Dallas Diablos vs. DFW Sisters in kickball for charity

Angels vs. Demons

What do the rough-and-tumble Diablos and the ever-so-spiritual Sisters have in common? The Diablos, who play one of the roughest team sports, compete in the not-gay Texas Rugby Union and participate in the International Gay Rugby Association. Part of their mission is to forge friendships and celebrate differences.

And nothing in Dallas could be more different than The DFW Sisters, a mission of the Sisters of Perpetual Indulgence. But that group is also dedicated to respecting diversity. And both groups include fundraising for community organizations as part of their core mission.

So what else could the Diablos do but accept the challenge when The Sisters invited them to play a game of kickball for charity?

“What a fun and zany way to raise money for Legacy,” said Legacy Executive Director Melissa Grove. “I applaud their ability to create a new and fresh event. I’ve been doing this a long time and this is the first time I’ve seen anything like this.”

DEETS: Kickball at Field No. 1, Glencoe Park, 5300 Martel Ave. Sept. 11 at 2 p.m. $5.

—  Rich Lopez

Broken Mould

Queer punk pioneer Bob Mould turned an abusive childhood into a musical movement, but memoir targets hardcore fans

2.5 out of 5 stars
SEE A LITTLE LIGHT: THE TRAIL OF RAGE AND MELODY
By Bob Mould (with Michael
Azerrad). 2001 (Little, Brown)
$25; 404 pp.

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It all starts with “Twinkle, Twinkle Little Star.” It continues with the itsy-bitsy spider, the ABCs and being a little teapot. From there, you embrace whatever your older siblings are listening to until you develop your own musical tastes. Maybe you started with records, moved on to the cassette tapes, CD and now, your iPod is full.

The point is, you’ve never been without your tunes.

But what about the people who make the music you love?

When Mould was born in 1960 in the northernmost end of New York, he entered a family wracked with grief: Just before he was born, Mould’s elder brother died of kidney cancer. He surmises that the timing of his birth resulted in his being a “golden child,” the family peacekeeper who sidestepped his father’s physical and psychological abuse.

“As a child,” he writes, “music was my escape.”

Mould’s father, surprisingly indulgent, bought his son guitars and young Bob taught himself to play chords and create songs. By the time he entered high school, Mould knew that he had to get out of New York and away from his family. He also knew he was gay, which would be a problem in his small hometown.

He applied for and entered college in Minnesota, where he started taking serious guitar lessons and drinking heavily. His frustrations led him to launch a punk rock band that made a notable impact on American indie music.

Named after a children’s game, Hüsker Dü performed nationally and internationally, but Mould muses that perhaps youth was against them. He seemed to have a love-hate relationship with his bandmates, and though he had become the band’s leader, there were resentments and accusations until the band finally split.

HUSKER DON’T | Bob Mould turned his youthful rage and homosexuality into a music career. (Photo by Noah Kalina)

But there were other bands and there were other loves than music, as Mould grew and learned to channel the rage inside him and the anger that volcanoed from it.

“I spent two years rebuilding and reinventing myself,” writes Mould. “Now that I’ve integrated who I am and what I do, I finally feel whole.”

If you remember with fondness the ‘80s, with its angry lyrics and mosh pits, then you’ll love this book. For most readers, though, See a Little Light is going to be a struggle. Mould spends a lot of time on a litany of clubs, recording studios, and locales he played some 30 years ago — which is fine if you were a fellow musician or a rabid, hardcore fan. This part of the book goes on… and on… and on, relentlessness and relatively esoteric in nature.

Admittedly, Mould shines when writing about his personal life but even so, he’s strangely dismissive and abrupt with former loves, bandmates, and even family. I enjoyed the occasional private tale; unfortunately there were not enough.

Overall, See a Little Light is great for Mould fanboys and those were heavy into the punk scene. For most readers, though, this book is way out of tune.

