GIVEAWAY: Win Kristin Chenoweth’s new CD ‘Some Lessons Learned’

On Tuesday, singer/actress Kristin Chenoweth drops her fourth studio release Some Lessons Learned. She goes a little bit country this time and has said that this album is inspired by music legend Dolly Parton. Which would explain the track, “What Would Dolly Do.” She’s already previewed the album with the single “I Want Somebody (Bitch About),” and you might know the title track from Carrie Underwood’s debut album.

But Chenoweth likely will turn in her own cheerful spin on things in this album produced by Bob Ezrin and exec-produced by Dianne Warren.

Want one? OK. We’ll snail-mail you a copy if you can help us with this question. Chenoweth is up for an Emmy this Sunday. She already has one on her mantle. What show did she win for and what show is she nominated for this weekend?

We’ve got five copies of the album, so good luck. Just email your response here to win.

—  Rich Lopez

Bergmaniac

Streisand dazzles (as usual) on new CD of songwriters’ lyrics

Bergmans_Barbra
THE WAY THEY WERE | Babs has sung the lyrics of Marilyn and Alan Bergman for decades; now she has an album dedicated to the songs she and others have made famous.

RICH LOPEZ  | Staff Writer
lopez@dallasvoice.com

For Barbra Streisand, releasing an album is old hat… especially when she returns to the familiar. Her new album (dropping Tuesday) — her 33rd, following 2009’s Love is the AnswerWhat Matters Most: Barbra Streisand Sings the Lyrics of Alan and Marilyn Bergman, has been on her to-do list for some time: On it, she honors her frequent collaborators, who composed the lyrics to the Yentl soundtrack, “The Way We Were” and more.

It’s almost unfair to review Streisand anymore. Her production values are top-notch and there is no denying her voice still gorgeous after 50 years. For what she does, it’s perfection. Add to that her status as a music legend, especially among gay men, and nitpicks might seem blasphemous. But regardless of what the makers of Glee think, she’s still human, and while Matters works in the usual Streisand oeuvre, she also refrains in her tone.

On the opener, the Oscar winner “The Windmills of Your Mind,” Babs lets the construction shine more than her vocal interpretation, delivering drama but still holding back. Still, her voice is solid, like a perfect wine glass: delicate but sturdy. She continues such subtlety in subsequent tracks “Solitary Moon” and “Something New in My life” (where slight hints of grit in her voice are surprisingly refreshing).

She closes the 10-track album with songs that also rely on similar structure. Face it: She’s diva enough to not mind showing off. But her touches to “I’ll Never Say Goodbye” and the title track are exquisite.

Soon into the album, though, the impact is lessened. Covering Sinatra’s “Nice ‘n’ Easy” doesn’t fit her style. Streisand is not overly sexy, but this track needed to be flirty and sultry; instead she sounds like mom singing a silly “come hither” tune in front of all my friends. Awkward!

There is a downturn in the second half as “Alone in the World” and “So Many Stars” play on. They make less of an impression and she’s less engaged with the lyrics. An Academy Award-winning actress could put a little more emotion into it.

“The Same Hello, The Same Goodbye,” though, is a floating dream, and is easily a highlight, as is “That Face” performed jazzy and playfully. Streisand even sounds less on guard than her previous tracks, more relaxed.

For diehard fans, this is Streisand at her finest: Quality production, impeccable voice, timeless tunes. For the rest, this is the same over again. With nothing to prove, I wish she’d be more daring in her music the way she’s willing to be with her films (Little Fockers, anyone?).

This article appeared in the Dallas Voice print edition August 19, 2011.

—  Kevin Thomas