since the terrorist attacks of Sept. 11, 2001, Sprinkle said, more and more members of the Chaplain Corps have come from just one school — Liberty

University, founded by far-right evangelical Jerry Falwell. Today, Sprinkle estimated, one-third of military chaplains come from Liberty University.

“They instituted a program that barely meets minimum requirements,” he said of the evangelical school. “It’s an online course.”

And, Sprinkle said, Liberty University’s goal is to take control of the Chaplain Corps and use the military as a pool for religious recruits.

“This is fertile ground to bring people to Jesus at taxpayer expense,” said Tom Carpenter, a retired Marine captain and one of the forum’s founders.

“I’ve heard stories of them holding the hand of someone who’s dying and trying to bring them to Jesus.”

And although such actions contradict military policy, no one in the corps has been disciplined or dismissed for it.

“They give chaplains a lot of leeway,” Carpenter said.

Gainer said the military is looking for well-rounded ministers who bring experience with them to the military.

According to the U.S. Army Chaplain Center and School in Fort Jackson, S.C., candidates must be endorsed by their denomination or faith group and be “sensitive to religious pluralism and able to provide for the free exercise of religion by all military personnel, their family members and civilians who work for the Army.”

But Sprinkle said that Liberty University is transparent about its goals, and those goals do not line up.

“They’re not committed to pluralism or serving all the troops,” he said.

Gainer said that the greatest opposition to repealing DADT came from the Chaplain Corps because military chaplains answer to two groups — the military and their denomination. Those chaplains that didn’t adhere to a strict stance of maintaining the ban on gays and lesbians were threatened with losing their accreditation from their endorsing religious body — and with it their livelihood and their pensions.

But that contradicts the stated goals of the Chaplain Corps.

“Someone has to say, ‘Either you comply and serve all the troops all the time or get out,’” Sprinkle said.

Gore said that one of the goals of the newly public forum is to “rebalance the Chaplain Corps by bringing in more mainstream faiths.” She said that for many who come from more liberal traditions, questions of what’s a just war make it hard to serve in the military. Antal, for example, is one of just four Unitarian Universalists in the Chaplain Corps.

During its push for repeal of DADT, members
said, the forum had several successes working behind the scenes.

Despite the assumption of confidentiality between parishioner and clergy, that wasn’t always the case between gay soldier and chaplain. Dodd said that a number of discharges under DADT occurred after a soldier talked to a chaplain and the chaplain turned them in.

In fact, he wrote a white paper on the practice. After he submitted it, the military tightened up on chaplain confidentiality, Dodd said.

Carpenter, an attorney, wrote an amicus brief for the Log Cabin Republicans’ lawsuit against DADT. The court found in favor of declaring DADT unconstitutional, but Congress repealed the law before the decision could be enforced.

Carpenter said that the repeal allows gays and lesbians to serve with no protection. The legal decision, had it not been vacated upon repeal, would have allowed gays and lesbians to serve equally.

Now that DADT is gone, the forum is examining how to ensure LGB personnel receive the same services as other troops from chaplains.

Dodd said that right-wing chaplains charge that allowing gays and lesbians to serve in the military will force them to act in ways that go against their beliefs. Some have said they would be required to perform same-sex weddings.

Dodd called that ridiculous. Chaplains are never asked to perform duties that go against their religious beliefs, he said.

“I turned down weddings,” he said. “An officer came to me who wasn’t divorced.”

He said the officer tried to pull strings and force the issue, but Dodd wasn’t going to discuss marrying someone who was still married to someone else.

“But we’re insisting chaplains have the authority, if it’s in keeping with their faith, to marry same-sex couples,” he said.

Because of the Defense of Marriage Act, the repeal provides no family benefits. For some issues, Dodd and Carpenter suggested work-arounds.

Issuing ID cards would be extremely helpful, especially to same-sex couples with children, Carpenter said, noting that “That way either parent could get on base to get a child to the hospital.”

In another example, joint assignments can be offered at the discretion of a commanding officer, and married couples are often assigned together when they both qualify for positions that are available at the same base. Same-sex couples could be given the same priority.

As the forum looks ahead, rebalancing the Chaplain Corps with members from a more diverse background to reflect the membership of the military is a priority.

“And we need to take care of our trans brothers and sisters,” Carpenter said.

The repeal of DADT did not address any transgender issues and does not allow transgender men or women to serve in the military.

Gainer believes representatives of the forum need to sit down with far-right members of the Chaplain Corps and agree to disagree. He said that before the repeal of DADT, they talked to people at Veterans of Foreign Wars and the American Legion. While both groups testified against the repeal, they met with some success.