— Terri Schlichenmeyer

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Applause: Stage pink

Queer highlights from the upcoming theater season

RICH LOPEZ  | Staff Writer

Anticipation should be strong for the upcoming theater season in general. Ambitious shows like Giant, The Tempest, West Side Story and Hairspray all dot the stage horizon.
But we also like to see some of our own up there. As we look over the upcoming offerings from local theater companies, we always ask, “Where’s the gay?”  In addition to Uptown Players’ first  Dallas Pride Performing Arts Festival, here are some of the others.

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Fall

Although the Dallas Opera canceled the opera she was set to star in, lesbian soprano Patricia Racette will still perform at a TDO gala. (Photo Devon Cass)

Singer-songwriter Duncan Sheik gave an indie music flair to the musical adaptation of the 1891 play Spring Awakening. Set in 19th century Germany, Awakening follows a group of youths as they discover more about themselves and their rapidly developing sexuality.

The original Frank Wedekind play was controversial in its day, depicting abortion, homosexuality, rape and suicide. Now the show just has an added rock ‘n’ roll score. Along with Sheik’s musical perspective, Steven Slater wrote the book and lyrics in this updated version which debuted in 2006 on Broadway and won the Tony for Best Musical. Terry Martin directs.

WaterTower Theater, 15650 Addison Road., Addison. Sept. 30–Oct. 23. WaterTowerTheatre.org.

It’s almost un-Texan if you’re gay and not familiar with Del Shores’ tales of Southern discomfort.  Southern Baptist Sissies and Sordid Lives are pretty much part of the queer vernacular in these parts, but Shores got his start way back in 1987.

How will those northern folks take to Shores work (And by north, we mean past Central Expressway past LBJ)? Jeni Helms directs Daddy’s Dyin’: Who’s Got the Will for McKinney Repertory Theatre this fall. As the family patriarch suffers a stroke, the Turnover family gathers as they wait for his death. This family may just put the fun in dysfunctional.

McKinney Performing Arts Center, 111 N. Tennessee St., McKinney. Sept. 30–Oct. 7. McKinneyRep.org.

WingSpan Theatre Co. will produce one of the greater comedies of theater-dom this fall: Oscar Wilde’s The Importance of Being Earnest, with Nancy Sherrard sparring over the gay wit’s price bon mots as Lady Bracknell.

Bath House Cultural Center, 521 E. Lawther Drive. Oct. 6–22. WingSpanTheatre.com.

Although A Catered Affair might sound a bit like My Big Fat Greek Wedding, it has the added flair of Harvey Fierstein’s wit. That’s because he wrote the book for the show alongside John Bucchino’s music and lyrics. The play is based on the Gore Vidal-penned 1956 film The Catered Affair starring Bette Davis.

When Jane and Ralph decide to get married, Jane’s mom Agnes wants to put on an elaborate spectacle of a wedding. The truth is, she can’t afford it and Jane isn’t all too thrilled about a huge affair. As in most cases, the wedding planning is more about the mom than the daughter and Agnes soon realizes the fact. Jane’s Uncle Winston — the proverbial gay uncle — is left off the guest list and is rightfully pissed. But as most gay characters, he rallies to be the voice of reason and support.

Theatre Three, 2800 Routh Street, Ste.168. Oct. 13–Nov. 12. Theatre3Dallas.com.

Lesbian soprano Patricia Racette was going to be featured in the production of Katya Kabanová but unfortunately the show was canceled by the Dallas Opera. But fear not. Dallas will still get to bask in the greatness that is her voice as Racette will perform An Evening with Patricia Racette, a cabaret show with classics from the Great American Songbook for a patron recital.

Winspear Opera House, 2403 Flora St. Nov. 9. DallasOpera.org

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Spring

Nancy Sherrard will star as Lady Bracknell in WIngSpan Theater Co.’s fall production of Oscar Wilde’s ‘The Importance of Being Earnest,’ perhaps the greatest comedy ever written by theaterdom’s gayest wit.

