Our best and worst at the Oscars

OK, so we can all probably agree that the worst thing at the Oscars wasn’t on the red carpet — it was Seth MacFarlane’s tone-deaf jokes about Quvenzhane Wallis and other celebs that fell flat. Well, maybe you did like him, or even Jennifer Lawrence winning for the godawful Silver Linings Playbook.

Well, whatever you thought of the ceremony, here’s what our fashionista, J. Denton Bricker, thought of the best and worst ladies’ wear of the evening. Feel free to disagree or add your own.

BEST

DARREN LE GALLO, AMY ADAMSJESSICA CHASTAINNAOMI WATTS Amy Adams — The shape of her pale blue Oscar de la Renta was dazzling with every shot from the front row.

Jessica Chastain — The shimmering Art Deco design (also from Armani Prive) conjured images of Old Hollywood, including Marilyn.

Naomi Watts — This sharp silver number from Armani Prive looked like nothing else on the red carpet and seemed to catch color.

REESE WITHERSPOONWILLIAM GOLDENBERG, SANDRA BULLOCK

Reese Witherspoon — The form-fitting cobalt gown by Louis Vuitton was sleek and classic with a little edge. Her vintage locks were the best of the evening.

Sandra Bullock — Elegant, effortless and breathtaking in Ellie Saab, who wouldn’t want to receive an award from her?

WORST

MELISSA MCCARTHYANNE HATHAWAYHelena-Bonham-Carter

Melissa McCarthy — The effort was there, but the grey blob of a dress from David Meister just didn’t work.

Anne Hathaway — The pale pink Prada fit Anne awkwardly and accentuated her breasts in all the wrong, pointed ways.

Helena Bonham Carter — Known for her eccentric tastes, the spooky Vivienne Westwood was just wrong for the Oscar red carpet.

—  Arnold Wayne Jones

The 5 most famous lesbian scenes on film

Natalie Portman and Mila Kunis in ‘Black Swan.’

CHRISTY LEMIRE | AP Movie Critic

LOS ANGELES — Natalie Portman and Mila Kunis play bitter ballet rivals in Darren Aronofsky’s trippy Black Swan. But the heightened emotion they feel for each other ends up bubbling over into a passionate sex scene that’s had people talking for months before the film’s release.

Well, now Black Swan is finally here, so it’s a great opportunity — and not gratuitous at all, really — to take a look at the five most famous lesbian scenes on film. A side note: Showgirls might have been a serious contender, but it appeared last week among the five most irresistible guilty-pleasure movies. It is tempting to find a reason to talk about Showgirls every week, though …

Mulholland Dr. (2001): The first intimate encounter between Naomi Watts and Laura Elena Harring is soft and sweet … but because this is a David Lynch movie, naturally the relationship between these two women becomes darker and more complicated. Watts, as aspiring starlet Betty Elms (at this point in the film, at least), gets tangled up with Harring’s gorgeous amnesiac Rita. As the two embark on an adventure, playing girl-detective to solve the mystery of Rita’s past, their fear and loneliness lead to a kiss which leads to one of the loveliest lesbian scenes ever filmed. In a movie full of twists, this is a rare moment of pure, instinctive emotion.

Wild Things (1998): It starts out as a face-slapping, hair-pulling cat fight in a swimming pool and ends up in a make-out session, complete with bikinis and T-shirts being tossed aside with sultry music in the background. Denise Richards plays the naughty rich girl and Neve Campbell plays the naughty poor girl; despite coming from opposite sides of the tracks, they manage to get together to concoct some rape accusations against their high school guidance counselor (Matt Dillon). The fact that this takes place in South Florida makes the whole movie feel even more steamy and tawdry. Wild Things easily could have made last week’s guilty-pleasure list, too. It’s so multipurpose.

• Bound (1996): Before The Wachowski Brothers entered the Matrix, the writing-directing duo made their debut with this funny, tense and sexy neo-noir. Jennifer Tilly plays Violet, the seemingly ditzy girlfriend of a mobster; Gina Gershon plays Corky, the maintenance woman in their apartment building who just got out of prison. Violet’s attraction to Corky is instantaneous, and eventually the two cook up a scheme to steal $2 million in stashed cash from Violet’s boyfriend. A ridiculous amount of contrived meetings and flirting leads to an intense — but artfully photographed — love scene between the two women.

D.E.B.S. (2004): As if it weren’t enough to have a bunch of beautiful, teenage spies dressed in naughty schoolgirl outfits, their leader (Sara Foster) ends up secretly falling for the deadly criminal (Jordana Brewster) who is their primary target. Writer-director Angela Robinson’s film isn’t exactly great cinema but it also doesn’t take itself too seriously, and features plenty of fun, cheeky moments. (Its tagline: “They’re crime-fighting hotties with killer bodies.”) That’s indeed true of Foster and Brewster, who share a few kisses and teasing moments before their eventual playful and passionate hook-up.

Cruel Intentions (1999): The most chaste of the five on this list, but it did earn Sarah Michelle Gellar and Selma Blair the highly coveted “Best Kiss” prize at the MTV Movie Awards. In this prep-school version of Dangerous Liaisons, Gellar functions in the Glenn Close role as a conniving and manipulative rich girl who dominates Manhattan’s Upper East Side. Blair is in the Uma Thurman role as a malleable innocent. Since Blair’s character has never kissed a boy before, Gellar’s teaches her what to do during a picnic in Central Park: “I’m gonna stick my tongue in your mouth, and when I do that I want you to massage my tongue with yours.” It all sounds pretty straightforward.

—  John Wright