“The president of the VFW in Pflugerville said it was the right thing to do,” Gainer said.

That dialogue, he believed, would help chaplains perform or at least provide a useful referral, rather than doing more damage to a soldier seeking help.

Gore thought that the focus of discussion should be with the majority of chaplains “who want to do a good job and are part of the moveable middle.”

“We have to convince administrators and educators in divinity schools to encourage some of their best and brightest to serve,” Sprinkle said. “So many schools dropped what they were doing during the Vietnam era.”

Antal thinks that gays and lesbians will gain more acceptance as they tell their stories in non-confrontational settings and others see “their identity as professional service members is primary.”

While the work of the forum will concentrate on helping LGB military personnel, creating a more diverse Chaplain Corps may help a majority of service members. Recent polls show that a majority of troops find the chaplaincy irrelevant.

Sprinkle called the work of the forum a gift from the LGBT community to the nation.

“You wouldn’t think we’d be the ones opening the doors so that all troops will be served with dignity, integrity and respect,” he said.

This article appeared in the Dallas Voice print edition November 4, 2011.

 

—  Kevin Thomas

Do you Peru?

Even as fans rallied to help Coco Peru get her next film off the ground, the drag goddess still likes her comedy live

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RICH LOPEZ  | Staff Writer
lopez@dallasvoice.com

Expect a lovefest when Coco Peru comes back to Dallas for Pride weekend. With memories of a responsive audience, shopping and beef jerky during her last go-round here nearly two years ago, the drag goddess is hoping for a repeat performance. Sort of. She’s back on the road with a new show, but that’s not all the legendary queen has going on.

“Well, we’ve filmed Girls Will Be Girls 2 already,” Peru (aka Clinton Leupp) says. “Right now the writer/director is busily editing. It’s just one of those things: You film it and hope for the best.”

Peru has garnered a significant amount of film work over the years, usually with notable cameos in films like as Trick, but occasionally as the star, as with Girls Will Be Girls. But she admits live performance is where she’s at her best.

“I like to think my show is like watching a theater piece,” she says. “I love film acting, but it’s exciting on a whole other level. There’s not that energy of a live audience and no feedback. So often, comic timing is how the audience is reacting to you. With acting, you mentally feel it out, try it and mostly trust the director. I find sometimes I rehearsed a line so much in my head, it takes me a few times to take direction on it.”

For Girls 2, Peru discovered just how much her fans appreciated her work. As a micro-mini indie, the film went on the website Kickstarter to raise funds. As word got out that the film was in production and that Peru was in it, the money rolled in.

“The movie was completely funded by fans,” she exclaims. “It was just incredible that they would want to pay money! And I must say, most of it came from my fans. I’m just putting that out there.”

Along with funds from Kickstarter, the crew itself was almost all-volunteer. People would just show up, willing to help out. It turned into an actual labor of love.

Along with donated help, the production even received a donated green screen. All the generosity reminded Peru that people are that genuinely kind and that it’s all right to ask for things, which usually embarrasses her. She saw this particular filmmaking experience as a good lesson on many levels.

“Let’s just hope the movie’s funny,” she laughs.

Dating back to the “early ‘90s” — that’s as specific as her website will get — Peru gives much credit to her fans along the way for the success of her career. Even if they come up to once again mention her role in the film Trick, Peru takes none of it for granted. Perhaps it’s cliché for any type of celebrity to appreciate their fans, but she  talks at length about how her fans have kept her driven.

“It’s so overwhelming, whether it’s a movie or my own shows, that they will take time to contact me to tell me whatever it is they are feeling,” she says. “I feel lucky and blessed when they reach out to me and I strive to answer every email. I remember those days that felt so lonely and sad. Growing up gay and feeling rejected doesn’t make a happy life. But when you get over 800 birthday messages on Facebook, it’s amazing!”

She’ll meet a new slew of fans on her current End of Summer Tour, as she’ll visit Tampa and Las Vegas for the first time as a performer. Even with her experience onstage, Peru is still daunted by a new audience, the same way she was before playing Dallas the first time early last year.

“The first time, I was nervous and I didn’t know what to expect,” she recalls. “I felt that audiences came wanting to have a great time. You go to certain cities and they have a bit of an edge, but in Texas, it was an immediate love fest on both ends.”

In her new show, There Comes a Time, Peru talks about getting older and reminiscing about her life. Fortunately, Dallas isn’t a punch line in her monologue. The city left a good impression on her and she only hopes to make another one of her own.