Kevin Moriarty directs Next Fall for the Dallas Theater Center next spring. Written by Geoffrey Nauffts, the play centers on Luke and Adam, a couple with some unusual issues. What’s new about that in gay couplehood? Not much, but when Adam’s an absolute atheist and Luke’s a devout Christian, the two have been doing their best to make it work.
The comedy played on Broadway in 2010, garnering Tony and Drama Desk nominations. And now Dallas gets to see how, as DTC puts it, “relationships can be a beautiful mess.”
Kalita Humphreys Theater, 3636 Turtle Creek Blvd. April 13–May 6. DallasTheaterCenter.org.

Perhaps the most surprising queer offering this next season is Theatre Arlington’s production of The Laramie Project. The show usually creates quite a stir — at least it did in Tyler, thanks to Trinity Wheeler — so how will this suburban audience handle it? Doesn’t matter. Props to T.A. for taking Moises Kaufman’s play about the tragic bashing and death of Matthew Shepard to its community.

Theatre Arlington, 305 W. Main St., Arlington. May 18–June 3. TheatreArlington.org.

Usually the question with MBS Productions is “what’s not gay?” Founder Mark-Brian Sonna has consistently delivered tales of gay woe and love that are sometimes silly and sometimes sweet, but always a laugh.

This season is no different. Playwright Alejandro de la Costa brings back drag queen Lovely Uranus in The Importance of Being Lovely. The last time we saw Uranus, Sonna wore the stilettos and pink wig in last season’s Outrageous, Sexy, (nekkid) Romp.  This time around, Uranus graduates to leading lady status as the show is all about her as audiences follow her through the changes she makes in her make-up, wigs and men.

Stone Cottage Theatre, 15650 Addison Road, Addison. July 16–Aug. 11, 2012. MBSProductions.net.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Applause: Broadgay at Winspear

Lexus series adds queer event to upcoming season of musicals

What’s gay about ‘Jersey Boys’? The GLBT Broadway subscriber series at the Winspear will tell you.

The Lexus Broadway Series offers a muscular lineup of shows that feature classic stories and contemporary rock ‘n’ roll. But they go one step further in the 2011-12 season with the stage equivalent of special edition DVDs, featuring enhanced performances and pre-show engagements for subscribers — including its gay patrons.

Dallas Voice Life+Style Editor Arnold Wayne Jones will host a conversation every second-week Tuesday about 45 minutes before each show. The series, called GLBT Broadway, will highlight the appeal for queer audiences for the shows in the series. The discussion will touch on issues of gender identity and sexuality in regards to the show and the teams behind them. Some — such as the season lead-off, Hair — might be easier to analyze from a gay perspective than, say, Jersey Boys, but that’s part of the fun of the series.

The season starts with Hair, which won the Tony in 2009 for best musical revival. Youth in 1960s America are all about peace, love and understanding — including nudity and homosexuality — in this iconic musical. Sept. 20–Oct. 2.

The epic Les Miserables follows with a new 25th anniversary production. Dec. 20–Jan. 1.

Best musical Tony winner In the Heights details the immigrant experience as characters find a new life in their new country. March 13–25.

Alt-rockers Green Day went Broadway with American Idiot, touted as a mashup of a rock concert and staged musical. May 8–20.

The season concludes with Jersey Boys and Frankie Valli and the Four Seasons. Classic hits like “Big Girls Don’t Cry” and “Can’t Take My Eyes Off of You” tell the tale of this well-accomplished music group from the ‘50s. June 12–July 15.

Other subscriber series include Broadway University, hosted by SMU theater professor Kevin Hofeditz which will explore themes of the show and its place in theater history (every second Saturday matinee) and Broadway Uncorked (every second-week Wednesday), where an expert sommelier will host a wine tasting based on the show. We wonder what American Idiot’s wine will be.

