Katy Perry to play in Dallas Jan. 14

Katy Perry’s latest album, Witness, is set to drop on June 9, and she’s already booking North American arena tour dates, including Dallas.

Perry will bring her concert to American Airlines Center on Jan. 14, but tickets go on sale as early as this Thursday at 9 a.m., via the Ticketmaster Verified Fan presale. (If not already a member, you have to register by Tuesday.) Citi cardmembers can start purchasing at noon Thursday. General ticket sales begin May 22 at 10 a.m. At ticket purchases include a pre-order for Witness: The Album.

—  Arnold Wayne Jones

Gwen Stefani tour coming to Gexa Pavilion

Gwen22016Gwen Stefani — whom we interviewed here and whose new CD we reviewed here — has announced her summer tour in support of the album This Is What the Truth Feels Like. It kicks off in Massachusetts on July 12, and makes its way to Dallas Gexa Energy Pavilion on Saturday, Aug. 13. Eve will be the opening act.

Tickets officially go on sale at 10 a.m. on Friday here, but if you’re a CitiBank card member, you can get exclusive access to tickets today starting at 10 a.m. here.

—  Arnold Wayne Jones

Morrissey cancels Dallas show due to health issues, will reschedule

Morrissey

If you’re a fan of music, you’ve probably been looking forward to Morrissey’s concert at the Palladium next Monday. The sexually ambiguous former frontman of The Smiths is one of the enduring icons of modern music.

Well, you’ll have a wait a little longer.

Morrissey’s doctors have ordered the 53-year-old singer to rest for two weeks following diagnosis of a bleeding ulcer and esophageal disorder, according to his rep, which all but cancels his planned Texas tour, including his Dallas appearance on the 18th. His tour is now scheduled to pick up on the 21st, in Denver.

As new Texas dates will be announced soon, ticketholders are being urged to hold onto their tickets until his appearance is rescheduled.

—  Arnold Wayne Jones

SEX… in a fashion

The DMA’s exhibit on the fashions of Jean Paul Gaultier exudes sex appeal with a big dose of flamboyance

Fashion-1

DRESSED TO KILL IT | Gay fashion pioneer Jean Paul Gaultier oversees his own exhibit (Below) as an Animatronic mannequin, a fascinating technology that only accentuates the brilliance of the designs. (Photography by Arnold Wayne Jones/Dallas Voice)

 

ARNOLD WAYNE JONES  | Life+Style Editor
jones@dallasvoice.com

For a man best known for creating the Valkyrie-like conical breastplate that shot Madonna into the pop culture stratosphere, Jean Paul Gaultier is a surprisingly humble person. While he’s clearly delighted to have his fashions on display — as they are at the Dallas Museum of Art in the traveling exhibit The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk, which runs through February — he makes one thing plain: He does not consider fashion “art.”

“My work is not art,” he says flatly. “My job is to make clothes that have to be worn. My role is not to create in the abstract but to be inspired by the needs and desires of the people. So I am in service to that. Art is art — it is a personal vision of the artist.” He pauses, then adds with a smile, “My collections are my babies, though.”

While the designer himself may not consider his work product “art” in an academic sense, there are probably few who would agree with him. More so than most fashion designers, Jean Paul Gaultier’s style is instantly recognizable, even without seeing the label.

He almost single-handedly moved the bustier from the boudoir to the arena stage, cladding Madonna in a corset for her Blonde Ambition tour in 1990, immediately making legends of them both.

It’s not just brassieres, but lace bodysuits, silk leotards, men in skirts — Gaultier takes fashion rules and sets them on their heads, turning out wearable art (there, we said it) that is both old-fashioned, even classical, and futuristic — but always oozing sex.

“My love for fashion belongs to the fact I saw a movie from the 1940s when I was 12,” he says. “In the movie, they did a beautiful description of couture.” (Now, when he works with a film director — as he did recently with Pedro Almodovar on The Skin I Live In, or Luc Besson on several films — “it is like I return to that [moment]”.)

But really, the germ of his style was started by what a pre-teen Jean Paul found in his grandmother’s wardrobe.

“I was fascinated by the whole world of my grandmother’s closet — it was beautiful and different,” he says. “It was underwear that could be worn as outerwear. I stole my ideas from her.”

Though not just her. Gaultier was inspired by television, by old movies, by showgirls — anything that offered a view of beauty he could re-imagine on the runway.