“Well, I’m happy to be coming back and they took such good care of me last time,” she says, “but I don’t wanna jinx myself. You never know.”

This article appeared in the Dallas Voice print edition September 2, 2011.

—  Kevin Thomas

Drawing Dallas

Even with a big family (3 kids and 5 grandkids), retired schoolteacher Richard John du Pont projects a dandy’s fashion sense

MARK STOKES  | Illustrator
mark@markdrawsfunny.com

Name: Richard John du Pont

Occupation: Retired elementary school teacher

Spotted at: Kroger’s on the Strip

Colorful and vibrant, Richard was born and reared in upstate New York in a small town on the Mohawk River called Crescent. Retired since 2003, this tireless educator spent 30 years teaching 4th and 6th grades, and continues as a substitute teacher for the Dallas I.S.D (Sam Houston Elementary and Maple Lawn Elementary). He graduated with a bachelor’s in elementary education from the Central University of Iowa and a has masters in education from North Texas State University at Denton.

A man of taste: This silver-haired taste maker owns an exquisite collection of antiques, tastefully chosen to accent his beautiful home. He also lends his skill and expertise as a salesman to two estate sales and as a sales rep for Metrotex at the four large annual shows at the Dallas Trade Center.

Daddy dearest: This proud patriarch of two sons, one daughter and five grandsons sees family as the root of his life. His close-knit clan lives in the area so he is able to spend a lot of time with his children and grandchildren.

His hobbies include volunteer work for DIFFA, Legacy Counseling Center and Fresh, as well as traveling, reading, working out at Gold’s Gym Uptown, dancing and shopping. He collects vintage clothing and jewelry (more than 100 suits at least — he attends the Cathedral of Hope every Sunday in one of them with an antique brooch), and Converse and Vans shoes.

This article appeared in the Dallas Voice print edition July 29, 2011.

—  Michael Stephens

Sally Kern: Gays (and Gaga) are the real haters!

Rep. Sally Kern

In case you missed Oklahoma State Rep. Sally Kern’s appearance on Tim Wildmon’s American Family Radio, she was on promoting her new book, The Stoning of Sally Kern.

Wildmon is the president of the hate group the American Family Association. Kern is the legislator whose district includes a large number of those killed in the Oklahoma City bombing, but who says that homosexuals are a bigger threat to this country than terrorists.

On the show, Wildmon said, “Nobody hates the individual homosexual.”

That’s great to know.

“To me what is hateful is when those people who say ‘you’re born this way, there’s no hope in change, you’re stuck in this, deal with it,’ that is hate,” Kern responded. “There’s no hope in that.”

—  David Taffet

Latin flair

comedy
MUY FUNNY | Dan Guerrero works for laughs while being gay and Latino in his one-man show.

Before he could write ‘¡Gaytino!,’ Dan Guerrero first had to find his roots

rich lopez  | Staff Writer
lopez@dallasvoice.com

Growing up gay and Latino can be a tough hand to play. In a culture that revels in religion and machismo — hell, the word “machismo” is Latino — coming out poses pitfalls.

But Dan Guerrero lucked out. With some artsy upbringing by a musician dad and a not-so-practicing Catholic background, Guerrero’s closet was easy to open. In fact, it was harder for him just to be Hispanic.

“Los Angeles never made me feel like I was good enough,” he says. “I fell in love with musicals in junior high. I wanted to hear Julie Andrews in Camelot! Who gives a rat’s ass about mariachi?”

His dad might have given one. He was famed musician Lala Guerrero, the father of Chicano music who popularized the Pachuco sound in the 1940s (the beats most associated with Zoot suits and swing dancing). While Guerrero appreciated his father’s legacy, he established his own identity by moving to New York to become an actor. That didn’t work out so much, but becoming an agent did.

“It was kind of by accident, but I ended up being an agent for 15 years,” he says. “I got into producing and I loved it.”

Although he stepped away from performing, Guerrero finds himself back onstage Friday and Saturday at the Latino Cultural Center with ¡Gaytino! The autobiographical one-man show is part comedy, part cabaret, with Guerrero recounting in lyrics and punch lines his experiences growing up gay and Latino, life with father … and having to rediscover his roots after moving back to L.A.

“The main reason I did the show is, I wanted to know more about my dad and my best friend. I was already fabulous,” he laughs. “So I don’t think of this as my story. I wanted to embrace his legacy and celebrate him and our lives, but also tell of being a born-again Hispanic.”