— Rich Lopez

For more information on the Lexus Broadway Series and its enhanced performances, visit ATTPAC.org.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Out & Equal Uncorked tonight at Times Ten

Days of wine and more wine

Join Out & Equal for their annual fundraiser and partake in  a variety of Times Ten Cellars wines with cheeses and other appetizers. Live music, prize drawings and a live auction of American Airline tickets will all be part of the event. Proceeds benefit Out & Equal DFW’s mission of achieving a world free of discrimination for everyone.

DEETS: Times Ten Cellars, 6324 Prospect Ave. 6:30 p.m. $35 advance, $40 door. For tickets call Jeffrey Gorczynski at 214-226-6502

—  Rich Lopez

Masquerade ball at Dallas Eagle tonight

Who are those masked men?

The Dallas Eagle knows how to throw a bash. As part of Leather Pride Week (who knew?), the club hosts Masquerade: A Night of Men, Leather, Fantasy and Intrigue. OK, you got us — we’re intrigued. The leather and fetish ball assures no Cinderellas on hand. Gear and masks are encouraged. Just don’t be that guy without one.

DEETS: Dallas Eagle, 5740 Maple Ave. 10 p.m. DallasEagle.com

—  Rich Lopez

Sons of Hermann Hall celebrates 100 years

Who can blow out a 100 candles?

The legendary venue Sons of Hermann Hall celebrates a century this weekend and as part of the vast music lineup, LGBT faves Patrice Pike and Kathy & Bella join in on the celebration. Two days of Texas music in this Dallas gem is pretty much the equivalent to heaven.

DEETS: SOHH, 3414 Elm St. $25­–$45. SonsOfHermann.org.

—  Rich Lopez

Master of HIS domain

Ben Starr, the recently out Dallas cheftestant on Fox’s ‘MasterChef,’ camps it up on Gordon Ramsay’s cooking competition series

ARNOLD WAYNE JONES  | Life+Style Editor
jones@dallasvoice.com

…………………….

MASTERCHEF
Airs Tuesdays on Fox (Ch. 4) at 8 p.m.

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When Lewisville-based travel writer Ben Starr auditioned for Fox’s MasterChef, he doubted they’d be interested in his style of home cooking. But not only did he make the cut, he’s been one of the more memorable cheftestants — just this week, he had the judge’s favorite dish.

The series is only halfway through, but for Starr, it’s already made a huge difference in his life: It forced him to come out to his parents just last month. We talked to him about the experience and his favorite meals.

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You’ve been struggling since you wowed the judges at your audition. The audition kinda set me up to expect that I would do well in the competition, but we spun pretty quickly into an emphasis on gourmet cuisine, which is not my thing at all. My street tacos were a little bit spiffy, and I am extremely well traveled, but I tend to eat peasant food even when I travel. I was seeing all these people around me making restaurant quality cuisine and trying to compete on their level. Nice to make a good ol’ catfish in a skillet.

What was the hardest challenge for you? The biggest challenge has definitely been psychological. I’m competitive by nature and I want to feel like I’m competition, but I was surrounded by chefs that were a little more connected to the Food Network that I am. They’d use words like umami [a Japanese word for a savory flavor] and I had to go look it up. There was a common lexicon among the contestants about what these famous chefs I’ve never heard of are doing in their restaurants. I felt like an idiot stumbling around in the dark. That started to leak into my cooking and I began to question, “Is this sophisticated enough? Is this even sophisticated?” The episode this week was a turning point. I felt like for the first time I’m back in my own element.

You certainly have made an impression with your outfits. I don’t wear those hats at home, though I do wear an apron, just for practicality. But [the show] has started this storytelling legacy — people expect me to wear them when they come over. My mom made me the pumpkin hat and apron. Actually, she made me five or six pairs to wear. That’s why you always see a different one on me each episode. I was going through them.

Was wearing them part of a conscious effort to stand during the auditions? I am fairly myself, though I had to set myself apart that wasn’t just about food. I needed to be someone [the judges] remember when they go home at night. That’s why I talked about my rural upbringing, because I thought it would generate a memory.