“My definition of beauty — there’s not one type. Beauty is beauty — you can find it in different places,” he says.

It’s a keystone not only of his design style, but of the DMA’s astonishingly exciting exhibit. (Anyone who doesn’t think a Gaultier gown deserves formal museum treatment obviously hasn’t seen the show.) In just a handful of rooms, we move from camp to punk — with many, many visits to edgy haute couture.

In the first gallery, visitors are introduced to Gaultier himself, talking about his fashions via a quasi-Animatronic mannequin that captures his actual face and voice, projected with unnerving authenticity. That happens with a lot of the mannequins, some of whom seem to look back, even judge you. (One Mohawk’d man in tights and a codpiece seemed to be flirting with me; I bet he does that with all the boys.) Lanky sailor boys in striped Apaché T-shirts look as if they leaped from a Tom of Finland drawing; that cone bra is also unmistakable.

Walk further, and the second room oozes the dark romance of a bordello, approximating (with its window-like display cases) the red-light district of Amsterdam. “I think when you exit this room, they should give you a cigarette,” I told another patron. She didn’t disagree.

Another room shows the movement of the pieces, sort of, with a moving catwalk that is like a time machine of Gaultier runway fashions, including representative designs from his famous Men in Skirts that took MOMA by storm some years ago. That’s only the most obvious example of the genderbending that is a Gaultier hallmark — and a central theme of the sexual forthrightness of the DMA’s exhibit.

“Androgyny is part of the thing that interests me,” he says, “that moment when the young can pass to adolescence [and] their beauty is between feminine and masculine at the same time. I use it to show in reality how [both sexes] can assume [the identity of the other sex]. In Scotland, you will see me in kilts and they are very masculine — it’s not feminine to wear a skirt [in that context].”

That, Gaultier says, is the essence of freedom, showing that “men can cry just as well as women can fight.”

And this exhibit shows that a designer can be an artist with a bold sense of sex — even if he doesn’t think so.

………………………

ONLINE EXCLUSIVE

Visit DallasVoice. com/ category/ Photos to see more of the Jean Paul Gaultier exhibit at the DMA.

This article appeared in the Dallas Voice print edition November 18, 2011.

—  Kevin Thomas

WATCH: Houston megachurch Pastor Joel Osteen equates being gay to having an addiction

Houston mega-church pastor Joel Osteen spoke to Sally Quinn of the Washington Post  as part of the media tour hyping his new book Everyday a Friday: How to Be Happier 7 Days a Week. Quinn steered the conversation towards Osteen’s recent appearance on Piers Morgan, and his statement that he would attend a same-sex wedding, but not perform one.  Osteen has gotten a lot of flack from the religious right for his willingness to attend attend a “homosexual wedding,” and it must be said that, in the world of mega-church leaders, his position is remarkably tolerant.  Unfortunately, Olsteen’s attempt at a middle-of-the-road response to Quinn’s question quickly steered toward the absurd:

“Somebody that maybe had this certain difficulty now, maybe in five years they’re not if we will love them. You know, I think one of the messages I speak on sometimes is, you know, we can love people back into wholeness. But sometimes we want to beat them down — you got this addiction and you shouldn’t have that, or you did this — I just don’t think that’s the best way.”

Yes, because being LGBT is just like having an addiction. Maybe it’s just me, but I don’t hear much of a difference between “love away the gay” and “pray away the gay.”

—  admin

Judas Priest farewell tour at Allen Event Center

Let your rock ‘n’ roller out

This isn’t the priest you kneel down to and make your confessions. Judas Priest demands that you stand up, raise your arms and rock the hell out. Especially now as they hit the road on their Epitaph Farewell Tour. What will we do without our original leather daddy and out lead singer Rob Halford to scream into our ears?

DEETS: With Thin Lizzy, Black Label Society. Allen Event Center, 200 E. Stacy Road, Ste. 1350, Allen. 7 p.m. $40–$130. Ticketmaster.com.

—  Rich Lopez

Choose between O.M.D at HOB or k.d. Lang at the Meyerson

Decisions, decisions

Whether you’re in the mood for swoony torch songs or synth-pop from the ’80s, tonight is your night. k.d. Lang stops in town with her new band the Siss Boom Bang in support of her latest album Sing it Loud. She’ll likely have you as putty in her hands once her mouth hits the microphone. Or for some flat-out fun pop that will take you back a few decades, hit up Orchestral Manoeuvres in the Dark (or O.M.D.) tonight. The band hit it big with “If You Leave” and “Dreamin'” back in the ’80s and then kinda faded away. But last year, they dropped History of Modern and tour and have been getting raves ever since.