In L.A., Guerrero rediscovered his heritage. While still working in entertainment, he noticed a lack of Latinos behind the scenes. He started a column in Dramalogue to change that, interviewing actors like Jimmy Smits and Salma Hayek and producing shows that spoke to Latin audiences.

And then came ¡Gaytino!

“Well, the word itself hit me first so I trademarked it. Then it was madness as I set about writing it,” he says.

When the show debuted in 2005, Guerrero hadn’t performed in 35 years. He was a different man, no longer a young buck with nothing to lose and untarnished optimism. He was a behind-the-scenes producer and casting agent. He was — gasp! — older.

“I remember thinking, ‘What am I gonna do? What if I forget my lines?’ I’m an old codger,” he says. “But I got onstage and it was like I had did it the day before. Performing is just part of who I am.”

With his successful day job (he once repped a young Sarah Jessica Parker), a healthy relationship (32 years this November) and irons in many other fires, why bother with the daunting task of writing a show and carrying it alone?

“It still feels like I’m breaking into show business. At least when you’ve been around as long as I have, you can get the main cheese by phone,” he answers. “But really, I had something I wanted to say and I love doing it. I’ve been lucky to stay in the game this long but it’s not by accident; it’s all been by design.”

What he loves isn’t just doing his show, but how it pushes positive gay Latino images. He’s dedicated this chapter in his life to that. Guerrero now feels parental toward the younger generation — maybe because he has no children of his own.

“I do feel a responsibility and not just to younger people, but to all,” he says. “For ¡Gaytino!, I first want them entertained, but I hope audiences will leave more educated about some Chicano culture and history and Gaytino history.”

……………………………………

QUEER CLIP: ‘BEGINNERS’

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Beginners is such a dreadfully forgettable and generic title for what is the year’s most engaging and heartfelt comedy, you feel like boycotting a review until the distributor gives it a title it deserves.

Certainly the movie itself — a quirky, humane and fantastical reverie about the nature of love and family, with Ewan McGregor as a doleful graphic artist who, six months after his mother dies, learns his 75-year-old dad (Christopher Plummer) is gay and wants to date — charts its own course (defiantly, respectfully, beautifully), navigating the minefield of relationships from lovers to parent/child with simple emotions. It’s not a movie that would presume to answer the Big Questions (when do you know you’ve met the right one? And if they aren’t, how much does that matter anyway?); it’s comfortable observing that we’re all in the same boat, and doing our best is good enough.

McGregor’s placid befuddlement over how he should react to things around him — both his father’s coming out and a flighty but delightful French actress (Melanie Laurent) who tries to pull him out of his shell — is one of the most understated and soulful performances of his career. (His relationship with Arthur, his father’s quasi-psychic Jack Russell, is winsome and winning without veering into Turner & Hooch idiocy.) But Plummer owns the film.

Plummer, best known for his blustery, villainous characters (even the heroic ones, like Capt. Von Trapp and Mike Wallace), exudes an aura of wonder and discovery as the septuagenarian with the hot younger boyfriend (Goran Visnjic, both exasperating as cuddly). As he learns about house music at a time when his contemporaries crave Lawrence Welk, you’re wowed by how the performance seethes with the lifeforce of someone coming out and into his own. His energy is almost shaming.

Writer/director Mike Mills’ semi-autobiographical film suffers only being underlit and over too quickly. It wouldn’t be a bad thing to spend more time with these folks.

—Arnold Wayne Jones

Rating: Four and half stars
Now playing at Landmark’s Magnolia Theatre.

This article appeared in the Dallas Voice print edition June 10, 2011.

—  Kevin Thomas

Light a Fire tonight at The Mac

Time to light a fire under people

When a group of friends came together to take a stance against bullying, Light a Fire was born. Now they hope to encourage many others to continue to raise awareness and educate on the issue. Fort Worth councilman Joel Burns guest speaks along with Dottie Griffith, Mike Rawlings and more at the Light a Fire inaugural event, with donations given to Youth First Texas.

DEETS: The MAC, 3120 McKinney Ave. 6:30 p.m. $25. The-Mac.org. Search “light a fire” on Facebook.

—  Rich Lopez

CORRECTION: All major candidates for Dallas mayor vied for LGBT vote in 2002

In my cover story for this week’s paper, I made a minor mistake. Actually it was fairly major. The opening paragraph of the story, as originally written, stated that 2011 marks the first time in history that all major candidates for Dallas mayor have actively courted the LGBT vote.

As former DV staff writer David Webb pointed out in the comments to the story, that’s not true. In 2002, Laura Miller, Tom Dunning and Domingo Garcia — the three major candidates for mayor — all courted the LGBT vote.

