Last night held a whole lot of mixed feelings for me.
I finally made it to the Jean Paul Gaultier exhibit at the Dallas Museum of Art, thanks to a sort-of ticket-only pre-show viewing. The crowd wasn’t so thick and I could soak in all the edgy, avant garde work by the designer, as well as the innovations used in the exhibit — mannequins with animated faces, two-level displays and an automated runway showed the museum really upping their game. It made me proud of the place. And the exhibit itself was full of energy.
But then came the reason we were there.
Fashioned Forward was billed as “a musical exploration of the creative spirit of fashion icon Jean Paul Gaultier.” I was fascinated by the idea of pairing music with fashion, like wine with food. With punk rock skirts for men and ornate corsets made of straw, I could only imagine how the side-by-side would be.
I did not expect what happened.
A cast of four singers, a guitarist and a pianist made up the cast for the night, led by artistic director Ryan Taylor (not onstage). The Horchow Auditorium was packed with a diverse crowd and the show opened with Cole Porter’s “Anything Goes” followed by John Duke’s “Morning in Paris.” Unfortunately, it started the show on the completely wrong stiletto. American standards aren’t what I picture as augmenting the hard edges and spiky textures of Gaultier. Not. At. All. Foreign language songs like “Chiome d’Oro” disengaged the show even more, and poems about (or merely mentioning) fashion were peppered in without much effect while slides of fashions acted as backdrops for works intended to relate to that look.
That was the first half.