If only you could be in two places at once.

DEETS: k.d. Lang and the Siss Boom Bang, Meyerson Symphony Center, 2301 Flora St. at 8 p.m. $40–$100. DallasSymphony.com.

O.M.D., House of Blues, 2200 N. Lamar St. at 8 p.m. $25–$45. HouseofBlues.com.

—  Rich Lopez

Son of a beach

A family vacation proves unexpectedly gay as Myrtle Beach, S.C., gets Pride

RAINBOW TOUR | Nearly 200 beachcombers — including the author (dark green, just right of center) — stepped away from the surf and gathered in a field to form a human rainbow flag.

ARNOLD WAYNE JONES  | Life+Style Editor
jones@dallasvoice.com

The trip to Myrtle Beach, S.C., had more to do with a family reunion than finding a good destination for gay travelers. After all, Myrtle Beach is a pretty lazy, conservative town in the perennial Red State, one where teenaged spring breakers and families gather to enjoy the warm surf and the resort-town appeal of seafood and beachcombing and overpriced cocktails. Queer travelers can hit one of the three gay bars, all within blocks of each other — Club Traxx, Time Out! and the Rainbow House (a lesbian club).

But the weekend I arrived , just by coincidence, it turned out to be Gay Pride.

Keep in mind, the gay community in Myrtle Beach is small, so “Gay Days,” plural, felt more like Gay Day, singular: One major event and then life as usual in Coastal Carolina.

The major event, though, was an ambitious one: Gathering members of the LGBT community and their allies to form a “human rainbow flag:” People signed up to wear a pastel-colored T-shirt and arrange themselves in the traditional configuration. A few others wore black, forming the flagpole.

The entire event was threatened by showers late Friday and early Saturday, but despite a slightly muddy field, nearly 200 people turned out, huddled closely on a muggy afternoon, while a photographer flew above in a helicopter.

Numbers weren’t uniform; there were too many reds and too few purples; but the effect was one of a flag waving in the breeze.

In order to do the shoot, members faced each other before bending forward to allow the broad field of their shirts to form the colors. Directly across from me stood Elke Kennedy, a resident of Greenville in the Upstate. Elke and her husband established SeansLastWish.org, raising awareness of anti-gay violence, after their gay son was beaten to death and his killer spent less than a year in jail.

Elke spoke at a rally following the photoshoot, and dozens in attendance listened to her recount her  son’s harrowing attack and death before two drag queens performed and a DJ spun dance hits. People started to file out after a while, off to the beach, or the clubs, or even the boardwalk, where the Texas Star-like Skywheel gives great views of the beach … and sits next door to the campily named souvenir shop the Gay Dolphin.

The latter was always may favorite place when I was growing up; you’d think my parents would have caught on sooner.

Click here for additional photos.

This article appeared in the Dallas Voice print edition August 26, 2011.

—  Michael Stephens

Stevie Nicks tonight at Verizon

Goth queen for days

Save for Fleetwood Mac’s 2003 Say You Will, Stevie Nicks has been a bit off the radar until this spring. Now she’s on tour in support of her newest album In Your Dreams. The feathered and frocked queen of classic rock maintains her goth flair but still manages an air of relevance.

DEETS: With Michael Grimm. Verizon Theatre, 1001 Performance Place, Grand Prairie. 8 p.m. $35–$250. Ticketmaster.com.

—  Rich Lopez

‘Drag Race’ tour hits S4 this month

As anyone who watches the show knows, one of the perks of winning RuPaul’s Drag Race is that the victor gets a victory lap … around the country. Raja will come to Dallas as part of the Drag Race/Absolut Vodka Tour later this month — on my birthday, no less. (Hold the applause.)

The tour kicks off in Denver on the 14th and goes to eight cities; the only Texas stop will be at Station 4 on Wednesday, May 26.

In addition to Raja, other queens from the show (names are not yet available) will be on hand, as will Absolut mixologist Justin Winters. We’re holding out hope someone from the “Pit Crew,” pictured, will make it, too. Sigh.

—  Arnold Wayne Jones