From The Dallas Mornings News on Jan. 15, 2002:

Dallas gays and lesbians, who used to hope that they could just find a candidate who wouldn’t be hostile to their interests, find themselves for the first time being wooed from all directions in what boils down to a three-way citywide race – and disagreeing about whom to support.

“It’s the first time I haven’t had to go vote for the lesser of two evils,” said Deb Elder, a Laura Miller supporter and political organizer. “Nothing has piqued my passion like this mayoral vote.”

Put another way, with major candidates Ms. Miller, Tom Dunning, and Domingo Garcia all touting their support for including gays in a nondiscrimination ordinance, a sector of voters that was shunned not long ago can’t lose this time around.

“It’s historic. I knew it would happen, but I didn’t know it would be this soon,” said Michael Milliken, one of the city’s first publicly identified gay appointees. “The gay community is in a unique position this year.”

I had based my report on statements by openly gay former City Councilman Ed Oakley, who called the 2011 mayoral election “a watershed moment for the community” and “unprecedented.”

While that may be true in some other respects, this isn’t the first time all major mayoral candidates have sought the LGBT vote, and I apologize for the error.

—  John Wright

Snap shots: ‘Bill Cunningham New York’ turns the camera on fashion’s most influential paparazzo

LENS ME A SHOE | The Times photographer documents foot fashion in ‘Bill Cunningham New York.’

ARNOLD WAYNE JONES  | Life+Style Editor
jones@dallasvoice.com

Maybe Project Runway’s to blame, maybe The Devil Wears Prada, but for the past few years there has been a surplus of documentaries about the fashion industry, with profiles of designers like Valentino (Valentino: The Last Emperor), Yves Saint-Laurent (several in fact), even young designers (Seamless) and Vogue magazine’s editor (The September Issue). (By contrast, I can only recall one fashion doc from the 1990s: Unzipped, about a young designer named Isaac Mizrahi.) Is there really that much to say about dressmaking?

Maybe not, but while Bill Cunningham New York fits broadly within the category of fashion documentaries, its subject is unusual because he eschews the trappings of haute couture even as he’s inextricably a part of it — a huge part, really.

If you don’t read the New York Times, you might not recognize Cunningham’s name, and even if you do read it, it may not have registered with you. For about, well, maybe 1,000 years, Cunningham has chronicled New York society with his candid photos of the glitterati on the Evening Hours page. At the same time, however, he has documented real fashion — how New Yorkers dress in their daily lives — with his page On the Street, where he teases out trends (from hats to men in skirts to hip-hoppers allowing their jeans to dangle around their knees). Anna Wintour may tell us what we should wear; Cunningham shows us what we do.

“We all get dressed for Bill,” Wintour observes.

What makes Cunningham such an interesting character is how impervious he seems to the responsibility he effortlessly wields. He loves fashion, yes, but he’s not a slave to it himself. He scurries around Manhattan (even in his 80s) on his bicycle (he’s had dozens; they are frequently stolen), sometimes in a nondescript tux but mostly in jeans, a ratty blue smock and duck shoes, looking more like a homeless shoeshiner than the arbiter of great fashion. He flits through the city like a pixie with his 35mm camera (film-loaded, not digital), a vacant, toothy smile peaking out behind the lens, snapping the denizens of Babylon whether they want it or not.

One of the funniest moments is when strangers shoo him away as some lunatic paparazzo, unaware how all the well-heeled doyens on the Upper East would trade a nut to have Cunningham photograph them for inclusion in the Times. Patrick McDonald, the weirdly superficial modern dandy (he competed as a wannabe designer on the flop reality series Launch My Line a few seasons back), seems to exist with the hope that Cunningham will shoot him. And shoot him he does.

Many artists are idiosyncratic, even eccentric, but Cunningham is supremely odd by any standards. He lives in a tiny studio near Carnegie Hall filled with filing cabinets cluttered with decades of film negatives on the same floor as a crazy old woman, a kind of urban variation on Grey Gardens. He knows tons of people but most of them seem to know very little about him. By the time near the end when the filmmaker, director Richard Press, finally comes out and ask him outright whether he’s gay, Cunningham arches in that prickly New England way, never really answering outright, though he says he’s never — never — had a romantic relationship. Things like that were simply not discussed by men of his generation.

In some ways, we never really know any more about Cunningham at the end than any of his friends do, and perhaps even him. Cunningham comes across as defiantly non-self-reflective. He lets his work do all the talking for him. And that work has a lot to say on its own.

This article appeared in the Dallas Voice print edition April 8, 2011.

—  John Wright