Had you watched the show before? Did you know what to expect? I don’t watch much TV, but this is not my first time being on TV, which is ironic because I abhor reality television —it brings out the worst in our culture. But I did Rachael Ray’s So You Think You Can Cook in 2007. The audience there was much more caring and nurturing than the machine on MasterChef, but I was a little bit prepared for the frank judgment.

I did not watch the first season of MasterChef, but my friend Karen Rutherford said, “I’ll never speak to you again if you don’t audition [for season 2].” So I watched them all on Hulu. I just sweated my way through them. I knew how intense and stressful it is to cook on TV, and saw how brutal Joe Bastianich and Gordon Ramsay were with the contestants. I thought: Screw this. Then a few weeks passed and the terror faded [and I went through the lengthy audition process]. It was a lot of work — the most difficult full-time job I’ve ever had that doesn’t pay.

What’s your favorite kind of cuisine? While my DNA wants to say Mexican food — I had it in the womb six times a week — I am most intrigued by Thai food. It is so complex, yet so much of it is cooked on the street in a tiny little cart. From the richest to the poorest, everybody eats on the street.

How about a favorite meal? One of the most memorable meals I’ve ever had was in Egypt on New Year’s Eve in 2001. I spent it on Mount Sinai and hiked eight miles back down to the car for the drive back to our resort. [The driver] fell asleep at the wheel and we plummeted into a canyon. Eventually a camel train of Bedouins came by the bottom of this canyon. They took us onto the camels and rode four or five miles to their camp. All the women came out, killed a goat and started cooking while the men tried to pull our car out of the canyon.

It was a humble meal — just a goat stew and some flat bread — but the flavors were really intense and felt they came right out of the desert. I could not even communicate with these people who live in abject poverty, but still they were willing to kill one of their last goats and throw a big feast for us because it’s in their nature to be hospitable. I realized it was important to me to use food to nurture people in my life — I could never be a chef and be in the back. I need to be with the people. My partner is one of the main reasons I cook — we’ve been together eight years and I want to marry him one day.

Did you plan to be “the gay guy” on the show? When I was on [Rachael Ray] it was not addressed and I didn’t talk about it openly. At that point my family didn’t know I was gay — in fact, I didn’t come out to my parents until about five weeks ago. They were totally shell-shocked — they didn’t have a clue.

Maybe mom should have guessed since she made you all those hats. Ha! Maybe.

This article appeared in the Dallas Voice print edition July 8, 2011.

—  Michael Stephens

Pet of the Week: Dean

Dean is a stunning black-and-white tuxedo kitty with olive-green eyes. He’s 2 years old but seldom acts his age. Dean loves people and is great with children and other cats, too. Sometimes he’s playful, sometimes he’s laidback, and he’s always loving. June is Adopt a Shelter Cat Month, and the purrfect time to make Dean a part of the family.

Dean and many other dogs, cats, puppies and kittens are available for adoption from Dallas Animal Services, 1818 N. Westmoreland at I-30, just minutes west of Downtown Dallas. The shelter is open Monday-Saturday 11 a.m.-6:30 p.m. and Sundays noon-5 p.m. The cost to adopt is $85 for dogs and $55 for cats and includes spay/neuter surgery, vaccinations, microchip and more. All dogs are negative for heartworms, and cats have been tested for FeLV and FIV. For more information, visit DallasAnimalServices.org or call 214-671-0249.

—  John Wright

Weenies & Martinis fundraiser tonight at Jack’s Backyard

These weiners don’t tweet
We’re not sure what culinary masters would think of this pairing, but Weenies & Martinis sounds just fine to us. The Lone Star Ride fundraiser features a weiner roast (jokes welcome), s’mores and all the ingredients for a grown-up campfire. The best part is that 100 percent of the proceeds go to LSR Fighting AIDS.

DEETS: Jack’s Backyard, 2303 Pittman St. 7:30 p.m. $20. Search the event on Facebook.com

—  Rich Lopez