Homophobia nearly derailed the TCC’s planned Tyler concert, but some scrambling saved the day — even without drag queens
ARNOLD WAYNE JONES | Life+Style Editor email@example.com
O HOLY NIGHT
Meyerson Symphony Center, 2301 Flora St. Dec. 15, 20 and 22.
8 p.m. $30–$67.
Almost since Jonathan Palant took over as artistic director of the Turtle Creek Chorale, he’s been trying to schedule a concert in Tyler. He is friends with the choir director of the Marvin United Methodist Church, a congregation with an inclusive pastor and active concert series. It was all but a sealed deal earlier this year.
Then came word this summer that some powerful members of the church objected to a gay men’s chorus performing. The offer to perform there was revoked.
“At the time, my blood was boiling,” Palant admits. “But teaching acceptance is in our mission statement, and my personal approach is to encourage tolerance. This wasn’t a time for payback. A picture is worth a thousand words, like the one of the TCC standing beside the [all-men] U.S. Army Chorus. That makes more of a statement that a speech could.”
And he wanted to do that same with the Tyler concert.
“We circled back around and found a different location. Within three weeks we had three churches asking to host us. For acoustics and size, we went to the First Presbyterian Church, and they voted unanimously to approve it,” he says. Which means Tyler will be getting its chorale Christmas concert after all.
And the adage no press is bad press seems to be holding true. “Word has it everybody in Tyler is gonna make a night of it — I’m told it will be standing room only in the 750 seat sanctuary. It’s all the more enticing to attend [when you have been banned],” he says.
The chorale is well-known for its campy concerts, even (especially?) at Christmastime, but Palant says he wanted to go old-school this year — both in the slightly truncated Tyler version and the one that returns to the Meyerson Symphony Center for three performances, starting Wednesday.
“Since we’re back at our home in the Meyerson [following last year’s concert at the Winspear], I really wanted to make it ‘home for the holidays’ — your favorite Christmas carols that you could sing along to,” he says. “We’re leaving the plots and the theatrics behind this year and, as one member called it, the deluxe version of the TCC holiday concert because it’s very traditional — very stand and sing or as I call it ‘park and bark.’”
For traditionalists of another kind, however, there are plenty of chorale favorites. On the slate will be the popular Nigerian hymn “Betelehemu” with African drums, a few light-hearted numbers (one, called “Omnes Virginus Levite Manus” should recall the best of chorale humor, but is more invigorating than silly) and there will of course be “Silent Night” performed with American Sign Language solos and the dedication of poinsettias for departed chorale members (the number has grown to more than 180). And Santa Claus will be there as always.
“We have some new arrangements that are unique enough to keep them fresh but the melodies are still there, like an amazing version of ‘Silver Bells,’ a great gospel arrangement of ‘Children, Go Where I Send Thee’ and a stunning minimalistic version of ‘Auld Lang Syne’ — it’s the version used in the movie Sex and the City,” Palant says.
Sex and the City figuring into a Christmas concert? Sounds like the chorale we’ve come to know and love.
This article appeared in the Dallas Voice print edition December 10, 2010.